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Vasilissa Ergo Gaude
''Vasilissa ergo gaude'' ("''Therefore rejoice, princess''") is an isorhythmic motet by the Renaissance composer Guillaume Dufay. In terms of its subject matter, it is sometimes grouped together with ''Lamentatio sanctae matris ecclesiae Constantinopolitanae'', '' Apostolus gloriosus'' and '' Balsamus et munda cera'' which are generically called Dufay's ''Byzantine motets''. Its composition was occasioned by the marriage on 21 January 1421 of Cleofa Malatesta, daughter of Malatesta di Pandolfo, to Theodore II Palaiologos, son of the Byzantine emperor Manuel II and Despot of the Morea. It has been surmised that the actual motet was composed in 1420 and is perhaps the earliest example of this choral form if not the earliest work attributed to Dufay. In earlier scholarship it was assumed that the motet's first performance had taken place on May 19, 1419, during the festivities prior to the marriage The tenor line is taken from Psalm 45:11 (44:11 in the traditional Catholic numberin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basilissa
''Basileus'' ( el, ) is a Greek term and title that has signified various types of monarchs in history. In the English-speaking world it is perhaps most widely understood to mean "monarch", referring to either a "king" or an "emperor" and also by bishops of the Eastern orthodox church and Eastern Catholic Churches. The title was used by sovereigns and other persons of authority in ancient Greece, the Byzantine emperors, and the kings of modern Greece. The feminine forms are ''basileia'' (), ''basilis'' (), ''basilissa'' (), or the archaic '' basilinna'' (), meaning "queen" or "empress". Etymology The etymology of ''basileus'' is uncertain. The Mycenaean form was *''gʷasileus'' (Linear B: , ''qa-si-re-u''), denoting some sort of court official or local chieftain, but not an actual king. Its hypothetical earlier Proto-Greek form would be *''gʷatileus''. Some linguists assume that it is a non-Greek word that was adopted by Bronze Age Greeks from a pre-existing linguistic Pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psalm
The Book of Psalms ( or ; he, תְּהִלִּים, , lit. "praises"), also known as the Psalms, or the Psalter, is the first book of the ("Writings"), the third section of the Tanakh, and a book of the Old Testament. The title is derived from the Greek translation, (), meaning "instrumental music" and, by extension, "the words accompanying the music". The book is an anthology of individual Hebrew religious hymns, with 150 in the Jewish and Western Christian tradition and more in the Eastern Christian churches. Many are linked to the name of David, but modern mainstream scholarship rejects his authorship, instead attributing the composition of the psalms to various authors writing between the 9th and 5th centuries BC. In the Quran, the Arabic word ‘Zabur’ is used for the Psalms of David in the Hebrew Bible. Structure Benedictions The Book of Psalms is divided into five sections, each closing with a doxology (i.e., a benediction). These divisions were probably intro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Music
Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century '' ars nova'', the Trecento music was treated by musicology as a coda to Medieval music and the new era dated from the rise of triadic harmony and the spread of the ' ''contenance angloise'' ' style from Britain to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque period. The period may be roughly subdivided, with an early period corresponding to the career of Guillaume Du Fay (c. 1397–1474) and the cultivation of cantilena style, a middle dominated by Franco-Flemish School and the four-part textures favored by Johannes Ockeghem (1410's or 20's – 1497) and Josquin des Prez (late 1450's – 1521), and culminating during the Counter-Reformation in the florid counterpoint of Palest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motets
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was generally believed the name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Council Of Florence
The Council of Florence is the seventeenth ecumenical council recognized by the Catholic Church, held between 1431 and 1449. It was convoked as the Council of Basel by Pope Martin V shortly before his death in February 1431 and took place in the context of the Hussite Wars in Bohemia and the rise of the Ottoman Empire. At stake was the greater conflict between the conciliar movement and the principle of papal supremacy. The Council entered a second phase after Emperor Sigismund's death in 1437. Pope Eugene IV convoked a rival Council of Ferrara on 8 January 1438 and succeeded in drawing some of the Byzantine ambassadors who were in attendance at Basel to Italy. The remaining members of the Council of Basel first suspended him, declared him a heretic, and then in November 1439 elected an antipope, Felix V. After becoming the Council of Florence (having moved to avoid the plague in Ferrara), the Council concluded in 1445 after negotiating unions with the various eastern ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pope Martin V
Pope Martin V ( la, Martinus V; it, Martino V; January/February 1369 – 20 February 1431), born Otto (or Oddone) Colonna, was the head of the Catholic Church and ruler of the Papal States from 11 November 1417 to his death in February 1431. His election effectively ended the Western Schism of 1378–1417. He is the last pope to date to take on the pontifical name "Martin". Biography Oddone Colonna was born at Genazzano, the son of Agapito Colonna and Caterina Conti, between 26 January and 20 February, 1369. He belonged to one of the oldest and most distinguished families of Rome. His brother Giordano became Prince of Salerno and Duke of Venosa, while his sister Paola was Lady of Piombino between 1441 and 1445. Oddone studied law at the University of Pavia. He became apostolic protonotary under Pope Urban VI (1378–1389), and was created Cardinal-Deacon of San Giorgio in Velabro by Pope Innocent VII in 1405. In 1409 he took part in the Council of Pisa, and was one of the su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantus Firmus
In music, a ''cantus firmus'' ("fixed melody") is a pre-existing melody forming the basis of a polyphonic composition. The plural of this Latin term is , although the corrupt form ''canti firmi'' (resulting from the grammatically incorrect treatment of ''cantus'' as a second- rather than a fourth-declension noun) can also be found. The Italian is often used instead: (and the plural in Italian is ). History The term first appears in theoretical writings early in the 13th century (e.g., Boncampagno da Signa, ''Rhetorica novissima'', 1235). The earliest polyphonic compositions almost always involved a cantus firmus, typically a Gregorian chant, although by convention the term is not applied to music written before the 14th century. The earliest surviving polyphonic compositions, in the ''Musica enchiriadis'' (around 900 AD), contain the chant in the top voice, and the newly composed part underneath; however, this usage changed around 1100, after which the cantus firmus typicall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gematria
Gematria (; he, גמטריא or gimatria , plural or , ''gimatriot'') is the practice of assigning a numerical value to a name, word or phrase according to an alphanumerical cipher. A single word can yield several values depending on the cipher which is used. Hebrew alphanumeric ciphers were probably used in biblical times, and were later adopted by other cultures. Gematria is still widely used in Jewish culture. Similar systems have been used in other languages and cultures: the Greeks isopsephy, and later, derived from or inspired by Hebrew gematria, Arabic abjad numerals, and English gematria. Although a type of gematria system ('Aru') was employed by the ancient Babylonian culture, their writing script was logographic, and the numerical assignations they made were to whole words. The value of these words were assigned in an entirely arbitrary manner and correspondences were made through tables, and so cannot be considered a true form of gematria. Aru was very different from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ars Antiqua
''Ars antiqua'', also called ''ars veterum'' or ''ars vetus'', is a term used by modern scholars to refer to the Medieval music of Europe during the High Middle Ages, between approximately 1170 and 1310. This covers the period of the Notre-Dame school of polyphony (the use of multiple, simultaneous, independent melodic lines), and the subsequent years which saw the early development of the motet, a highly varied choral musical composition. Usually the term ''ars antiqua'' is restricted to sacred (church) or polyphonic music, excluding the secular (non-religious) monophonic songs of the troubadours, and trouvères. Although colloquially the term ''ars antiqua'' is used more loosely to mean all European music of the 13th century, and from slightly before. The term ''ars antiqua'' is used in opposition to '' ars nova'' (meaning "new art", "new technique" or "new style"). The transition from ars antiqua into ars nova is not clearly defined, recent interpretation has described the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canon (music)
In music, a canon is a contrapuntal (counterpoint-based) compositional technique that employs a melody with one or more imitation (music), imitations of the melody played after a given duration (music), duration (e.g., quarter rest, one measure, etc.). The initial melody is called the leader (or ''dux''), while the imitative melody, which is played in a different part (music), voice, is called the follower (or ''comes''). The follower must imitate the leader, either as an exact replication of its rhythms and Interval (music), intervals or some transformation thereof. Repeating canons in which all voices are musically identical are called round (music), rounds—"Row, Row, Row Your Boat" and "Frère Jacques" are popular examples. An accompanied canon is a canon accompanied by one or more additional independent parts that do not imitate the melody. History Medieval and Renaissance During the Medieval music, Middle Ages, Renaissance music, Renaissance, and Baroque music, Baroque ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isorhythm
Isorhythm (from the Greek for "the same rhythm") is a musical technique using a repeating rhythmic pattern, called a ''talea'', in at least one voice part throughout a composition. ''Taleae'' are typically applied to one or more melodic patterns of pitches or ''colores'', which may be of the same or a different length from the ''talea''. History and development Isorhythms first appear in French motets of the 13th century, such as in the Montpellier Codex. Although 14th-century theorists used the words ''talea'' and ''color''—the latter in a variety of senses related to repetition and embellishment—the term "isorhythm" was not coined until 1904 by musicologist Friedrich Ludwig (1872–1930), initially to describe the practice in 13th-century polyphony. Ludwig later extended its use to the 14th-century music of Guillaume de Machaut. Subsequently, Heinrich Besseler and other musicologists expanded its scope further as an organizing structural element in 14th- and early 15th-cen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johannes Ciconia
Johannes Ciconia ( – between 10 June and 13 July 1412) was an important Flemish composer and music theorist of trecento music during the late Medieval era. He was born in Liège, but worked most of his adult life in Italy, particularly in the service of the papal chapels in Rome and later and most importantly at Padua Cathedral. Life He was the son of a priest (also named Johannes Ciconia) and a woman of high social standing. Since at least three other men around Liège had that name as well, this has created biographical confusion, first solved by David Fallows in 1975. A Johannes Ciconia, probably the composer's father, worked in Avignon in 1350 as a clerk for the wife of Pope Clement VI's nephew. Another Johannes Ciconia is recorded in Liège in 1385 as a , generally identifying a person of young age; scholars agree that this is the composer himself. Papal records suggest that Ciconia was in the service of Pope Boniface IX in Rome in 1391. His whereabouts between the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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