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Utagawa Toyokuni III
Utagawa Kunisada ( ja, 歌川 国貞; 1786 – 12 January 1865), also known as Utagawa Toyokuni III (, ), was a Japanese ukiyo-e artist. He is considered the most popular, prolific and commercially successful designer of ukiyo-e woodblock prints in 19th-century Japan. In his own time, his reputation far exceeded that of his contemporaries, Hokusai, Hiroshige and Kuniyoshi. Evaluation of Kunisada in art history At the end of the Edo period (1603–1867), Hiroshige, Kuniyoshi and Kunisada were the three best representatives of the Japanese color woodcut in Edo (capital city of Japan, now Tokyo). However, among European and American collectors of Japanese prints, beginning in the late 19th and early 20th century, all three of these artists were actually regarded as rather inferior to the greats of classical ukiyo-e, and therefore as having contributed considerably to the downfall of their art. For this reason, some referred to their works as "decadent". Beginning in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kunisada Shini E
Utagawa Kunisada ( ja, 歌川 国貞; 1786 – 12 January 1865), also known as Utagawa Toyokuni III (, ), was a Japanese ukiyo-e artist. He is considered the most popular, prolific and commercially successful designer of ukiyo-e woodblock prints in 19th-century Japan. In his own time, his reputation far exceeded that of his contemporaries, Hokusai, Hiroshige and Kuniyoshi. Evaluation of Kunisada in art history At the end of the Edo period (1603–1867), Hiroshige, Kuniyoshi and Kunisada were the three best representatives of the Japanese color woodcut in Edo (capital city of Japan, now Tokyo). However, among European and American collectors of Japanese prints, beginning in the late 19th and early 20th century, all three of these artists were actually regarded as rather inferior to the greats of classical ukiyo-e, and therefore as having contributed considerably to the downfall of their art. For this reason, some referred to their works as "decadent". Beginning in the 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E-hon
is the Japanese term for picture books. It may be applied in the general sense, or may refer specifically to a type of woodblock printed illustrated volume published in the Edo period (1603–1867). The first were religious items with images by Buddhist painters. Those from the Muromachi period are typically known as . In the early modern period (1600–1868) illustrated books exploded in popularity. They covered a diverse range of subjects with experimentation in production techniques. production was a significant part of the Japanese publishing industry (particularly) during the 19th century; most woodblock printing in Japan, Japanese woodblock print Schools of ukiyo-e artists, artists of the period produced designs (often in large quantities), as commercial work. Toward the end of the 19th century, chapter-books were eclipsed in popularity by the new "Western" concept of literary magazines. These were larger books which contained more, and a wider range of material per- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenpō Reforms
The were an array of economic policies introduced between 1841 and 1843 by the Tokugawa shogunate in Japan. These reforms were efforts to resolve perceived problems in military, economic, agricultural, financial and religious systems. The changes were intended to address problems in local politics, but they were also addressed more broadly to "domestic uneasiness." The perceived need for change led to the arrest of many prominent political figures and writers. The reforms became a precursor of reforms initiated after the Meiji Restoration two decades later. The Tenpō Reforms were mostly instituted by Mizuno Tadakuni. Notably, the restrictions on entertainment were enforced solely by him and when he was removed from government in 1845, they ceased to be enforced. Besides this new coinage was issued and commodity price controls were lifted. Immigration to Edo was prohibited and the formation of societies as well as ''Rangaku'' (Dutch Learning) was banned. An annual calendar ( ''ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shunga (art)
is a type of Japanese erotic art typically executed as a kind of ukiyo-e, often in woodblock print format. While rare, there are also extant erotic painted handscrolls which predate ukiyo-e. Translated literally, the Japanese word ''shunga'' means ''picture of spring''; "spring" is a common euphemism for sex. Shunga, as a subset of ukiyo-e, was enjoyed by all social groups in the Edo period, despite being out of favor with the shogunate. The ukiyo-e movement sought to idealize contemporary urban living and appeal to the new chōnin class. Shunga followed the aesthetics of everyday life and widely varied in its depictions of sexuality. Most ukiyo-e artists made shunga at some point in their careers. History Shunga was heavily influenced by illustrations in Chinese medicine manuals beginning in the Muromachi era (1336 to 1573). Zhou Fang, a notable Tang-dynasty Chinese painter, is also thought to have been influential. He, like many artists of his time, tended to d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surimono
are a genre of Japanese woodblock print. They were privately commissioned for special occasions such as the New Year. Surimono literally means "printed thing". Being produced in small numbers for a mostly educated audience of ''literati'', surimono were often more experimental in subject matter and treatment, and extravagant in printing technique, than commercial prints. They were most popular from the 1790s to the 1830s, and many leading artists produced them. One of the most famous woodblock artists who got his start from producing surimono was Suzuki Harunobu, credited with being the genius behind the later introduction (in the 1760s) of Nishiki-e ("brocade prints"). Use In most cases, surimono were commissioned by poetry societies to illustrate the winning poem in a poetry contest judged by the master of the society. Such prints generally had a small format, often c. 205 × 185 mm, and the relief carving of the Kanji characters took a great deal of technical skill. Kab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sumo
is a form of competitive full-contact wrestling where a '' rikishi'' (wrestler) attempts to force his opponent out of a circular ring ('' dohyō'') or into touching the ground with any body part other than the soles of his feet (usually by throwing, shoving or pushing him down). Sumo originated in Japan, the only country where it is practiced professionally and where it is considered the national sport. It is considered a '' gendai budō'', which refers to modern Japanese martial arts, but the sport has a history spanning many centuries. Many ancient traditions have been preserved in sumo, and even today the sport includes many ritual elements, such as the use of salt purification, from Shinto. Life as a wrestler is highly regimented, with rules regulated by the Japan Sumo Association. Most sumo wrestlers are required to live in communal sumo training stables, known in Japanese as '' heya'', where all aspects of their daily lives—from meals to their manner of dress— ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nakamura Fukusuke I As Hayano Kampei
Nakamura may refer to: Places *Nakamura, Kōchi, a former city in Kōchi Prefecture, Japan *Nakamura-ku, Nagoya, a ward in Nagoya city in Aichi Prefecture, Japan People *Nakamura (surname), a list of people with the surname Other uses *Nakamura stable was a stable of sumo wrestlers, one of the Takasago group of stables. It was established in its modern incarnation in May 1986 by Fujizakura of the Takasago stable. The stable's first ''sekitori'' was in November 1995. It did not produce any '' ..., a stable of sumo wrestlers * Nakamura Station, a railway station in Shimanto, Kōchi Prefecture, Japan {{disambiguation, geo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyptych
A polyptych ( ; Greek: ''poly-'' "many" and ''ptychē'' "fold") is a painting (usually panel painting) which is divided into sections, or panels. Specifically, a "diptych" is a two-part work of art; a "triptych" is a three-part work; a tetraptych or quadriptych has four parts, and so on. Historically, polyptychs typically displayed one "central" or "main" panel that was usually the largest of the attachments; the other panels are called "side" panels, or "wings". Sometimes, as evident in the Ghent and Isenheim works (see below), the hinged panels can be varied in arrangement to show different "views" or "openings" in the piece. The upper panels often depict static scenes, while the lower register, the predella, often depict small narrative scenes. Polyptychs were most commonly created by early Renaissance painters, the majority of whom designed their works to be altarpieces in churches and cathedrals. The polyptych form of art was also quite popular among ukiyo-e printmakers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kunisada Futamigaura
Utagawa Kunisada ( ja, 歌川 国貞; 1786 – 12 January 1865), also known as Utagawa Toyokuni III (, ), was a Japanese ukiyo-e artist. He is considered the most popular, prolific and commercially successful designer of ukiyo-e woodblock prints in 19th-century Japan. In his own time, his reputation far exceeded that of his contemporaries, Hokusai, Hiroshige and Kuniyoshi. Evaluation of Kunisada in art history At the end of the Edo period (1603–1867), Hiroshige, Kuniyoshi and Kunisada were the three best representatives of the Japanese color woodcut in Edo (capital city of Japan, now Tokyo). However, among European and American collectors of Japanese prints, beginning in the late 19th and early 20th century, all three of these artists were actually regarded as rather inferior to the greats of classical ukiyo-e, and therefore as having contributed considerably to the downfall of their art. For this reason, some referred to their works as "decadent". Beginning in the 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gregorian Calendar
The Gregorian calendar is the calendar used in most parts of the world. It was introduced in October 1582 by Pope Gregory XIII as a modification of, and replacement for, the Julian calendar. The principal change was to space leap years differently so as to make the average calendar year 365.2425 days long, more closely approximating the 365.2422-day 'tropical' or 'solar' year that is determined by the Earth's revolution around the Sun. The rule for leap years is: There were two reasons to establish the Gregorian calendar. First, the Julian calendar assumed incorrectly that the average solar year is exactly 365.25 days long, an overestimate of a little under one day per century, and thus has a leap year every four years without exception. The Gregorian reform shortened the average (calendar) year by 0.0075 days to stop the drift of the calendar with respect to the equinoxes.See Wikisource English translation of the (Latin) 1582 papal bull '' Inter gravissimas''. Second ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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