Uruguayan Carnival
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Uruguayan Carnival
Uruguayan Carnival is a festival that takes place every year in Uruguay from mid January to late February. The Carnival draws root from candombe, Murga and tablados, which are forms of expression of Uruguayan culture through dance and music. From its conception, the Uruguayan Carnival has evolved into a dance parade in which different comparsas, groups of street performers in Latin American festivals, play the drums and dance at the "Desfile Inaugural del Carnaval" and "Desfile de Llamadas" parade. The biggest carnival celebrations are in the capital Montevideo and can last up to 40 days. They involve a series of cultural events such as dance parades in the streets, street stages called "tablados" and an artistic contest in the "Teatro de Verano" (Summer Theatre) in Montevideo. History The Uruguayan Carnival finds its roots in the colonial period of Uruguayan culture, where the days of Carnival, Christmas, and New Year were celebrated by Montevideans in brightly-coloured rob ...
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Carnival
Carnival is a Catholic Christian festive season that occurs before the liturgical season of Lent. The main events typically occur during February or early March, during the period historically known as Shrovetide (or Pre-Lent). Carnival typically involves public celebrations, including events such as parades, public street parties and other entertainments, combining some elements of a circus. Elaborate costumes and masks allow people to set aside their everyday individuality and experience a heightened sense of social unity.Bakhtin, Mikhail. 1984. ''Rabelais and his world''. Translated by H. Iswolsky. Bloomington: Indiana University Press. Original edition, ''Tvorchestvo Fransua Rable i narodnaia kul'tura srednevekov'ia i Renessansa'', 1965. Participants often indulge in excessive consumption of alcohol, meat, and other foods that will be forgone during upcoming Lent. Traditionally, butter, milk, and other animal products were not consumed "excessively", rather, their stoc ...
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Politics Of Uruguay
The politics of Uruguay abide by a presidential representative democratic republic, under which the President of Uruguay is both the head of state and the head of government, as well as a multiform party system. The president exercises executive power and legislative power and is vested in the two chambers of the General Assembly of Uruguay. The Judiciary is independent from the executive and legislature. The Colorado and National parties have been locked in a power struggle, with the predominance of the Colorado party throughout most of Uruguay's history. The 2004 election, however, brought the Encuentro Progresista-Frente Amplio-Nueva Mayoría, a coalition of socialists, former Tupamaros, communists, social democrats, and Christian Democrats among others to power with majorities in both houses of parliament. A majority vote elected President Tabaré Vázquez. In 2009, the Broad Front once again won the elections with a plurality of the votes. A presidential runoff was tri ...
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Masterpieces Of The Oral And Intangible Heritage Of Humanity
The Proclamation of Masterpieces of the Oral and Intangible Heritage of Humanity was made by the Director-General of UNESCO starting in 2001 to raise awareness of intangible cultural heritage and encourage local communities to protect them and the local people who sustain these forms of cultural expressions. Several manifestations of intangible heritage around the world were awarded the title of ''Masterpieces'' to recognize the value of the non-material component of culture, as well as entail the commitment of states to promote and safeguard the Masterpieces. Further proclamations occurred biennially. In 2008, the 90 previously proclaimed Masterpieces were incorporated into the new Representative List of the Intangible Cultural Heritage of Humanity as its first entries. Background UNESCO defines oral and intangible heritage as "the totality of tradition-based creations of a cultural community expressed by a group or individuals and recognized as reflecting the expectations of a ...
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Candombe
''Candombe'' is a style of music and dance that originated in Uruguay among the descendants of liberated African slaves. In 2009, the United Nations Educational, Scientific and Cultural Organization (UNESCO) inscribed ''candombe'' in its Representative List of the Intangible Cultural Heritage of Humanity. To a lesser extent, ''candombe'' is practiced in Argentina, Paraguay, and Brazil. In Argentina, it can be found in Buenos Aires, Santa Fe, Paraná, and Corrientes. In Paraguay, this tradition continues in Camba Cuá and in Fernando de la Mora near Asunción. In Brazil, ''candombe'' retains its religious character and can be found in the state of Minas Gerais. This Uruguayan music style is based on three different drums: chico, repique, and piano drums. It is usually played in February during carnival in Montevideo at dance parades called ''llamadas'' and ''desfile inaugural del carnaval''. Origins Common origins According to George Reid Andrews, a historian of blac ...
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Afro-Uruguayan Culture
Afro-Uruguayans are Uruguayans of predominantly African descent. The majority of Afro-Uruguayans are in Montevideo. History For most of the colonial period, the port of Buenos Aires (see Afro-Argentines) served as the exclusive entry point for enslaved Africans in the Río de la Plata region. Slaves entering the port of Buenos Aires were then regularly shipped inland to Córdoba and the northwestern provinces of Salta and Tucumán in Argentina, across the Andes Mountains to Chile (see Afro-Chileans) and to the mines of Potosí in Alto Perú (see Afro-Bolivians). The term “Afro-Uruguayans” is problematic in itself, the phrase diminishes relations of these individuals in black communities and is much too specific because of mixed cultures. To strengthen the connections between black communities back in the 1800s, “Orientals” is more fitting in regards to modern-day Uruguay, rather than “Afro-Uruguayans” because of lands history and origin. The region of Uruguay has ...
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Samba
Samba (), also known as samba urbano carioca (''urban Carioca samba'') or simply samba carioca (''Carioca samba''), is a Brazilian music genre that originated in the Afro-Brazilian communities of Rio de Janeiro in the early 20th century. Having its roots in Brazilian folk traditions, especially those linked to the primitive rural samba of the colonial and imperial periods, it is considered one of the most important cultural phenomena in Brazil and one of the country's symbols. Present in the Portuguese language at least since the 19th century, the word "samba" was originally used to designate a "popular dance". Over time, its meaning has been extended to a "batuque-like circle dance", a dance style, and also to a "music genre". This process of establishing itself as a musical genre began in the 1910s and it had its inaugural landmark in the song " Pelo Telefone", launched in 1917. Despite being identified by its creators, the public, and the Brazilian music industry as "samba", ...
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Left-wing
Left-wing politics describes the range of political ideologies that support and seek to achieve social equality and egalitarianism, often in opposition to social hierarchy. Left-wing politics typically involve a concern for those in society whom its adherents perceive as disadvantaged relative to others as well as a belief that there are unjustified inequalities that need to be reduced or abolished. Left-wing politics are also associated with popular or state control of major political and economic institutions. According to emeritus professor of economics Barry Clark, left-wing supporters "claim that human development flourishes when individuals engage in cooperative, mutually respectful relations that can thrive only when excessive differences in status, power, and wealth are eliminated." Within the left–right political spectrum, ''Left'' and ''Right'' were coined during the French Revolution, referring to the seating arrangement in the French Estates General. Those ...
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Festival
A festival is an event ordinarily celebrated by a community and centering on some characteristic aspect or aspects of that community and its religion or cultures. It is often marked as a local or national holiday, mela, or eid. A festival constitutes typical cases of glocalization, as well as the high culture-low culture interrelationship. Next to religion and folklore, a significant origin is agricultural. Food is such a vital resource that many festivals are associated with harvest time. Religious commemoration and thanksgiving for good harvests are blended in events that take place in autumn, such as Halloween in the northern hemisphere and Easter in the southern. Festivals often serve to fulfill specific communal purposes, especially in regard to commemoration or thanking to the gods, goddesses or saints: they are called patronal festivals. They may also provide entertainment, which was particularly important to local communities before the advent of mass-produced e ...
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Black People
Black is a racialized classification of people, usually a political and skin color-based category for specific populations with a mid to dark brown complexion. Not all people considered "black" have dark skin; in certain countries, often in socially based systems of racial classification in the Western world, the term "black" is used to describe persons who are perceived as dark-skinned compared to other populations. It is most commonly used for people of sub-Saharan African ancestry and the indigenous peoples of Oceania, though it has been applied in many contexts to other groups, and is no indicator of any close ancestral relationship whatsoever. Indigenous African societies do not use the term ''black'' as a racial identity outside of influences brought by Western cultures. The term "black" may or may not be capitalized. The '' AP Stylebook'' changed its guide to capitalize the "b" in ''black'' in 2020. The '' ASA Style Guide'' says that the "b" should not be capitalized. S ...
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