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Utagawa Hirokage
, also known as Ichiyūsai Hirokage, was a Japanese designer of ukiyo-e Ukiyo-e is a genre of Japanese art which flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk t ... woodblock prints, who was active from about 1855 to 1865. He was a pupil of Utagawa Hiroshige I. From 1860 to 1861, Hirokage designed the series of ōban size prints titled ''Edo meisho dōke zukushi'' (Joyful Events in Famous Places in Edo). His reputation is based primarily upon this series and his 1859 triptych (The Great Battle between the Fruits and Vegetables and the Fish). Gallery File:Hirokage - (triptych) Great battle between the fruits & vegetables & fish (Aomono sakana gunzei daikassen no zu), 1859.jpg, (The Great Battle between the Fruits and Vegetables and the Fish), woodblock triptych by Hirokage, 1859 File:Shinobazu1859woodblockprint.jpg, Wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Signature Of Utagawa Hirokage Reading 'Hirokage Ga'
A signature (; from la, signare, "to sign") is a handwritten (and often stylized) depiction of someone's name, nickname, or even a simple "X" or other mark that a person writes on documents as a proof of identity and intent. The writer of a signature is a signatory or signer. Similar to a handwritten signature, a signature work describes the work as readily identifying its creator. A signature may be confused with an autograph, which is chiefly an artistic signature. This can lead to confusion when people have both an autograph and signature and as such some people in the public eye keep their signatures private whilst fully publishing their autograph. Function and types The traditional function of a signature is to permanently affix to a document a person's uniquely personal, undeniable self-identification as physical evidence of that person's personal witness and certification of the content of all, or a specified part, of the document. For example, the role of a signatu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ukiyo-e
Ukiyo-e is a genre of Japanese art which flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and ai ... of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Flora of Japan, flora and Wildlife of Japan#Fauna, fauna; and Shunga, erotica. The term translates as "picture[s] of the floating world". In 1603, the city of Edo (Tokyo) became the seat of the ruling Tokugawa shogunate. The ''chōnin'' class (merchants, craftsmen and workers), positioned at the bottom of Four occupations, the social order, benefited the most from the city's rapid economic growth, and began to indulge in and patronise the entertainment o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hiroshige
Utagawa Hiroshige (, also ; ja, 歌川 広重 ), born Andō Tokutarō (; 1797 – 12 October 1858), was a Japanese ''ukiyo-e'' artist, considered the last great master of that tradition. Hiroshige is best known for his horizontal-format landscape series ''The Fifty-three Stations of the Tōkaidō'' and for his vertical-format landscape series ''One Hundred Famous Views of Edo''. The subjects of his work were atypical of the ''ukiyo-e'' genre, whose typical focus was on beautiful women, popular actors, and other scenes of the urban pleasure districts of Japan's Edo period (1603–1868). The popular series '' Thirty-six Views of Mount Fuji'' by Hokusai was a strong influence on Hiroshige's choice of subject, though Hiroshige's approach was more poetic and ambient than Hokusai's bolder, more formal prints. Subtle use of color was essential in Hiroshige's prints, often printed with multiple impressions in the same area and with extensive use of '' bokashi'' (color gradation), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Ukiyo-e Terms
This is a list of terms frequently encountered in the description of -style Japanese woodblock prints and paintings. For a list of print sizes, see below. * ; "blue picture" * ; "red picture" * ; "examined" character found in many censor seals * ; a tool used to rub the back of a sheet of paper to pick up ink from the block * ; primitive ukiyo-e style prints, usually printed in pink * ; primitive ukiyo-e style prints, usually printed in pink and green * ; pictures of beautiful women * ; technique of applying a gradation of ink to a moistened block to vary lightness and darkness (value) of a single colour * Censor seal; from 1790 until 1876 all woodblock prints had to be examined by official censors, and marked with their seals * ; a print size about * ; a print size about * ; dating from 1603 to 1868, the period when Japanese society was under the rule of the Tokugawa shogunate * ; "picture book" * ; colouring with a paintbrush * ; powdered minerals or metals sprinkled onto a prin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Douglas Lane
Richard Douglas Lane (1926–2002) was an American scholar, author, collector, and dealer of Japanese art. He lived in Japan for much of his life, and had a long association with the Honolulu Museum of Art in Hawaii, which now holds his vast art collection. Life Lane was born in Kissimmee, Florida. After graduating from high school in 1944, during World War II, he enlisted in the United States Marine Corps. In the Marines he trained as a Japanese translator, and served in Japan during the war. He later received a bachelor's degree from the University of Hawaii in Japanese and Chinese literature, and continued his studies at Columbia University, where he earned a master's degree and a PhD in 18th-century Japanese literature. In 1957, Lane moved to Japan, where he lived for the rest of his life. Lane was never on a university faculty, but supported himself as an author, dealer and consultant. He was a visiting research associate at the Honolulu Museum of Art from 1957 to 1971, durin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_Awa_Naruto_no_fuukei.jpg "Click for more on -> Hiroshige")