Up (ABC Album)
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Up (ABC Album)
''Up'' is the fifth studio album by English pop band ABC, released in October 1989. This time experimenting with house music, it was ABC's first album not to make the top 40 in the UK. However, they scored a minor UK hit with the single "One Better World", an ode to love, peace and tolerance. "The Real Thing" was also released as a single. ''Up'' was the band's final album released on the PolyGram label. In 2005, a digitally remastered CD of the album was released with five bonus tracks. Track listing Personnel ABC * Martin Fry – vocals * Mark White – keyboards, programming Additional personnel * Dave Clayton – keyboards * Ritchie Close – keyboards * Mike Pickering – keyboards, programming and DJ (9) * Rob Dean – guitars * Maurice Michael – guitars, backing vocals * Danny Cummings – drums, percussion * David Palmer – drums, percussion * Phil Smith – saxophones * Graeme Park – DJ (9) * Alan Carvell – backing vocals * Lorenza Johnson – ...
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Studio Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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The Encyclopedia Of Popular Music
''The Encyclopedia of Popular Music'' is an encyclopedia created in 1989 by Colin Larkin. It is the "modern man's" equivalent of the '' Grove Dictionary of Music'', which Larkin describes in less than flattering terms.''The Times'', ''The Knowledge'', Christmas edition, 22 December 2007- 4 January 2008. It was described by ''The Times'' as "the standard against which all others must be judged". History of the encyclopedia Larkin believed that rock music and popular music were at least as significant historically as classical music, and as such, should be given definitive treatment and properly documented. ''The Encyclopedia of Popular Music'' is the result. In 1989, Larkin sold his half of the publishing company Scorpion Books to finance his ambition to publish an encyclopedia of popular music. Aided by a team of initially 70 contributors, he set about compiling the data in a pre-internet age, "relying instead on information gleaned from music magazines, individual expertise a ...
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Julian Mendelsohn
Julian Mendelsohn is an Australian record producer, audio engineer and mixer. Early life After completing school in Australia, Mendelsohn moved to the United Kingdom. He secured his first job in 1974 at Milner Sound Fulham Rd. Chelsea, run by ex-BBC engineer John Milner. List of works Mendelsohn was a producer for: Albums * The Firm - '' Mean Business'' (1986) * Pet Shop Boys - '' Disco'' (1986) * Models - '' Models' Media'' (1986) *Pet Shop Boys - ''Actually'' (1987) *Level 42 - '' Staring at the Sun'' (1988) * Pseudo Echo - ''Race'' (1988) * The Blow Monkeys - '' Whoops! There Goes the Neighbourhood'' (1989) * Nik Kershaw - '' The Works'' (1989) * Del Amitri - '' Waking Hours'' (1989) * Liza Minnelli - '' Results'' (1989) * The Associates - '' Wild and Lonely'' (1990) *Dusty Springfield - ''Reputation'' (1990) *Pet Shop Boys - '' Discography: The Complete Singles Collection'' (1991) *Tasmin Archer - '' Great Expectations'' (1992) *Paul McCartney - ''Off the Ground'' (1993) ...
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Bob Kraushaar
Bob Kraushaar is an English pop music record producer specializing in mixing. Kraushaar has mixed and produced commercially successful songs and albums for numerous British and international artists. His first industry appointment was as runner for Trevor Horn. He graduated to tape-operating at Marcus Studios but moved back to the SARM Studios when they expanded and equipped with SSLs. His first chart success came with Johnny Hates Jazz, and he was soon known as a mixing specialist having made his mark with ZTT artists such as Propaganda and Art of Noise. SARM's associated ZTT label was outputting multiple 12-inch singles requiring alternative versions, and many of these were mixed by Kraushaar. He went on to work with Paul McCartney, ABC, The Human League, Erasure, and perhaps his most regular client, Pet Shop Boys. 1985 saw Kraushaar mixing "Intermission (The Gods are Bored)", a track on Anne Pigalle's album ''Everything Could Be So Perfect''. His first UK No. 1 chart credit f ...
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Spike Stent
Mark "Spike" Stent (born 3 August 1965) is an English record producer and mixing engineer who has worked with many international artists including Madonna, Marshmello, U2, Beyoncé, Björk, Depeche Mode, Echo & The Bunnymen, Grimes, Ed Sheeran, Beth Orton, Harry Styles, Frank Ocean, Selena Gomez, All Saints, Spice Girls, Lady Gaga, Coldplay, Mansun, Maroon 5, Muse, Lily Allen, Gwen Stefani, Moby, No Doubt, Lenka, Usher, Kaiser Chiefs, Linkin Park, Yeah Yeah Yeahs, Oasis, Keane, Massive Attack, Bastille, Diana Vickers, and Take That.''Sound on Sound'' magazine, January 1999link. Retrieved March 2006. Early life Stent grew up in Hampshire, England and first gained experience as an engineer at Jacob Studios as a teenager before a two-year stint at Trident Studios. After Trident, Stent worked at Olympic Studios in Barnes, South London. While at Olympic, Stent worked with artists such as Massive Attack, Bjork, Madonna, U2, Keane, and Oasis. Stent currently w ...
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Rob Dean
Rob Dean (born 23 April 1955) is a British musician turned professional illustrator, who rose to prominence playing lead guitar as a member of the British new wave band Japan from 1975 to 1981. Biography He is from the Clapton district of Hackney, northeast London, England. Japan Dean joined Japan in 1975 at the age of 20. The band began as an alternative glam rock-style band and became a popular new wave sensation in the early 1980s. Dean left the band in May 1981 following their 'Art of Parties' tour, as his guitar work had become increasingly marginalised as they developed a more electronic sound. He had previously played on their albums ''Adolescent Sex'' (1978), '' Obscure Alternatives'' (1978) and ''Quiet Life'' (1979).Ola's Kool Kitchen with interview of Ro ...
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Disc Jockey
A disc jockey, more commonly abbreviated as DJ, is a person who plays recorded music for an audience. Types of DJs include Radio personality, radio DJs (who host programs on music radio stations), club DJs (who work at a nightclub or music festival), mobile DJs (who are hired to work at public and private events such as weddings, parties, or festivals), and turntablism, turntablists (who use record players, usually turntables, to manipulate sounds on phonograph records). Originally, the "disc" in "disc jockey" referred to shellac and later vinyl records, but nowadays DJ is used as an all-encompassing term to also describe persons who DJ mix, mix music from other recording media such as compact cassette, cassettes, CDs or digital audio files on a CDJ, controller, or even a laptop. DJs may adopt the title "DJ" in front of their real names, adopted pseudonyms, or stage names. DJs commonly use audio equipment that can play at least two sources of recorded music simultaneously. Th ...
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Mike Pickering
Mike Pickering (born 21 February 1954) is an English musician and DJ. Career Pickering was a DJ at The Haçienda's Nude and Hot nights, and later Shine. He worked for Factory Records, where he signed Happy Mondays, To Hell with Burgundy and James, among others. With Hillegonda Rietveld, he was joint founder, writer and producer of Quando Quango, and he later founded M People, for whom he wrote and produced many songs and played saxophone live. Pickering now works as A&R within the Columbia label of Sony BMG, where he works with the Gossip, Calvin Harris, Kasabian, and the Ting Tings. In other media Pickering appeared as himself in the film '' 24 Hour Party People''. He supports Manchester City Football Club, and appeared in the documentary film about the club, '' Blue Moon Rising'' in 2010 alongside Noel Gallagher Noel Thomas David Gallagher (born 29 May 1967) is an English singer, songwriter, and musician. He was the chief songwriter, lead guitarist, and co-lead v ...
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House Music
House is a music genre characterized by a repetitive Four on the floor (music), four-on-the-floor beat and a typical tempo of 120 beats per minute. It was created by Disc jockey, DJs and music producers from Chicago metropolitan area, Chicago's underground Clubbing (subculture), club culture in the late 1970s, as DJs began altering disco songs to give them a more mechanical beat. House was pioneered by African Americans, African American DJs and producers in Chicago such as Frankie Knuckles, Ron Hardy, Jesse Saunders, Chip E., Steve "Silk" Hurley, Farley "Jackmaster" Funk, Marshall Jefferson, Phuture, and others. House music expanded to other American cities such as New York City and became a worldwide phenomenon. House has had a large effect on pop music, especially dance music. It was incorporated by major international pop artists including Whitney Houston, Janet Jackson ("Together Again (Janet Jackson song), Together Again"), Kylie Minogue, Pet Shop Boys and Madonna ("Vogu ...
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Pop Music
Pop music is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom. The terms ''popular music'' and ''pop music'' are often used interchangeably, although the former describes all music that is popular and includes many disparate styles. During the 1950s and 1960s, pop music encompassed rock and roll and the youth-oriented styles it influenced. ''Rock'' and ''pop'' music remained roughly synonymous until the late 1960s, after which ''pop'' became associated with music that was more commercial, ephemeral, and accessible. Although much of the music that appears on record charts is considered to be pop music, the genre is distinguished from chart music. Identifying factors usually include repeated choruses and hooks, short to medium-length songs written in a basic format (often the verse-chorus structure), and rhythms or tempos that can be easily danced to. Much pop music also borrows elements from other styles ...
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Studio Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Spin Alternative Record Guide
The ''Spin Alternative Record Guide'' is a music reference book compiled by the American music magazine '' Spin'' and published in 1995 by Vintage Books. It was edited by rock critic Eric Weisbard and Craig Marks, who was the magazine's editor-in-chief at the time. The book features essays and reviews from a number of prominent critics on albums, artists, and genres considered relevant to the alternative music movement. Contributors who were consulted for the guide include Ann Powers, Rob Sheffield, Simon Reynolds, and Michael Azerrad. The book did not sell particularly well and received a mixed reaction from reviewers in 1995. The quality and relevance of the contributors' writing were praised, while the editors' concept and comprehensiveness of alternative music were seen as ill-defined. Nonetheless, it inspired a number of future music critics and helped revive the career of folk artist John Fahey, whose music was covered in the guide. Content Spanning 468 pages, the ' ...
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