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Up With Donald Byrd
''Up with Donald Byrd'' is an album by American trumpeter Donald Byrd featuring performances by Byrd with Jimmy Heath, Stanley Turrentine, Herbie Hancock and Kenny Burrell recorded in 1964. It was released on the Verve Records, Verve label in 1965 as V/V6 8609.Donald Byrd discography accessed September 2, 2010 Reception The Allmusic review by Scott Yanow awarded the album 2 stars and stated "The music is mostly pretty forgettable despite such top sidemen... A lesser effort".Yanow, S. [ Allmusic Review] accessed September 2, 2010 It is important to consider Byrd's aim of attracting a larger African American audience by covering popular Blues (See See Rider, My Babe) and Gospel songs, at a time when Jazz was losing popularity. Track listing |
Donald Byrd
Donaldson Toussaint L'Ouverture Byrd II (December 9, 1932 – February 4, 2013) was an American jazz and rhythm & blues trumpeter and vocalist. A sideman for many other jazz musicians of his generation, Byrd was one of the few hard bop musicians who successfully explored funk and soul while remaining a jazz artist. As a bandleader, Byrd was an influence on the early career of Herbie Hancock. Biography Early life and career Byrd was born in 1932 in Detroit, Michigan. His family came from the African-American middle-class. His father, Elijah Thomas Byrd, was a Methodist minister who greatly valued education and oversaw his son's schooling. His mother, Cornelia Taylor, introduced Byrd to jazz music and it was her brother who gave Byrd his first trumpet. He attended Cass Technical High School. He performed with Lionel Hampton before finishing high school. During this period, his first professional recording session was in 1949 at Fortune Records in Detroit with the Robert ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boom Boom (John Lee Hooker Song)
"Boom Boom" is a song written by American blues singer and guitarist John Lee Hooker and recorded in 1961. Although it became a blues standard, music critic Charles Shaar Murray calls it "the greatest pop song he ever wrote". "Boom Boom" was both an American R&B and pop chart success in 1962 and a UK top-twenty hit in 1992. The song is one of Hooker's most identifiable and enduring songs and "among the tunes that every band on the arly 1960s UKR&B circuit simply ''had'' to play". It has been recorded by numerous blues and other artists, including a 1965 North American hit by the Animals. Recording and composition Prior to recording for Vee-Jay Records, John Lee Hooker was primarily a solo performer or accompanied by a second guitarist, such as early collaborators Eddie Burns or Eddie Kirkland. However, with Vee-Jay, he usually recorded with a small backing band, as heard on the singles "Dimples", "I Love You Honey", and "No Shoes". Detroit keyboardist Joe Hunter, who had pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grady Tate
Grady Tate (January 14, 1932 – October 8, 2017) was an American jazz and soul-jazz drummer and baritone vocalist. In addition to his work as sideman, Tate released many albums as leader and lent his voice to songs in the animated '' Schoolhouse Rock!'' series. Biography Tate was born in Hayti, Durham, North Carolina, United States. In 1963 he moved to New York City, where he became the drummer in Quincy Jones's band. Grady Tate's drumming helped to define a particular hard bop, soul jazz and organ trio sound during the mid-1960s and beyond. His slick, layered and intense sound is instantly recognizable for its understated style in which he integrates his trademark subtle nuances with sharp, crisp "on top of the beat" timing (in comparison to playing slightly before, or slightly after the beat). The Grady Tate sound can be heard prominently on many of the classic Jimmy Smith and Wes Montgomery albums recorded on the Verve label in the 1960s. During the 1970s he was a member ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ron Carter
Ronald Levin Carter (born May 4, 1937) is an American jazz double bassist. His appearances on 2,221 recording sessions make him the most-recorded jazz bassist in history. He has won three Grammy awards, and is also a cellist who has recorded numerous times on that instrument. Some of his studio albums as a leader include: ''Blues Farm'' (1973), '' All Blues'' (1973), '' Spanish Blue'' (1974), ''Anything Goes'' (1975), '' Yellow & Green'' (1976), ''Pastels'' (1976), ''Piccolo'' (1977), '' Third Plane'' (1977), ''Peg Leg'' (1978), '' A Song for You'' (1978), ''Etudes'' (1982), ''The Golden Striker'' (2003), ''Dear Miles'' (2006), and ''Ron Carter's Great Big Band'' (2011). Early life Carter was born in Ferndale, Michigan. He started to play cello at the age of 10, and switched to bass while in high school. He earned a B.A. in music from the Eastman School of Music (1959) and a master's degree in music from the Manhattan School of Music (1961). Carter's first jobs as a jazz music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bob Cranshaw
Melbourne Robert Cranshaw (December 3, 1932 – November 2, 2016) was an American jazz bassist. His career spanned the heyday of Blue Note Records to his recent involvement with the Musicians Union. He is perhaps best known for his long association with Sonny Rollins. Cranshaw performed in Rollins's working band on and off for over five decades, starting with a live appearance at the 1959 Playboy jazz festival in Chicago and on record with the 1962 album '' The Bridge''. Cranshaw died at the age of 83 on November 2, 2016, in Manhattan, New York, from Stage IV cancer. Discography As sideman With Pepper Adams *''Pepper Adams Plays the Compositions of Charlie Mingus'' (Workshop Jazz, 1964) With Nat Adderley *'' Little Big Horn!'' ( Riverside, 1963) *''Sayin' Somethin''' (Atlantic, 1966) With Eric Alexander *'' Second Impression'' (HighNote, 2016) With Mose Allison *'' Hello There, Universe'' (Atlantic, 1970) With Gene Ammons *'' Gene Ammons and Friends at Montreux'' (Prestige, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sometimes I Feel Like A Motherless Child
"Sometimes I Feel Like a Motherless Child", also "Motherless Child", is a traditional Spiritual. It dates back to the era of slavery in the United States. An early performance of the song was in the 1870s by the Fisk Jubilee Singers. "Blue Gene" Tyranny, "Sometimes I Feel Like a Motherless Child" article ''Allmusic'' Commonly heard during the Civil rights movement in the United States, it has many variations and has been recorded widely. Description The song is an expression of pain and despair as the singer compares their hopelessness to that of a child who has been torn from their parents. Under one interpretation, the repetition of the word "sometimes" offers a measure of hope, as it suggests that at least "sometimes" the singer ''does not'' feel like a motherless child."Sweet Chariot: the story of the spirituals" [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantaloupe Island
"Cantaloupe Island" is a jazz standard composed by Herbie Hancock and recorded for his 1964 album '' Empyrean Isles'' during his early years as one of the members of Miles Davis' 1960s quintet. Hancock later recorded a jazz-funk fusion version of the track, as Cantalope Island, on his 1976 album ''Secrets''. Musicians The musicians for the original 1964 recording were: Hancock (piano), Freddie Hubbard ( cornet), Ron Carter ( bass) and Tony Williams (drums). The 1976 recording featured Bennie Maupin (saxophone), Wah Wah Watson (guitar), Paul Jackson (bass), and James Levi (drums). Samples The jazz rap group Us3 sampled "Cantaloupe Island" in their song "Cantaloop (Flip Fantasia)", from their album ''Hand On the Torch'' (1993). "Cantaloop (Flip Fantasia)" was recorded as a demo a year before the group's first release. but in the US, "Cantaloop (Flip Fantasia)" reached, No. 21 on the R&B Single Sales chart No. 9 on the ''Billboard'' Hot 100, becoming the group's only ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
House Of The Rising Sun
A house is a single-unit residential building. It may range in complexity from a rudimentary hut to a complex structure of wood, masonry, concrete or other material, outfitted with plumbing, electrical, and heating, ventilation, and air conditioning systems.Schoenauer, Norbert (2000). ''6,000 Years of Housing'' (rev. ed.) (New York: W.W. Norton & Company). Houses use a range of different roofing systems to keep precipitation such as rain from getting into the dwelling space. Houses may have doors or locks to secure the dwelling space and protect its inhabitants and contents from burglars or other trespassers. Most conventional modern houses in Western cultures will contain one or more bedrooms and bathrooms, a kitchen or cooking area, and a living room. A house may have a separate dining room, or the eating area may be integrated into another room. Some large houses in North America have a recreation room. In traditional agriculture-oriented societies, domestic animals suc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ma Rainey
Gertrude "Ma" Rainey ( Pridgett; April 26, 1886 – December 22, 1939) was an American blues singer and influential early blues recording artist. Dubbed the "Mother of the Blues", she bridged earlier vaudeville and the authentic expression of southern blues, influencing a generation of blues singers. Gertrude Pridgett began performing as a teenager and became known as "Ma" Rainey after her marriage to Will "Pa" Rainey in 1904. They toured with the Rabbit Foot Minstrels and later formed their own group, ''Rainey and Rainey, Assassinators of the Blues''. Her first recording was made in 1923. In the following five years, she made over 100 recordings, including " Bo-Weevil Blues" (1923), "Moonshine Blues" (1923), "See See Rider Blues" (1925), "Ma Rainey's Black Bottom" (1927), and "Soon This Morning" (1927). Rainey was known for her powerful vocal abilities, energetic disposition, majestic phrasing, and a "moaning" style of singing. Her qualities are present and most evident in he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
See See Rider
"See See Rider", also known as "C.C. Rider", "See See Rider Blues" or "Easy Rider", is a popular American 12-bar blues song that became a standard in several genres. Gertrude "Ma" Rainey was the first to record it on October 16, 1924, at Paramount Records in New York. The song uses mostly traditional blues lyrics to tell the story of an unfaithful lover, commonly called an "easy rider": "See see rider, see what you have done", making a play on the word "see" and the sound of "easy". Background "See See Rider" is a traditional song that may have originated on the black vaudeville circuit. It is similar to "Poor Boy Blues" as performed by Ramblin' Thomas. Jelly Roll Morton recollected hearing the song as a young boy some time after 1901 in New Orleans, Louisiana, when he performed with a spiritual quartet that played at funerals. Older band members played "See See Rider" during get-togethers with their "sweet mamas" or as Morton called them "fifth-class whores". Big Bill Broonz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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