Venus And Mars (sculpture)
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Venus And Mars (sculpture)
''Hadrian and Sabina as Mars and Venus'' is a tall marble statue of 120–140 AD (with restorations of c. 170–175). The male figure originally represented the emperor Hadrian, but its head has later been restored to that of Lucius Verus. Shown in the guise of Mars, this makes Hadrian one of the first emperors to be portrayed as a god during his lifetime rather than be posthumously apotheosized. The female figure, in the pose of the Capuan Venus, arms him. The present female head, changed in antiquity, does not belong to the body and portrays Lucilla (Lucius Verus's wife) - the original head was probably that of Vibia Sabina, Hadrian's wife. The group reflects the hellenizing taste of the Hadrianic era and the revival of the neo-classical or Neo-Attic Neo-Attic or Atticizing is a sculptural style, beginning in Hellenistic sculpture and vase-painting of the 2nd century BC and climaxing in Roman art of the 2nd century AD, copying, adapting or closely following the style s ...
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Imperial Group Mars Venus Louvre Ma1009
Imperial is that which relates to an empire, emperor, or imperialism. Imperial or The Imperial may also refer to: Places United States * Imperial, California * Imperial, Missouri * Imperial, Nebraska * Imperial, Pennsylvania * Imperial, Texas * Imperial, West Virginia * Imperial, Virginia * Imperial County, California * Imperial Valley, California * Imperial Beach, California Elsewhere * Imperial (Madrid), an administrative neighborhood in Spain * Imperial, Saskatchewan, a town in Canada Buildings * Imperial Apartments, a building in Brooklyn, New York * Imperial City, Huế, a palace in Huế, Vietnam * Imperial Palace (other) * Imperial Towers, a group of lighthouses on Lake Huron, Canada * The Imperial (Mumbai), a skyscraper apartment complex in India Animals and plants * ''Cheritra'' or imperial, a genus of butterfly Architecture, design, and fashion * Imperial, a luggage case for the top of a coach * Imperial, the top, roof or second-storey compartm ...
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Neo-Attic
Neo-Attic or Atticizing is a sculptural style, beginning in Hellenistic sculpture and vase-painting of the 2nd century BC and climaxing in Roman art of the 2nd century AD, copying, adapting or closely following the style shown in reliefs and statues of the Classical (5th–4th centuries BC) and Archaic (6th century BC) periods. It was first produced by a number of Neo-Attic workshops at Athens, which began to specialize in it, producing works for purchase by Roman connoisseurs, and was taken up in Rome, probably by Greek artisans. The Neo-Attic mode, a reaction against the baroque extravagances of Hellenistic art, was an early manifestation of Neoclassicism, which demonstrates how self-conscious the later Hellenistic art world had become. Neo-Attic style emphasises grace and charm, serenity and animation,Gisela Richter praised the serenity and animation of a neo-Attic marble vase, ca. first century BC-first century AD, purchased for the Metropolitan Museum of Art (Richter, "A N ...
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Sculptures Of Roman Gods
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, and this has been lost.
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Sculptures Of Men In France
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramic art, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or Molding (process), moulded or Casting, cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, ...
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Mars (mythology) In Art
Mars is the fourth planet from the Sun and the second-smallest planet in the Solar System, larger only than Mercury. In the English language, Mars is named for the Roman god of war. Mars is a terrestrial planet with a thin atmosphere and has a crust primarily composed of elements similar to Earth's crust, as well as a core made of iron and nickel. Mars has surface features such as impact craters, valleys, dunes, and polar ice caps. Mars has two small, irregularly shaped moons, Phobos and Deimos. Some of the most notable surface features on Mars include Olympus Mons, the largest volcano and highest-known mountain in the Solar System, and Valles Marineris, one of the largest canyons in the Solar System. The Borealis basin in the Northern Hemisphere covers approximately 40% of the planet and may be a large impact feature. Days and seasons on Mars are comparable to those of Earth, as the planets have a similar rotation period and tilt of the rotational axis relative ...
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Cultural Depictions Of Hadrian
Culture () is an umbrella term which encompasses the social behavior, institutions, and norms found in human societies, as well as the knowledge, beliefs, arts, laws, customs, capabilities, and habits of the individuals in these groups.Tylor, Edward. (1871). Primitive Culture. Vol 1. New York: J.P. Putnam's Son Culture is often originated from or attributed to a specific region or location. Humans acquire culture through the learning processes of enculturation and socialization, which is shown by the diversity of cultures across societies. A cultural norm codifies acceptable conduct in society; it serves as a guideline for behavior, dress, language, and demeanor in a situation, which serves as a template for expectations in a social group. Accepting only a monoculture in a social group can bear risks, just as a single species can wither in the face of environmental change, for lack of functional responses to the change. Thus in military culture, valor is counted a typical be ...
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Ancient Greek And Roman Sculptures Of The Louvre
Ancient history is a time period from the beginning of writing and recorded human history to as far as late antiquity. The span of recorded history is roughly 5,000 years, beginning with the Sumerian cuneiform script. Ancient history covers all continents inhabited by humans in the period 3000 BCAD 500. The three-age system periodizes ancient history into the Stone Age, the Bronze Age, and the Iron Age, with recorded history generally considered to begin with the Bronze Age. The start and end of the three ages varies between world regions. In many regions the Bronze Age is generally considered to begin a few centuries prior to 3000 BC, while the end of the Iron Age varies from the early first millennium BC in some regions to the late first millennium AD in others. During the time period of ancient history, the world population was already exponentially increasing due to the Neolithic Revolution, which was in full progress. While in 10,000 BC, the world population stood at ...
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Vibia Sabina
Vibia Sabina (13 August 83–136/137) was a Roman Empress, wife and second cousin once removed to the Roman Emperor Hadrian. She was the daughter of Matidia (niece of Roman Emperor Trajan) and suffect consul Lucius Vibius Sabinus. Early life After her father's death in 84, Sabina, along with her half-sister Matidia Minor, went to live with their maternal grandmother, Marciana. They were raised in the household of Trajan and his wife Plotina. Sabina married Hadrian in 100, at the empress Plotina's request. Hadrian succeeded her great uncle in 117. Sabina's mother Matidia (Hadrian's second cousin) was also fond of Hadrian and allowed him to marry her daughter. Empress Sabina accumulated more public honors in Rome and the provinces than any imperial woman had enjoyed since the first empress, Augustus’ wife Livia. Indeed, Sabina is the first woman whose image features on a regular and continuous series of coins minted at Rome. She was the most traveled and visible empress t ...
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Mars (mythology)
In ancient Roman religion and myth, Mars ( la, Mārs, ) was the god of war and also an agricultural guardian, a combination characteristic of early Rome. He was the son of Jupiter and Juno, and was pre-eminent among the Roman army's military gods. Most of his festivals were held in March, the month named for him ( Latin ''Martius''), and in October, which began the season for military campaigning and ended the season for farming. Under the influence of Greek culture, Mars was identified with the Greek god Ares,''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. whose myths were reinterpreted in Roman literature and art under the name of Mars. The character and dignity of Mars differed in fundamental ways from that of his Greek counterpart, who is often treated with contempt and revulsion in Greek literature. Mars's altar in the Campus Martius, the area of Rome that took its name from him, was supposed to have been dedicated by Numa, the peace-lov ...
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Lucilla
Annia Aurelia Galeria Lucilla or Lucilla (7 March 148 or 150 – 182) was the second daughter of Roman Emperor Marcus Aurelius and Roman Empress Faustina the Younger. She was the wife of her father's co-ruler and adoptive brother Lucius Verus and an elder sister to later Emperor Commodus. Commodus ordered Lucilla's execution after a failed assassination and coup attempt when she was about 33 years old. Early life Born and raised in Rome into an influential political family, Lucilla was a younger twin with her elder brother Gemellus Lucillae, who died around 150. Lucilla's maternal grandparents were Roman Emperor Antoninus Pius and Roman Empress Faustina the Elder and her paternal grandparents were Domitia Lucilla and praetor Marcus Annius Verus. Marriages and ascension to Empress In 161, when she was between 11 and 13 years old, Lucilla's father arranged a marriage for her with his co-ruler Lucius Verus.Cassius DioRoman History 71.1, 3; 73.4.4–5. Verus, 18 years her sen ...
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Capuan Venus
The Venus of Capua is a sculpture made during the empire of Hadrian (117 to 138 AD). It is presumed that the Venuses of Milo and Capua are copies of an original lost Aphrodite, attributed to Lysippus, one of the great sculptors of classical Greece. Standing on her right leg, with her left foot resting on a helmet, the Greek goddess Aphrodite (Venus, according to Roman mythology) is represented half-naked. A himation or mantle of rich draping covers the lower part of the body, supported by the knee of the left leg slightly bent, and highlights the slight twist of the bust. The hair is divided on the forehead and gathered at the nape, which adorns a headband whose edge was possibly decorated with a string of pearls. On the face, oval in shape, there are almond-shaped eyes and well-drawn lips. The upper part of the body and the head of Aphrodite turn slightly to the left, while the arms rise to hold, almost certainly, the shield of the warrior god Ares, where the goddess looks at ...
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