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Up, Up And Away (song)
"Up, Up and Away" is a 1967 song written by Jimmy Webb and recorded (as "Up–Up and Away") by US soul-pop act the 5th Dimension, whose big hit version reached no. 7 on ''Billboard'''s Hot 100 in July 1967 and no. 9 on its Easy Listening chart. The single reached number one in both Canada and Australia. In 1999 Webb's song placed 43 on BMI's "Top 100 Songs of the Century". A canonical example of sunshine pop, themed around images of hot air ballooning, it cleaned up at the 10th Annual Grammy Awards in 1968, winning for Record of the Year, Song of the Year, Best Pop Performance by a Duo or Group with Vocals, Best Performance by a Vocal Group, Best Performance by a Chorus and Best Contemporary Song. The instrumental backing was performed by members of the Wrecking Crew, including guitarist Al Casey, trumpeter Tony Terran and drummer Hal Blaine. Chart history Weekly charts Year-end charts Notable cover versions *In the United Kingdom the 5th Dimension single faile ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The 5th Dimension
The 5th Dimension is an American popular music vocal group, whose repertoire includes pop, R&B, soul, jazz, light opera, and Broadway. Formed as the Versatiles in late 1965, the group changed its name to "the 5th Dimension" by 1966. Between 1967 and 1973 they charted with 20 top 40 hits on ''Billboards Hot 100, two of which – " Up, Up and Away" (no. 7, 1967) and the 1969 number one " Medley: Aquarius/Let the Sunshine In (The Flesh Failures)" — won the Grammy Award for Record of the Year. Other big hits include " Stoned Soul Picnic" (no. 3), "Wedding Bell Blues" (no. 1), "One Less Bell to Answer" (no. 2), a cover of "Never My Love" (pop no. 12/Easy Listening no. 1), "(Last Night) I Didn't Get to Sleep at All" (no. 8), and "If I Could Reach You" (pop no. 10/Easy Listening no. 1). Three of their records reached the top ten of ''Billboard'''s Rhythm & Blues/Soul chart. Five of their 19 top 20 hits on the Easy Listening chart reached number one. The five original members ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grammy Award For Record Of The Year
The Grammy Award for Record of the Year is presented by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to sales or chart position." The Record of the Year award is one of the four "General Field" categories at the awards (alongside Best New Artist, Song of the Year and Album of the Year) presented annually since the 1st Annual Grammy Awards in 1959. According to the 54th Annual Grammy Awards description guide, the award is presented: Arrangers, songwriters, musicians and background singers of a winning recording can apply for a Winners Certificate. Songwriters can only apply for a certificate if it is a new song. Since the 55th Annual Grammy Awards in 2013, mastering engineers are considered nominees and award recipients in this category. Record of the Year is related to but is conceptually different from Song of the Year or Al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adult Contemporary (chart)
The Adult Contemporary chart is published weekly by '' Billboard'' magazine and lists the most popular songs on adult contemporary radio stations in the United States. The chart is compiled based on airplay data submitted to ''Billboard'' by stations that are members of the Adult Contemporary radio panel. The chart debuted in ''Billboard'' magazine on July 17, 1961.Hyatt, Wesley (1999). ''The Billboard Book of Number One Adult Contemporary Hits''. New York City: Billboard Books. . Over the years, the chart has gone under a series of name changes, being called Easy Listening (1961–1962; 1965–1979), Middle-Road Singles (1962–1964), Pop-Standard Singles (1964–1965), Hot Adult Contemporary Tracks (1979–1982) and Adult Contemporary (1983–present). Chart history The ''Billboard'' Easy listening chart, as it was first known, was born of a desire by some radio stations in the late 1950s and early 1960s to continue playing current hit songs but distinguish themselves from b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Zealand Listener
The ''New Zealand Listener'' is a weekly New Zealand magazine that covers the political, cultural and literary life of New Zealand by featuring a variety of topics, including current events, politics, social issues, health, technology, arts, food, culture and entertainment. The Bauer Media Group closed ''The Listener'' in April 2020 as a result of the COVID-19 pandemic in New Zealand. In June 2020, Mercury Capital acquired the magazine as part of its purchase of Bauer Media's former Australia and New Zealand assets, which were rebranded as Are Media. History ''The Listener'' was first published in June 1939 as a weekly broadcasting guide for radio listeners, and the first issue was distributed free to 380,000 households. First edited by Oliver Duff then from June 1949 M. H. Holcroft, it originally had a monopoly on the publication of upcoming television and radio programmes. In the 1980s it lost that monopoly, but despite the increase in competition since that time, it was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RPM (magazine)
''RPM'' ( and later ) was a Canadian music-industry publication that featured song and album charts for Canada. The publication was founded by Walt Grealis in February 1964, supported through its existence by record label owner Stan Klees. ''RPM'' ceased publication in November 2000. ''RPM'' stood for "Records, Promotion, Music". The magazine's title varied over the years, including ''RPM Weekly'' and ''RPM Magazine''. Canadian music charts ''RPM'' maintained several format charts, including Top Singles (all genres), Adult Contemporary, Dance, Urban, Rock/Alternative and Country Tracks (or Top Country Tracks) for country music. On 21 March 1966, ''RPM'' expanded its Top Singles chart from 40 positions to 100. On 6 December 1980, the main chart became a top-50 chart and remained this way until 4 August 1984, whereupon it reverted to a top-100 singles chart. For the first several weeks of its existence, the magazine did not compile a national chart, but simply printed the cur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kent Music Report
The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music enthusiast David Kent from May 1974 through to January 1999. The chart was re-branded the Australian Music Report (AMR) in July 1987. From June 1988, the Australian Recording Industry Association, which had been using the top 50 portion of the report under licence since mid-1983, chose to produce their own listing as the ARIA Charts. Before the Kent Report, ''Go-Set'' magazine published weekly Top-40 Singles from 1966, and Album charts from 1970 until the magazine's demise in August 1974. David Kent later published Australian charts from 1940 to 1973 in a retrospective fashion, using state by state chart data obtained from various Australian radio stations. Background Kent had spent a number of years previously working in the music industry at both EMI and Phonogram records and had developed the report initially as a hobby. The Kent Music Report was first release ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hal Blaine
Hal Blaine (born Harold Simon Belsky; February 5, 1929 – March 11, 2019) was an American drummer and session musician, thought to be among the most recorded studio drummers in the music industry, claiming over 35,000 sessions and 6,000 singles. His drumming is featured on 150 US top 10 hits, 40 of which went to number one. Born in Holyoke, Massachusetts, Blaine moved with his family to California in 1943 and began playing jazz and big band music before taking up rock and roll session work. He became one of the regulars in Phil Spector's de facto house band, which Blaine nicknamed " the Wrecking Crew". Some of the records Blaine played on include the Ronettes' single "Be My Baby" (1963), which contained a drum beat that became widely imitated, as well as works by popular artists such as Frank Sinatra, Elvis Presley, the Beach Boys, Simon & Garfunkel, the Carpenters, Neil Diamond, and the Byrds. Blaine's workload declined in the 1980s as recording and musical practices changed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tony Terran
Anthony Terran (May 30, 1926 – March 20, 2017) was an American trumpet player and session musician. He was part of the Wrecking Crew, a group of largely uncredited session musicians in Los Angeles, California, who helped famous artists record hit records in the 1960s. Career Terran was in high school when he started working on live radio shows in Buffalo, New York. In 1944, he arrived in Los Angeles after touring with Horace Heidt. In 1945, he began working with Bob Hope, and then with Desi Arnaz in 1946. Terran was the last surviving member of the Desi Arnaz Orchestra from the '' I Love Lucy'' television show. Terran performed and recorded with many artists including the Jackson 5, the 5th Dimension, the Mamas & the Papas, the Beach Boys, Harry Nilsson, the Bee Gees, Ray Charles, Neil Diamond, Chicago, Nat King Cole, Natalie Cole, Commodores, Perry Como, Bob Dylan, Ella Fitzgerald, Benny Goodman, Tony Bennett, Eartha Kitt, Peggy Lee, Madonna ('' I'm Breathless''), Dean Mar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al Casey (rock & Roll Guitarist)
Alvin Wayne Casey (October 26, 1936 – September 17, 2006) was an American guitarist. He was mainly known for his work as a session musician, but also released his own records and scored three ''Billboard'' Hot 100 hits in the United States. His contribution to the rockabilly genre has been recognized by the Rockabilly Hall of Fame. Early life Casey was born in Long Beach, California and moved to Phoenix, Arizona when he was two years old. His father played the guitar and tried to teach six-year-old Casey to play, but when he realized his son's fingers were too small, he gave him a ukulele instead. At the age of eight, Casey switched to the steel guitar and began taking formal music lessons. By the time he was 14, he was playing the steel guitar for various clubs in Phoenix, and in his later teens he performed five to six nights a week. When Casey was 20 he became serious about playing a traditional guitar. Career "The Fool" In his teens, Casey joined a local group, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Wrecking Crew (music)
The Wrecking Crew was a loose collective of Los Angeles-based session musicians whose services were employed for a great number of studio recordings in the 1960s and 1970s, including hundreds of top 40 hits. The musicians were not publicly recognized in their era, but were viewed with reverence by industry insiders. They are now considered one of the most successful and prolific session recording units in music history. Most of the players associated with the Wrecking Crew had formal backgrounds in jazz or classical music. The group had no official name in its active years, and it remains a subject of contention whether or not they were referred to as "the Wrecking Crew" at the time. Drummer Hal Blaine popularized the name in his 1990 memoir, attributing it to older musicians who felt that the group's embrace of rock and roll was going to "wreck" the music industry. Some of Blaine's colleagues corroborated his account, while guitarist/bassist Carol Kaye contended that they ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grammy Award For Best Contemporary Song
The Grammy Award The Grammy Awards (stylized as GRAMMY), or simply known as the Grammys, are awards presented by the Recording Academy of the United States to recognize "outstanding" achievements in the music industry. They are regarded by many as the most pr ... for Best Contemporary Song was awarded between 1959 and 1971. The award had several minor name changes: *In 1959 the award was known as Best Performance by a "Top 40" Artist *In 1961 it was awarded as Best Performance by a Pop Single Artist *From 1962 to 1965 it was awarded as Best Rock & Roll Recording *In 1966 it was awarded as Contemporary (R&R) Single *In 1967 it was awarded as Best Contemporary (R&R) Recording *In 1968 it was awarded as Best Contemporary Single *From 1970 to 1971 it was awarded as Best Contemporary Song Years reflect the year in which the Grammy Awards were presented, for works released in the previous year. 1970s 1960s References {{DEFAULTSORT:Grammy Award For Best Contemporar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grammy Award For Best Performance By A Chorus
The Grammy Award for Best Performance by a Chorus was awarded from 1961 to 1968. In its first year, the award specified that a "chorus" contains seven or more artists. This award was presented alongside the award for Best Performance by a Vocal Group. Before 1961 these awards were combined into the Grammy Award for Best Performance by a Vocal Group or Chorus The Grammy Award for Best Performance by a Vocal Group or Chorus was awarded from 1959 to 1960. In 1961 the award was split into two awards for Best Performance by a Vocal Group and Best Performance by a Chorus. Years reflect the year in which .... Although in the "pop" field the award did not specify pop music performances. In 1969 and 1970 a pop-specific award was presented for Best Contemporary Performance by a Chorus. Years reflect the year in which the Grammy Awards were presented, for works released in the previous year. Recipients References ;General * Note: User must select the "Pop" category as the genr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
