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Urdhva Hastasana
Tadasana ( sa , ताड़ासन, translit=Tāḍāsana), Mountain pose or Samasthiti ( sa, समस्थिति; IAST: ''samasthitiḥ'') is a standing asana in modern yoga as exercise; it is not described in medieval hatha yoga texts. It is the basis for several other standing asanas. Etymology and origins Tāḍāsana is from the Sanskrit words ताड ''tāḍa'', "mountain" and आसन ''āsana'' meaning "posture" or "seat". Samasthitiḥ is from सम ''sama'' meaning "equal", level", or "balanced"; and स्थिति ''sthiti'', "standing". The pose was unknown in hatha yoga until the 20th century ''Light on Yoga'', but it appears in the 1896 ''Vyayama Dipika'', a manual of gymnastics, as part of the "very old" sequence of ''danda'' (Sanskrit for "staff" or "stick") exercises. Norman Sjoman suggests that it was among the poses adopted into modern yoga as exercise in Mysore by Krishnamacharya to form the "primary foundation" for his vinyasas with fl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tadasana - Yoga Art And Science
Tadasana ( sa , ताड़ासन, translit=Tāḍāsana), Mountain pose or Samasthiti ( sa, समस्थिति; IAST: ''samasthitiḥ'') is a standing asana in modern yoga as exercise; it is not described in medieval hatha yoga texts. It is the basis for several other standing asanas. Etymology and origins Tāḍāsana is from the Sanskrit words ताड ''tāḍa'', "mountain" and आसन ''āsana'' meaning "posture" or "seat". Samasthitiḥ is from सम ''sama'' meaning "equal", level", or "balanced"; and स्थिति ''sthiti'', "standing". The pose was unknown in hatha yoga until the 20th century '' Light on Yoga'', but it appears in the 1896 ''Vyayama Dipika'', a manual of gymnastics, as part of the "very old" sequence of ''danda'' (Sanskrit for "staff" or "stick") exercises. Norman Sjoman suggests that it was among the poses adopted into modern yoga as exercise in Mysore by Krishnamacharya to form the "primary foundation" for his vinyasas wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mula Bandha
A bandha ( sa, बंध) is a kriyā in Hatha Yoga, being a kind of internal mudra described as a "body lock," to lock the vital energy into the body. ''Bandha'' literally means bond, fetter, or "catching hold of".Iyengar, 1976: pp.435–437 Maha Bandha ("the great lock") combines all the other three bandhas, namely: * Mula Bandha, contraction of the perineum * Uddiyana bandha, contraction of the abdomen into the rib cage * Jalandhara Bandha, tucking the chin close to the chest In Ashtanga Vinyasa Yoga, these three Bandhas are considered to be one of the three key principles of yoga practice. ''Mula bandha'' ''Mūla bandha'' is a primary ''bandha'' in traditional yoga. The earliest textual mention of ''mūla bandha'' is in the 12th century Shaiva Natha text '' Gorakṣaśataka'' which defines it as a yogic technique to achieve mastery of breath and to awaken the goddess Kuṇḍalinī. Etymology Mula Bandha (Sanskrit: मूल बंध) is from ''Mūla'', meaning variously ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uddiyana Bandha
A bandha ( sa, बंध) is a kriyā in Hatha Yoga, being a kind of internal mudra described as a "body lock," to lock the vital energy into the body. ''Bandha'' literally means bond, fetter, or "catching hold of".Iyengar, 1976: pp.435–437 Maha Bandha ("the great lock") combines all the other three bandhas, namely: * Mula Bandha, contraction of the perineum * Uddiyana bandha, contraction of the abdomen into the rib cage * Jalandhara Bandha, tucking the chin close to the chest In Ashtanga Vinyasa Yoga, these three Bandhas are considered to be one of the three key principles of yoga practice. ''Mula bandha'' ''Mūla bandha'' is a primary ''bandha'' in traditional yoga. The earliest textual mention of ''mūla bandha'' is in the 12th century Shaiva Natha text '' Gorakṣaśataka'' which defines it as a yogic technique to achieve mastery of breath and to awaken the goddess Kuṇḍalinī. Etymology Mula Bandha (Sanskrit: मूल बंध) is from ''Mūla'', meaning vari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Savasana
Shavasana ( sa, शवासन; IAST: ''śavāsana''), Corpse Pose, or Mritasana, is an asana in hatha yoga and modern yoga as exercise, often used for relaxation at the end of a session. It is the usual pose for the practice of yoga nidra meditation, and is an important pose in Restorative Yoga. Etymology and origins The name Shavasana is from Sanskrit शव ''Śava'', "corpse" and आसन ''Āsana'', "posture" or "seat". The alternative name Mritasana is from Sanskrit मृत ''mṛta'', "death". The earliest mention of the pose is in the 15th century '' Hatha Yoga Pradipika'' 1.32, which states in the context of a medieval belief system that "lying down on the ground supine, like a corpse, is called Shavasana. It eliminates tiredness and promotes calmness of the mind." The name Supta Padangusthasana is from Sanskrit सुप्त पादाङ्गुष्ठासन ''supta pādāṅguṣṭhāsana'', from सुप्त supta, "reclined" and पादा ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hasta Vinyasas
Hasta Vinyasas ( sa, हास्त विन्यास; ; IAST:) are a set of yoga vinyasas which primarily involve movement of the arms. The Hasta Vinyasas are: Parshvabhaga (Lateral Side Movement), Purvabhaga (Frontal Stretch), Prasarana (Sweeping Movement), Elbow Movement, Hands on Shoulder Blades Movements, Hands-Lock Behind Movements, Prishtanjali (Back Salute), and Shoulder Rotations. Etymology Hasta Vinyasa is derived from sa, हास्त Hāsta, "formed with the hands", and sa, विन्यास Vinyāsa, "movement". Below is a table of the Sanskrit etymology of the Hasta Vinyasas. Description As vinyasas which have Tadasana as their base, the Hasta Vinyasas improve balance, and calm the mind (which also helps to produce a steady body) and ready a practitioner for asana practice. Simultaneously the movement of the Hasta Vinyasas help invigorate the body and prepare it for other asana practice. When performing these vinyasas, all bandhas may be eng ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Iyengar Way
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pron ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yoga Journal
''Yoga Journal'' is a website and digital journal, formerly a print magazine, on yoga as exercise founded in California in 1975 with the goal of combining the essence of traditional yoga with scientific understanding. It has produced live events and materials such as DVDs on yoga and related subjects. The magazine grew from the California Yoga Teachers Association's newsletter, which was called ''The Word''. ''Yoga Journal'' has repeatedly won Western Publications Association's Maggie Awards for "Best Health and Fitness Magazine". It has however been criticized for representing yoga as being intended for affluent white women; in 2019 it attempted to remedy this by choosing a wider variety of yoga models. Beginnings ''Yoga Journal'' was started in May 1975 by the California Yoga Teachers Association (CYTA), with Rama Jyoti Vernon as President, William Staniger as the founding editor, and Judith Lasater on the board and serving as copy editor. Their goal was to combine "the ess ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surya Namaskar
Sun Salutation, also called Surya Namaskar(a) or Salute to the Sun (), is a practice in yoga as exercise incorporating a flow sequence of some twelve gracefully linked asanas. The asana sequence was first recorded as yoga in the early 20th century, though similar exercises were in use in India before that, for example Indian wrestling, among wrestlers. The basic sequence involves moving from a standing position into Downward dog, Downward and Upward Dog poses and then back to the standing position, but many variations are possible. The set of 12 asanas is dedicated to the Hinduism, Hindu solar deity, Surya. In some Indian traditions, the positions are each associated with a different mantra. The precise origins of the Sun Salutation are uncertain, but the sequence was made popular in the early 20th century by Bhawanrao Shriniwasrao Pant Pratinidhi, the Rajah of Aundh State, Aundh, and adopted into yoga by Krishnamacharya in the Mysore Palace, where the Sun Salutation classes, not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drishti (Yoga)
Drishti ( sa, दृष्टि, translit=dṛṣṭi; ), or focused gaze, is a means for developing concentrated intention. It relates to the fifth limb of yoga, pratyahara, concerning sense withdrawal, as well as the sixth limb, dharana, relating to concentration. In Ashtanga Vinyasa Yoga, each asana is associated with one of the 8 focused gazes, namely Angusthamadhye (thumb), Bhrumadhye (eyebrow), Nasagre (tip of nose), Hastagrahe (tips of hands), Parshva (side), Urdhva (up), Nabhicakre (navel), and Padayoragre (tips of feet) Drishtis. In some other styles such as Sivananda Yoga, less use is made of the gaze, and fewer types are employed. History The ''Yoga Sutras of Patanjali'' define eight limbs of yoga but do not mention the gaze. The sixth limb, dharana (concentration), however requires holding one's mind onto an inner state, subject or topic. The mind can for example be fixed on a mantra, one's breath, or a part of the body such as the navel or the tip of the ton ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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