Venus Disrobing For The Bath
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Venus Disrobing For The Bath
''Venus Disrobing for the Bath'' is an oil painting by Frederic Leighton, first exhibited in 1867. History Leighton's five contributions to the Royal Academy of 1867 were marked by an increasing devotion to Greek ideals, and by a refinement of finish.Staley 1906, p. 73. Among the pictures exhibited was ''Venus Disrobing for the Bath'', one of the most debated of all the artist's paintings of the nude. Analysis The paleness of the flesh-tint of this Venus aroused a criticism which has often been urged against his pictures that such a hue was not in nature. In imparting an ideal effect to an ideal subject, Leighton always, however, followed his own conviction that art has a law of its own, and a harmony of colour and form, derived and selected no doubt from natural loveliness, but not to be referred too closely to the natural, or to the average, in these things. The art critic J. B. Atkinson praised the work, declaring that "Mr Leighton, instead of adopting corrupt Roman ...
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Frederic Leighton
Frederic Leighton, 1st Baron Leighton, (3 December 1830 – 25 January 1896), known as Sir Frederic Leighton between 1878 and 1896, was a British painter, draughtsman, and sculptor. His works depicted historical, biblical, and classical subject matter in an academic style. His paintings were enormously popular, and expensive, during his lifetime, but fell out of critical favour for many decades in the early 20th century. Leighton was the bearer of the shortest-lived peerage in history; after only one day his hereditary peerage became extinct upon his death. Biography Leighton was born in Scarborough to Augusta Susan and Dr. Frederic Septimus Leighton (1799-1892), a medical doctor. Leighton's grandfather, Sir James Boniface Leighton (1769-1843), had been the primary physician to two Russian tsars - Alexander I and Nicholas I - and their families, and amassed a fortune while in their service. Leighton’s career was always cushioned by this family wealth, with his father pa ...
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Women In Art
Women in art may refer to: * Art featuring women as subjects * Women artists ** Lists of women artists * Women in Arts Award, a Ukrainian award * Women in the art history field * Women in Philippine art * Women in dance * Women in music Women in music include women as composers, songwriters, instrumental performers, singers, conductors, music scholars, music educators, music critics/music journalists, and in other musical professions. Also, it describes music movements (e ... * Women in film {{Set index article ...
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Nude Art
The nude, as a form of visual art that focuses on the unclothed human figure, is an enduring tradition in Western art. It was a preoccupation of Ancient Greek art, and after a semi-dormant period in the Middle Ages returned to a central position with the Renaissance. Unclothed figures often also play a part in other types of art, such as history painting, including allegorical and religious art, portraiture, or the decorative arts. From prehistory to the earliest civilizations, nude female figures are generally understood to be symbols of fertility or well-being. In India, the Khajuraho Group of Monuments built between 950 and 1050 CE are known for their erotic sculptures, which comprise about 10% of the temple decorations. Japanese prints are one of the few non-western traditions that can be called nudes, but the activity of communal bathing in Japan is portrayed as just another social activity, without the significance placed upon the lack of clothing that exists in the ...
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Mythological Paintings By Frederic Leighton
Myth is a folklore genre consisting of narratives that play a fundamental role in a society, such as foundational tales or origin myths. Since "myth" is widely used to imply that a story is not objectively true, the identification of a narrative as a myth can be highly controversial. Many adherents of religions view their own religions' stories as truth and so object to their characterization as myth, the way they see the stories of other religions. As such, some scholars label all religious narratives "myths" for practical reasons, such as to avoid depreciating any one tradition because cultures interpret each other differently relative to one another. Other scholars avoid using the term "myth" altogether and instead use different terms like "sacred history", "holy story", or simply "history" to avoid placing pejorative overtones on any sacred narrative. Myths are often endorsed by secular and religious authorities and are closely linked to religion or spirituality. Many socie ...
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1867 Paintings
Events January–March * January 1 – The Covington–Cincinnati Suspension Bridge opens between Cincinnati, Ohio, and Covington, Kentucky, in the United States, becoming the longest single-span bridge in the world. It was renamed after its designer, John A. Roebling, in 1983. * January 8 – African-American men are granted the right to vote in the District of Columbia. * January 11 – Benito Juárez becomes Mexican president again. * January 30 – Emperor Kōmei of Japan dies suddenly, age 36, leaving his 14-year-old son to succeed as Emperor Meiji. * January 31 – Maronite nationalist leader Youssef Bey Karam leaves Lebanon aboard a French ship for Algeria. * February 3 – ''Shōgun'' Tokugawa Yoshinobu abdicates, and the late Emperor Kōmei's son, Prince Mutsuhito, becomes Emperor Meiji of Japan in a brief ceremony in Kyoto, ending the Late Tokugawa shogunate. * February 7 – West Virginia University is established in Morgantown, West Virginia. * February 13 ...
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The Victorian Web
The Victorian Web is a hypertext project derived from hypermedia environments, Intermedia and Storyspace, that anticipated the World Wide Web. Initially created between 1988 and 1990 with 1,500 documents, it grew to 50,000 in the 21st century. In contrast to archives and web-based libraries, the Victorian Web presents its images and documents, including entire books, as nodes in a network of complex connections. It emphasizes links rather than the searches. The Victorian Web has many contributors, but unlike wikis, it is edited. Originally conceived in 1987 as a means of helping scholars and students in see connections between different fields, the site has expanded in its scope and vision. For example, commentary on the works of Charles Dickens is linked to his life and to contemporary social and political history, drama, religion, book illustration, and economics. Translations of this and earlier versions: Italian, Japanese, Korean, Spanish. The Victorian Web incorporates primar ...
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Venus Anadyomene
Venus Anadyomene (from Greek, "Venus Rising From the Sea") is one of the iconic representations of the goddess Venus (Aphrodite), made famous in a much-admired painting by Apelles, now lost, but described in Pliny's ''Natural History'', with the anecdote that the great Apelles employed Campaspe, a mistress of Alexander the Great, for his model. According to Athenaeus, the idea of Aphrodite rising from the sea was inspired by the courtesan Phryne, who, during the time of the festivals of the Eleusinia and Poseidonia, often swam nude in the sea. A scallop shell, often found in Venus Anadyomenes, is a symbol of the female vulva. The subject never entirely disappeared in Western art, and revived greatly in the Italian Renaissance, with further boosts in the Baroque and Rococo, and in late 19th-century Academic painting. At least one central female nude is practically required in the subject, which has contributed to its popularity. Antiquity According to Greek mythology, Aphr ...
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