Us And Them (Godflesh Album)
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Us And Them (Godflesh Album)
''Us and Them'' is the fifth studio album by English band Godflesh. It was released through Earache Records on 17 May 1999 in Europe and on 8 June 1999 in North America. As with Godflesh's 1997 remix album ''Love and Hate in Dub'', ''Us and Them'' is influenced by breakbeats, drum and bass, oldschool jungle, trip hop and hip hop. Shortly after ''Us and Them's'' release, Godflesh frontman Justin Broadrick admitted that he "hated" the album as it was the expression of an "identity crisis". Years later, he revised his thoughts, saying that his hatred of ''Us and Them'' was "overstated", and that his main issue in the album lies in its more "cringe-worthy moments." Composition and music ''Us and Them'' features a sound similar to ''Songs of Love and Hate''s remix album, ''Love and Hate in Dub'' (1997), driven percussively and relying on thumping drum and bass and hip hop rhythms. AllMusic critic John Bush, who described the record as "heavy grindcore with drum machines," wrote: "F ...
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Godflesh
Godflesh are an English industrial metal band from Birmingham. The group formed in 1982 under the title Fall of Because but did not release any complete music until 1988 when Justin Broadrick (guitar, vocals and programming) and G. C. Green ( bass) renamed the band and decided to use a drum machine for percussion. Melding heavy metal with industrial music and later with electronic music and dub, Godflesh's sound is widely regarded as a foundational influence on other industrial metal and post-metal acts and as significant to both experimental and extreme metal. The band signed to Earache Records in the late 1980s and released their debut album '' Streetcleaner'' (1989) to contemporary and lasting acclaim. After the release of their sophomore album ''Pure'' (1992) and their major label debut '' Selfless'' (1994), they started experimenting with live drums as well as hip hop and breakbeat sounds. The resulting albums, ''Songs of Love and Hate'' (1996) and ''Us and Them'' ...
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Trip-hop
Trip hop (sometimes used synonymously with "downtempo") is a musical genre that originated in the early 1990s in the United Kingdom, especially Bristol. It has been described as a psychedelic fusion of hip hop and electronica with slow tempos and an atmospheric sound, often incorporating elements of jazz, soul, funk, reggae, dub, R&B, and other forms of electronic music, as well as sampling from movie soundtracks and other eclectic sources. The style emerged as a more experimental variant of breakbeat from the Bristol sound scene of the late 1980s and early 1990s, incorporating influences from jazz, soul, funk, dub, and rap music. It was pioneered by acts like Massive Attack, Tricky, and Portishead. The term was first coined in a 1994 ''Mixmag'' piece about American producer DJ Shadow. Trip hop achieved commercial success in the 1990s, and has been described as "Europe's alternative choice in the second half of the '90s". Characteristics Common musical aesthetics include ...
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1999 Albums
File:1999 Events Collage.png, From left, clockwise: The funeral procession of King Hussein of Jordan in Amman; the 1999 İzmit earthquake kills over 17,000 people in Turkey; the Columbine High School massacre, one of the first major school shootings in the United States; the Year 2000 problem ("Y2K"), perceived as a major concern in the lead-up to the year 2000; the Millennium Dome opens in London; online music downloading platform Napster is launched, soon a source of online piracy; NASA loses both the Mars Climate Orbiter and the Mars Polar Lander; a destroyed T-55 tank near Prizren during the Kosovo War., 300x300px, thumb rect 0 0 200 200 Death and state funeral of King Hussein rect 200 0 400 200 1999 İzmit earthquake rect 400 0 600 200 Columbine High School massacre rect 0 200 300 400 Kosovo War rect 300 200 600 400 Year 2000 problem rect 0 400 200 600 Mars Climate Orbiter rect 200 400 400 600 Napster rect 400 400 600 600 Millennium Dome 1999 was designated as t ...
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Bass Guitar
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck and scale length, and typically four to six strings or courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a pick. To be heard at normal performance volumes, electric basses require external amplification. Terminology According to the ''New Grove Dictionary of Music and Musicians'', an "Electric bass guitar sa Guitar, usually with four heavy strings tuned E1'–A1'–D2–G2." It also defines ''bass'' as "Bass (iv). A contraction of Double bas ...
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Vocals
Singing is the act of creating musical sounds with the voice. A person who sings is called a singer, artist or vocalist (in jazz and/or popular music). Singers perform music (arias, recitatives, songs, etc.) that can be sung with or without accompaniment by musical instruments. Singing is often done in an ensemble of musicians, such as a choir. Singers may perform as soloists or accompanied by anything from a single instrument (as in art song or some jazz styles) up to a symphony orchestra or big band. Different singing styles include art music such as opera and Chinese opera, Indian music, Japanese music, and religious music styles such as gospel, traditional music styles, world music, jazz, blues, ghazal, and popular music styles such as pop, rock, and electronic dance music. Singing can be formal or informal, arranged, or improvised. It may be done as a form of religious devotion, as a hobby, as a source of pleasure, comfort, or ritual as part of music education or ...
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Electric Guitar
An electric guitar is a guitar that requires external amplification in order to be heard at typical performance volumes, unlike a standard acoustic guitar (however combinations of the two - a semi-acoustic guitar and an electric acoustic guitar exist). It uses one or more pickups to convert the vibration of its strings into electrical signals, which ultimately are reproduced as sound by loudspeakers. The sound is sometimes shaped or electronically altered to achieve different timbres or tonal qualities on the amplifier settings or the knobs on the guitar from that of an acoustic guitar. Often, this is done through the use of effects such as reverb, distortion and "overdrive"; the latter is considered to be a key element of electric blues guitar music and jazz and rock guitar playing. Invented in 1932, the electric guitar was adopted by jazz guitar players, who wanted to play single-note guitar solos in large big band ensembles. Early proponents of the electric guitar on ...
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The Wire (magazine)
''The Wire'' (or simply ''Wire'') is a British music magazine publishing out of London, which has been issued monthly in print since 1982. Its website launched in 1997, and an online archive of its entire back catalog became available to subscribers in 2013. Since 1985, the magazine's annual year-in-review issue, Rewind, has named an album or release of the year based on critics' ballots. Originally, ''The Wire'' covered the British jazz scene with an emphasis on avant-garde and free jazz. It was marketed as a more adventurous alternative to its conservative competitor ''Jazz Journal'', and targeted younger readers at a time when ''Melody Maker'' had abandoned jazz coverage. In the late 1980s and 1990s, the magazine expanded its scope until it included a broad range of musical genres under the umbrella of non-mainstream or experimental music. Since then, ''The Wire''s coverage has included experimental rock, electronica, alternative hip hop, modern classical, free improvisat ...
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Kerrang!
''Kerrang!'' is a British weekly magazine devoted to rock, punk and heavy metal music, currently published by Wasted Talent (the same company that owns electronic music publication ''Mixmag''). It was first published on 6 June 1981 as a one-off supplement in the ''Sounds'' newspaper. Named after the onomatopoeic word that derives from the sound made when playing a power chord on a distorted electric guitar, ''Kerrang!'' was initially devoted to the new wave of British heavy metal and the rise of hard rock acts. In the early 2000s, it became the best-selling British music weekly. History ''Kerrang!'' was founded in 1981. The editor of the weekly music magazine ''Sounds'', Alan Lewis, suggested that Geoff Barton edit a one-off special edition focusing on the new wave of British heavy metal phenomenon and on the rise of other hard rock acts.
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Allmusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Metal Hammer
''Metal Hammer'' is a heavy metal music magazine and website founded in 1983, published in the United Kingdom by Future, with other language editions available in numerous other countries. ''Metal Hammer'' features news, reviews and long-form articles covering both major and underground bands in heavy metal, as well as covering rock, punk, grunge and other alternative music genres. Publication History Wilfried F. Rimensberger conceived ''Metal Hammer'' in 1983, taking the idea of a rock magazine publishing in different languages to Jürgen Wigginghaus, publisher of the German magazine ''MusikSzene'', where Rimensberger was chief editor. Wigginghaus helped launch the German edition of ''Metal Hammer'' soon after, while Rimensberger launched the flagship, English language version from London in November 1986, installing Harry Doherty, formerly of ''Melody Maker'', as editor. The magazine would grow to be published in 11 different languages around the world, including local langua ...
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Jesu (band)
Jesu (pronounced ''"yay-zoo"'') are a British experimental metal band formed in 2003 by Justin Broadrick following the breakup of his band Godflesh. It shares its name with the last song on ''Hymns'', the final album of Godflesh's initial run. Jesu's sound is heavily layered and textured, incorporating a diverse mix of influences. Broadrick himself has stated that "...it's very loosely speaking pop/rock/metal/ electronica ... I'm intentionally writing what I consider to be coherent 'pop' songs". Biography 2004–2008 Jesu's first release, the '' Heart Ache'' EP, was released in 2004 and featured Broadrick performing all of the instruments and vocals alone. It was followed four months later by the full-length ''Jesu'' LP, which featured the addition of bassist Diarmuid Dalton and drummer Ted Parsons, although not every song features both members. A tour of Europe, in support of the album, featured Roderic Mounir of Knut filling in for Ted Parsons on drums. Commenting on the ...
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Hymns (Godflesh Album)
''Hymns'' is the sixth studio album by English industrial metal band Godflesh. It was released on 23 October 2001 through Music for Nations and was the band's final album before breaking up in 2002. In 2010, Godflesh reformed and in 2014 released their comeback album '' A World Lit Only by Fire''. ''Hymns'' had a troubled production and was intended to be distinct departure from Godflesh's intensely regimented industrial sound to something more traditionally hard rock. It was the band's second and final album to feature a live drummer rather than a drum machine. Background and composition Following the under-promoted release of ''Us and Them'' (1999), Godflesh left Earache Records and was without their support for the first time since the band's self-titled debut EP in 1988. Despite already having some ''Hymns'' demos completed, Godflesh had difficulty finding a new label. After being repeatedly turned away, they eventually settled on Music for Nations, a "mainstream" label ...
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