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Uwanari
was a kabuki play of the Kabuki Jūhachiban, first performed in 1699. It is no longer extant. Uwanari-uchi was a marital custom dating back to the Heian period. As marriage was not clearly defined, no ceremony took place that marked the status of a woman as a 'wife', although men would often join the households of their wives and receive material support. This relationship did not preclude the man from visiting other women - in these instances, the first wife was referred to as ''konami'' and the second wife was the , derived from the Japanese word given the metaphorical image of the second wife disturbing the tranquility of the first relationship like a ripple. Custom therefore allowed the first wife to vent her anger on the second wife for stealing her husband's affections, usually in the form of attacking her house. ''Uwanari-uchi'' persisted until the early sixteenth century as a socially acceptable custom. See also *Ōko Uwanari-uchi no Zu, an ukiyo-e by Utagawa Hirosh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kabuki Jūhachiban
The , or Eighteen Best Kabuki Plays, is a set of kabuki plays, strongly associated with the Ichikawa Danjūrō line of actors ever since their premieres. These works were chosen and assembled as "the eighteen" by actor Ichikawa Danjūrō VII (1800-1832). The pieces were considered to be seminal representations of the ''aragoto'' style in the repertoire.Nussbaum, Louis Frédéric ''et al.'' (2005). "Kabuki Jūhachiban" in The Danjūrō line has continued to dominate the leading roles, and the printing and production of these plays ever since. ''Shibaraku'', ''Narukami'', ''Sukeroku'', ''Ya-no-Ne'', and ''Kanjinchō'' are still considered among the greatest of all kabuki plays, and are performed at least once a year. These plays are also often performed for ''shūmei'', auspicious naming ceremonies in which actors who receive new names, particularly those receiving the illustrious name "Ichikawa Danjūrō", perform in these great plays which are strongly associated with that linea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kabuki
is a classical form of Japanese dance-drama. Kabuki theatre is known for its heavily-stylised performances, the often-glamorous costumes worn by performers, and for the elaborate make-up worn by some of its performers. Kabuki is thought to have originated in the very early Edo period, when founder Izumo no Okuni formed a female dance troupe who performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century. In 2005, kabuki theatre was proclaimed by UNESCO as an intangible heritage possessing outstanding universal value. In 2008, it was inscribed in the UNESCO Intangible Cultural Heritage Lists, UNESCO Representative List of the Intangible Cultural Heritage of Humanity. Etymology The individual kanji that make up the word ''kabuki'' can be read as , , and . ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heian Period
The is the last division of classical Japanese history, running from 794 to 1185. It followed the Nara period, beginning when the 50th emperor, Emperor Kanmu, moved the capital of Japan to Heian-kyō (modern Kyoto). means "peace" in Japanese. It is a period in Japanese history when the Chinese influences were in decline and the national culture matured. The Heian period is also considered the peak of the Japanese imperial court and noted for its art, especially poetry and literature. Two types of Japanese script emerged, including katakana, a phonetic script which was abbreviated into hiragana, a cursive alphabet with a unique writing method distinctive to Japan. This gave rise to Japan's famous vernacular literature, with many of its texts written by court women who were not as educated in Chinese compared to their male counterparts. Although the Imperial House of Japan had power on the surface, the real power was in the hands of the Fujiwara clan, a powerful aristocratic f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ukiyo-e
Ukiyo-e is a genre of Japanese art which flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and ai ... of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Flora of Japan, flora and Wildlife of Japan#Fauna, fauna; and Shunga, erotica. The term translates as "picture[s] of the floating world". In 1603, the city of Edo (Tokyo) became the seat of the ruling Tokugawa shogunate. The ''chōnin'' class (merchants, craftsmen and workers), positioned at the bottom of Four occupations, the social order, benefited the most from the city's rapid economic growth, and began to indulge in and patronise the entertainment o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Utagawa Hiroshige
Utagawa Hiroshige (, also ; ja, 歌川 広重 ), born Andō Tokutarō (; 1797 – 12 October 1858), was a Japanese ''ukiyo-e'' artist, considered the last great master of that tradition. Hiroshige is best known for his horizontal-format landscape series ''The Fifty-three Stations of the Tōkaidō'' and for his vertical-format landscape series ''One Hundred Famous Views of Edo''. The subjects of his work were atypical of the ''ukiyo-e'' genre, whose typical focus was on beautiful women, popular actors, and other scenes of the urban pleasure districts of Japan's Edo period (1603–1868). The popular series '' Thirty-six Views of Mount Fuji'' by Hokusai was a strong influence on Hiroshige's choice of subject, though Hiroshige's approach was more poetic and ambient than Hokusai's bolder, more formal prints. Subtle use of color was essential in Hiroshige's prints, often printed with multiple impressions in the same area and with extensive use of '' bokashi'' (color gradation), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1699 Plays
Events January–March * January 5 – A 1699 Java earthquake, violent Java earthquake damages the city of Batavia, Dutch East Indies, Batavia on the Indonesian island of Java, killing at least 28 people * January 20 – The Parliament of England (under Tories (British political party), Tory dominance) limits the size of the country's standing army to 7,000 'native born' men; hence, William III of England, King William III's Dutch Blue Guards cannot serve in the line. By an Act of February 1, it also requires disbandment of foreign troops in Ireland. * January 26 – The Republic of Venice, Polish–Lithuanian Commonwealth and Holy Roman Empire sign the Treaty of Karlowitz with the Ottoman Empire, marking an end to the major phase of the Ottoman–Habsburg wars. The treaty marks a major geopolitical shift, as the Ottoman Empire subsequently abandons its expansionism and adopts a defensive posture while the Habsburg monarchy expands its influence. * February 3 – The first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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