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Uruguayan Tango
Uruguayan tango is a rhythm that has its roots in the poor areas of Montevideo around 1880. Then it was extended to other areas and countries. As Borges said: "...tango is African-Montevidean ruguayan tango has black curls in its roots..." He quoted Rossi, that sustained that "...tango, that argentine people call argentine tango, is the son of the Montevidean milonga and the grandson of the habanera. It was born in the San Felipe Academy ontevideo a Montevidean warehouse used for public dances, among gangsters and black people; then it emigrated to underworld areas of Buenos Aires and fooled around in Palermo's rooms..." This also implies that different forms of dance were originated in the neighborhoods of Montevideo, Uruguay in the last part of the 19th century and in the early 20th century that was particular from that area and different from Buenos Aires. It consists of a variety of styles that developed in different regions of Argentina and Uruguay. The dance is often ac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Montevideo
Montevideo () is the Capital city, capital and List of cities in Uruguay, largest city of Uruguay. According to the 2011 census, the city proper has a population of 1,319,108 (about one-third of the country's total population) in an area of . Montevideo is situated on the southern coast of the country, on the northeastern bank of the Río de la Plata. The city was established in 1724 by a Spanish soldier, Bruno Mauricio de Zabala, as a strategic move amidst the Spanish people, Spanish-Portuguese people, Portuguese dispute over the La Plata Basin, platine region. It was also under brief British invasions of the Río de la Plata, British rule in 1807, but eventually the city was retaken by Spanish criollos who defeated the British invasions of the River Plate. Montevideo is the seat of the administrative headquarters of Mercosur and ALADI, Latin America's leading trade blocs, a position that entailed comparisons to the role of Brussels in Europe. The 2019 Mercer's report on qual ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manuel Campoamor
Manuel O. Campoamor (November 7, 1877 – April 29, 1941) was a Uruguayan musician who composed some of the earliest published tangos. When he was young, he moved with his family from Montevideo to the San Telmo district of Buenos Aires, Argentina, and showed an early aptitude for playing the piano. He can be heard playing the piano in early tango recordings, and his own tango compositions are still performed today. Tango compositions Campoamor is credited with composing some of the first published tangos including "Sargento Cabral" (1899), "En el séptimo cielo" (1900), "La cara de la luna" (1901), "La metralla" (1902), "Muy de la garganta" (1903), and "Mi capitán" (1905). His first tango, written to honor the heroic Argentinean soldier Juan Bautista Cabral, was dedicated to the musician Leopoldo Corretjer. Campoamor's 1901 tango, "La cara de la luna" (in English "The Face of the Moon"), originally bore a different name. The cover on the original sheet music displays the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bajofondo Tango Club
Bajofondo is a Río de la Plata-based music band consisting of eight musicians from Argentina and Uruguay, which aims to create a more contemporary version of tango and other musical styles of the Río de la Plata region. It was founded in the early 2000s as a studio experiment, which culminated into the successful album ''Bajofondo Tango Club''. This led to touring and eventually to the current lineup. Bajofondo calls itself a collaborative as all members have solo careers as well. The group has toured around the world, particularly in Latin America, the United States, Europe and parts of Asia. Their music is known to a wider audience than those who know their name as their music has been used in film and television. Concept The name alludes to the river that separates Argentina and Uruguay politically but unites the area as a region, called Rio de la Plata. The music has been called “electrotango” or “electronic tango” but leader Gustavo Santaolalla does not believe that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julio Sosa
Julio María Sosa Venturini (February 2, 1926 – November 26, 1964), usually referred to simply as Julio Sosa or El Varón del Tango, was a Uruguayan/Argentinian tango singer. Biography Sosa was born in Las Piedras, a Canelones Department suburb of Montevideo, Uruguay. He moved to Buenos Aires, Argentina, in 1949, where he became famous with the Orquesta Francini-Pontier the Orquesta típica formed by the violinist Enrique Mario Francini and the bandoneonist Armando Pontier . Working with numerous other orchestras, he was reunited with Pontier in 1955, with whom he recorded several best-selling albums on the RCA Victor and Columbia labels and became one of the most important tango singers in the genre's history. He married Nora Ulfed in 1958 and had a daughter. His marriage ended in separation, however, and he settled into a relationship with Susana Merighi. His towering masculinity and reserved strength earned him the nickname ''El Varón del Tango'' ("The Man's Man of Tan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enrique Saborido
Enrique Saborido (1876 or 1877 – 19 September 1941) was an Uruguayan tango pianist, violinist, composer and dance teacher. Background and early life He was born in 1876 or 1877 in Montevideo to parents who moved to Buenos Aires when he was four years old, and he eventually adopted Argentine citizenship. His birth date cannot be precisely identified. His Spanish parents noticed his musical predisposition and tried to encourage it by sending him to violin and piano classes. He abandoned his studies, however, and entered the work force, first in a bookshop, until 1892, and later in the office of the Director of the San Martín Theatre for a period of 15 years. He began composing tango pieces during this interim. His first success was ''La morocha'', which sold 280,000 copies following its 1905 recording, and was one of the first tango songs known outside Argentina. The wife of noted Parisian tenor Jean de Reszke invited Saborido to perform for high society audiences, and Saborido c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Malena Muyala
Malena Muyala (born 23 March 1971) is a Uruguayan singer-songwriter who specializes in Tango (music genre), tango and Milonga (music), milonga music. She has released several albums that were certified gold and platinum, and has toured within and outside Uruguay. Early life Muyala was born in San José de Mayo, Uruguay. She is partly of Lebanese descent. Her family, especially her grandmother, supported her passion for music and theatre. She enjoyed singing to the radio and television. At age 11, she joined :es:Teatro Macció, Teatro Macció where she took classes in the dramatic arts, and participated in productions for "Nuestro Pueblo" (Our Town) and "Vámonos" (Let's Go).. She learned to play guitar and took singing lessons, and when she was around 12–13, she formed various music groups. including an all-female Murga group. In 1988, she moved to Montevideo to study medicine but also joined the acting troupe Antimurga BCG, which was directed by Jorge Esmoris. She acted and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horacio Ferrer
Horacio Ferrer (June 2, 1933 – December 21, 2014) was a Uruguayan-Argentine poet, broadcaster, reciter and tango lyricist. He is particularly well known for having composed the lyrics for tangos by Astor Piazzolla, such as ''Balada para un loco'' and ''Chiquilín de Bachín''. Biography Ferrer was born in Montevideo into an educated family, son of Horacio Ferrer Perez, a professor of history, and Alicia Escurra Francini, who was 11 years older than his father and spoke four languages. He had a close relationship with his brother, Eduardo, to whom he dedicated several of his lyrics. The family paid frequent visits to his mother's brother in Buenos Aires, Argentina, where Ferrer learnt to play tangos on the guitar by ear. Later his uncle would introduce him to the bohemian nightlife of the city. He studied architecture and engineering for eight years but never graduated. In the 1950s, when he was in his early 20s, he helped to produce the weekly radio programme ''Seleccion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francisco Canaro
Francisco Canaro (November 26, 1888 – December 14, 1964) was a Uruguayan violinist and tango orchestra leader. Canaro was born in San José de Mayo, Uruguay, in 1888. His parents were Italian immigrants, and later, when he was less than 10 years old, they emigrated to Buenos Aires, Argentina in the late nineteenth century. As a young man he found work in a factory, where an empty oil can, in his skilled hands, became his first violin. Performing in seedy bars initially, he ultimately forged a career that spanned many decades, and his orchestra was one of the most recorded. His introduction to the tango came by orquesta típica leader Vicente Greco in 1908, and in 1912 he composed "Pinta brava" ("Fierce Look"). Canaro composed the music for the 1915 Argentine classic film '' Nobleza gaucha''. He later was romantically attached to Argentine actress and tango vocalist Ada Falcón, but the relationship, which began in the early 1920s, grew apart a decade later. In 1920 Canaro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerardo Matos Rodríguez
Gerardo Hernán Matos Rodríguez (March 28, 1897 – April 25, 1948), also known as Becho, was a Uruguayan musician, composer and journalist. Becho was not attributed to this Uruguayan musician. The term Becho is given to another Uruguayan violinist. A song is written about him and sung by Alfredo Zitarrosa: Carlos Julio Eizmendi Uruguayan Violinist. Background and early career Gerardo Hernán Matos Rodríguez was born in Montevideo, the son of the owner of the ''Moulin Rouge'', a popular local cabaret. He studied architecture, but did not complete the course. He began composing as a young student in 1917, and his first known work was " La Cumparsita", which he wrote on the piano of the Federación de Estudiantes of Urugua. It became one of the most recognizable tango pieces, though Matos was initially too shy to play the piece himself and it became well known through the performance of others. He travelled widely throughout Europe and stayed in Paris for a time, as well as worki ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Argentine Tango
Argentine tango is a musical genre and accompanying social dance originating at the end of the 19th century in the suburbs of Buenos Aires. It typically has a or rhythmic time signature, and two or three parts repeating in patterns such as ABAB or ABCAC. Its lyrics are marked by '' nostalgia'', sadness, and laments for lost love. The typical orchestra has several melodic instruments and is given a distinctive air by the bandoneon. It has continued to grow in popularity and spread internationally, adding modern elements without replacing the older ones. Among its leading figures are the singer and songwriter Carlos Gardel and composers/performers Francisco Canaro, Juan D'Arienzo, Carlos Di Sarli, Osvaldo Pugliese, and Ástor Piazzolla. History of tango The origins of tango are unclear because little historical documentation from that era exists. However, in recent years, a few tango aficionados have undertaken a thorough research of that history and so it is less mysteriou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Candombe
''Candombe'' is a style of music and dance that originated in Uruguay among the descendants of liberated African slaves. In 2009, the United Nations Educational, Scientific and Cultural Organization (UNESCO) inscribed ''candombe'' in its Representative List of the Intangible Cultural Heritage of Humanity. To a lesser extent, ''candombe'' is practiced in Argentina, Paraguay, and Brazil. In Argentina, it can be found in Buenos Aires, Santa Fe, Paraná, and Corrientes. In Paraguay, this tradition continues in Camba Cuá and in Fernando de la Mora near Asunción. In Brazil, ''candombe'' retains its religious character and can be found in the state of Minas Gerais. This Uruguayan music style is based on three different drums: chico, repique, and piano drums. It is usually played in February during carnival in Montevideo at dance parades called ''llamadas'' and ''desfile inaugural del carnaval''. Origins Common origins According to George Reid Andrews, a historian of blac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
