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Ute Vinzing
Ute Vinzing (born 9 September 1936Gerhard Asche In ''Opernwelt''. September/October 2016 issue, .) is a German operatic soprano who received the title Kammersängerin. She is known for dramatic roles by Richard Wagner and Richard Strauss, including Brünnhilde, Isolde, Ortrud, Kundry, Elektra and the Dyer's Wife, which she performed internationally. Career Training and artistic beginnings Born in Wuppertal, Vinzing first learned the profession of seamstress. She then took private singing lessons, first with Elisabeth Boeker in Lüdenscheid. Without the knowledge of her family she continued her studies with Francesco Carrino in Düsseldorf. In December 1966, she won first prize at the first Bundeswettbewerb Gesang.,Alle Preisträger*innen Oper/Operette/Kon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wuppertal
Wuppertal (; "''Wupper Dale''") is, with a population of approximately 355,000, the seventh-largest city in North Rhine-Westphalia as well as the 17th-largest city of Germany. It was founded in 1929 by the merger of the cities and towns of Elberfeld, Barmen, Ronsdorf, Cronenberg and Vohwinkel, and was initially "Barmen-Elberfeld" before adopting its present name in 1930. It is regarded as the capital and largest city of the Bergisches Land (historically this was Düsseldorf). The city straddles the densely populated banks of the River Wupper, a tributary of the Rhine called ''Wipper'' in its upper course. Wuppertal is located between the Ruhr (Essen) to the north, Düsseldorf to the west, and Cologne to the southwest, and over time has grown together with Solingen, Remscheid and Hagen. The stretching of the city in a long band along the narrow Wupper Valley leads to a spatial impression of Wuppertal being larger than it actually is. The city is known for its steep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Bohème
''La bohème'' (; ) is an opera in four acts,Puccini called the divisions ''quadri'', ''tableaux'' or "images", rather than ''atti'' (acts). composed by Giacomo Puccini between 1893 and 1895 to an Italian libretto by Luigi Illica and Giuseppe Giacosa, based on ''Scènes de la vie de bohème'' (1851) by Henri Murger. The story is set in Paris around 1830 and shows the Bohemian lifestyle (known in French as "") of a poor seamstress and her artist friends. The world premiere of ''La bohème'' was in Turin on 1 February 1896 at the Teatro Regio, conducted by the 28-year-old Arturo Toscanini. Since then, ''La bohème'' has become part of the standard Italian opera repertory and is one of the most frequently performed operas worldwide. In 1946, fifty years after the opera's premiere, Toscanini conducted a commemorative performance of it on radio with the NBC Symphony Orchestra. A recording of the performance was later released by RCA Victor on vinyl record, tape and compact disc. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Ring Of The Nibelungen
(''The Ring of the Nibelung''), WWV 86, is a cycle of four German-language epic music dramas composed by Richard Wagner. The works are based loosely on characters from Germanic heroic legend, namely Norse legendary sagas and the ''Nibelungenlied''. The composer termed the cycle a "Bühnenfestspiel" (stage festival play), structured in three days preceded by a ("preliminary evening"). It is often referred to as the ''Ring'' cycle, Wagner's ''Ring'', or simply ''The Ring''. Wagner wrote the libretto and music over the course of about twenty-six years, from 1848 to 1874. The four parts that constitute the ''Ring'' cycle are, in sequence: * ''Das Rheingold'' (''The Rhinegold'') * ''Die Walküre'' (''The Valkyrie'') * '' Siegfried'' * ''Götterdämmerung'' (''Twilight of the Gods'') Individual works of the sequence are often performed separately, and indeed the operas contain dialogues that mention events in the previous operas, so that a viewer could watch any of them withou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tosca
''Tosca'' is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro dell'Opera di Roma, Teatro Costanzi in Rome on 14 January 1900. The work, based on Victorien Sardou's 1887 French-language dramatic play, ''La Tosca'', is a melodramatic piece set in Rome in June 1800, with the Kingdom of Naples's control of Rome threatened by Napoleon's Campaigns of 1800 in the French Revolutionary Wars#Italy, invasion of Italy. It contains depictions of torture, murder, and suicide, as well as some of Puccini's best-known lyrical arias. Puccini saw Sardou's play when it was touring Italy in 1889 and, after some vacillation, obtained the rights to turn the work into an opera in 1895. Turning the wordy French play into a succinct Italian opera took four years, during which the composer repeatedly argued with his librettists and publisher. ''Tosca'' premiered at a time of unrest in Rome, and its first performance was delayed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Carlos
''Don Carlos'' is a five-act grand opera composed by Giuseppe Verdi to a French-language libretto by Joseph Méry and Camille du Locle, based on the dramatic play '' Don Carlos, Infant von Spanien'' (''Don Carlos, Infante of Spain'') by Friedrich Schiller. In addition, several incidents, of which the Forest of Fontainebleau scene and ''auto-da-fé'' were the most substantial, were borrowed from Eugène Cormon's 1846 play ''Philippe II, Roi d'Espagne''. The opera is most often performed in Italian translation, usually under the title ''Don Carlo''. The opera's story is based on conflicts in the life of Carlos, Prince of Asturias (1545–1568). Though he was betrothed to Elisabeth of Valois, part of the peace treaty ending the Italian War of 1551–59 between the Houses of Habsburg and Valois demanded that she be married instead to his father Philip II of Spain. It was commissioned and produced by the Théâtre Impérial de l'Opéra ( Paris Opera) and given its premiere at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nabucco
''Nabucco'' (, short for Nabucodonosor ; en, " Nebuchadnezzar") is an Italian-language opera in four acts composed in 1841 by Giuseppe Verdi to an Italian libretto by Temistocle Solera. The libretto is based on the biblical books of 2 Kings, Jeremiah, Lamentations and Daniel and the 1836 play by Auguste Anicet-Bourgeois and Francis Cornu. However, Antonio Cortese's ballet adaptation of the play (with its necessary simplifications), given at La Scala in 1836, was a more important source for Solera than the play itself. Under its original name of ''Nabucodonosor'', the opera was first performed at La Scala in Milan on 9 March 1842. ''Nabucco'' is the opera that is considered to have permanently established Verdi's reputation as a composer. He commented that "this is the opera with which my artistic career really begins. And though I had many difficulties to fight against, it is certain that ''Nabucco'' was born under a lucky star." The opera follows the plight of the Jews as t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kurt Horres
Kurt Horres (28 November 1932 – 2 January 2023) was a German stage director, particularly of opera, and opera manager. He held positions as general manager at the Staatstheater Darmstadt, the Hamburg State Opera, and from 1986 to 1996 at the Deutsche Oper am Rhein. He focused on opera of the 20th century, including composers who had been banned during the Nazi regime, such as Korngold's ''Die tote Stadt'', and literature operas including Gottfried von Einem's ''Kabale und Liebe'', and the world premieres of Blacher's ''Yvonne, Prinzessin von Burgund,'' and Klebe's ''Das Mädchen aus Domrémy''. He taught stage direction at the Folkwang University. Life and career Horres was born in Düsseldorf on 28 November 1932. He studied German studies, theatre science, and art history at the University of Cologne and at the Robert Schumann Hochschule, Robert Schumann Conservatory in Düsseldorf. Horres began his career at the Komische Oper Berlin, assisting Walter Felsenstein. He worke ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Fliegende Holländer
' (''The Flying Dutchman''), WWV 63, is a German-language opera, with libretto and music by Richard Wagner. The central theme is redemption through love. Wagner conducted the premiere at the Königliches Hoftheater Dresden in 1843. Wagner claimed in his 1870 autobiography '' Mein Leben'' that he had been inspired to write the opera following a stormy sea crossing he made from Riga to London in July and August 1839. In his 1843 '' Autobiographic Sketch'', Wagner acknowledged he had taken the story from Heinrich Heine's retelling of the legend in his 1833 satirical novel ''The Memoirs of Mister von Schnabelewopski'' (''Aus den Memoiren des Herrn von Schnabelewopski''). This work shows early attempts at operatic styles that would characterise his later music dramas. In ''Der fliegende Holländer'' Wagner uses a number of leitmotifs (literally, "leading motifs") associated with the characters and themes. The leitmotifs are all introduced in the overture, which begins with a well- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tannhäuser (opera)
''Tannhäuser'' (; full title , "Tannhäuser and the Minnesängers' Contest at Wartburg") is an 1845 opera in three acts, with music and text by Richard Wagner ( WWV 70 in the catalogue of the composer's works). It is based on two German legends: Tannhäuser, the mythologized medieval German Minnesänger and poet, and the tale of the Wartburg Song Contest. The story centres on the struggle between sacred and profane love, as well as redemption through love, a theme running through most of Wagner's work. The opera remains a staple of major opera house repertoire in the 21st century. Composition history Sources The libretto of ''Tannhäuser'' combines mythological elements characteristic of German ''Romantische Oper'' (Romantic opera) and the medieval setting typical of many French Grand Operas. Wagner brings these two together by constructing a plot involving the 14th-century Minnesingers and the myth of Venus and her subterranean realm of Venusberg. Both the historical and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martha Mödl
Martha Mödl (22 March 1912, Nuremberg – 17 December 2001, Stuttgart) was a German soprano, and later a mezzo-soprano. She specialized in large dramatic roles such as Isolde, Brünnhilde, and particularly Kundry, and is considered, along with Astrid Varnay and Birgit Nilsson, one of the three major postwar Wagner sopranos. She was among the preeminent Wagner sopranos—and most compelling singing actresses—of the twentieth century.Obituary theguardian.com, 20 December 2001; accessed 8 September 2015. She was celebrated for her highly individualized interpretations, exceptional acting ability, intense stage presence, and "rich, sexy voice." telegraph.co.uk; ac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bluthochzeit
(''Blood Wedding'') is an opera () in two acts by Wolfgang Fortner. The libretto, also by Fortner, is based on German translation of García Lorca's 1933 play '' Bodas de sangre''. It premiered at the Cologne Opera on 8 June 1957. Composition Fortner was asked by Karl-Heinz Stroux to write incidental music for a performance of Lorca's play ''Bodas de sangre'' in Hamburg in the early 1950s. The composer was impressed by the drama and felt that acting was not enough to "sing the tragedy to an end" ("die Tragödie zu Ende zu singen"), and decided to set longer sections to music. Fortner wrote the opera's libretto himself based on Enrique Beck's German translation of the play. ''Bluthochzeit'', a "literary opera" like Alban Berg's ''Wozzeck'' and '' Lulu'', is driven by the action, as the composer comments: "The compulsion of the words drives the music." He scored the work for singing and speaking parts, following the text which is at times in prose, at times in poetry. Fortner ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ján Cikker
Ján Cikker (29 July 1911 – 21 December 1989) was a Slovaks, Slovak composer, a leading exponent of modern Slovak European classical music, classical music. He was awarded the title ''National Artist'' in Slovakia, the Herder Prize (1966) and thIMC-UNESCO International Music Prize(1979). Life Cikker was born in former Austria-Hungary, today Slovakia, in Banská Bystrica. His first music teachers were his mother, Mária Psotková, and Viliam Figuš-Bystrý. After he graduated from high school, he studied at the Prague Conservatory from 1930 to 1935, where he attended courses of composition of Jaroslav Křička, of conducting and organ. He then studied at the Master's School of the Prague Conservatory from 1935 to 1936, where he was a student of Vítězslav Novák. Later on, he moved to Vienna, where he studied with Felix Weingartner from 1936-1937. From 1939 to 1949, he taught at the Bratislava Conservatory. At the same time he was a repertory advisor of the opera of the Slovak ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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