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Unity (Larry Young Album)
''Unity'' is an album by jazz organist Larry Young, released on the Blue Note label in August, 1966. The album features trumpeter Woody Shaw, tenor saxophonist Joe Henderson and drummer Elvin Jones. While not free jazz, the album features experimentation that was innovative for the time. Young chose the title because, "although everybody on the date was very much an individualist, they were all in the same frame of mood. It was evident from the start that everything was fitting together."Original liner notes by Nat Hentoff The album was Young's second for Blue Note, and is widely considered a "post-bop" classic. Music Three of the six tracks were composed by Woody Shaw. The first, "Zoltan", starts with part of a march from the Háry János suite of Zoltán Kodály and continues in the Lydian mode. The second, "The Moontrane", is dedicated to John Coltrane, "as can be heard in the harmonic cycles in it", explained Shaw. The third, "Beyond All Limits", has a difficult harmonic prog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Larry Young (jazz)
Larry Young (also known as Khalid Yasin ''Abdul Aziz October 7, 1940 – March 30, 1978) was an American jazz organist and occasional pianist. Young's early work was strongly influenced by the soul jazz of Jimmy Smith, but he later pioneered a more experimental, modal approach to the Hammond B-3. Biography Born and raised in Newark, New Jersey, United States, Young attended Newark Arts High School, where he began performing with a vocal group and a jazz band. Young played with various R&B bands in the 1950s, before gaining jazz experience with Jimmy Forrest, Lou Donaldson, Kenny Dorham, Hank Mobley and Tommy Turrentine. Recording as a leader for Prestige from 1960, Young made a number of soul jazz discs, '' Testifying'', ''Young Blues'' and '' Groove Street''. When Young signed with Blue Note around 1964, his music began to show the marked influence of John Coltrane. In this period, he produced his most enduring work. He recorded several times as part of a trio with guitari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Háry János
''Háry János'' is a Hungarian folk opera by Zoltán Kodály with a Hungarian libretto by Béla Paulini and Zsolt Harsányi. The opera, in four acts, is in the manner of a ''Singspiel and is based'' the comic epic ''The Veteran'' (''Az obsitos'') by János Garay about a supposed veteran named Háry János. The subtitle of the piece is ''Háry János kalandozásai Nagyabonytul a Burgváráig'' – ''János Háry: his Adventures from Nagyabony (Great Abony) to the Vienna Burg''.Tallian T. Háry János. In: ''The New Grove Dictionary of Opera.'' Macmillan, London and New York, 1997. The 1926 première was at the Royal Hungarian Opera House, Budapest. The UK stage première was at the Buxton Festival in 1982 conducted by Anthony Hose, with Alan Opie in the title role. Milnes R. Two resounding sneezes. ''3 adio 3 magazine', January 1983, pp, 41-46. Background The story is of a veteran hussar in the Austrian army in the first half of the 19th century who sits in the village inn reg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mike Dempsey (graphic Designer)
Mike Dempsey is a British practising graphic designer. He has been trained in calligraphy and typography since 1964. Career From the late 1960s Dempsey worked as an art director for two leading British publishing houses, William Heinemann and William Collins & Sons. In 1979 he founded the London-based design consultancy Carroll & Dempsey which later became CDT Design Limited. He created stamps for the Royal Mail, feature film title sequences for Ridley Scott, Louis Malle, Dennis Potter, David Hare and Bruce Beresford, the brand identity for English National Opera, and South Bank Centre to the resigning of the Royal National Theatre and the Royal Opera House. His personal work has earned him many awards including 10 silver and the coveted gold award from British Design & Art Direction (D&AD). He has acted as Design Advisor to the Department for Digital, Culture, Media and Sport, and he is a prolific stamp designer and was appointed consultant art director by Royal Mail to cre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reid Miles
Reid Miles (July 4, 1927 – February 2, 1993) was an American graphic designer and photographer best known for his work for Blue Note Records in the 1950s and 1960s. Biography Reid Miles was born in Chicago, Illinois, on July 4, 1927 but, following the Stock Market Crash and the separation of his parents, moved with his mother to Long Beach, California, in 1929.The Cover Art Of Blue Note Records by Graham Marsh and Glyn Callingham After high school Miles joined the Navy and, following his discharge, moved to Los Angeles to enroll at Chouinard Art Institute. After working in New York City in the early 1950s for John Hermansader and ''Esquire'' magazineRichard Cook ''Blue Note Records The Biography'', and Margaret Hockaday's advertising firm, Miles was hired in his own right around 1955 by Francis Wolff of the jazz record label Blue Note to design album covers when the label began releasing their recordings on 12" LPs. Miles designed over five hundred covers, frequently ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Brecker
Michael Leonard Brecker (March 29, 1949 – January 13, 2007) was an American jazz saxophonist and composer. He was awarded 15 Grammy Awards as both performer and composer. He was awarded an Honorary Doctorate from Berklee College of Music in 2004, and was inducted into the ''DownBeat'' Jazz Hall of Fame in 2007. Biography Early life and career Michael Brecker was born in Philadelphia and raised in Cheltenham Township, a local suburb. He was raised in a Jewish—and artistic—family: his father, Bob (Bobby), was a lawyer who played jazz piano and his mother, Sylvia, was a portrait artist. Michael Brecker was exposed to jazz at an early age by his father. He grew up as part of the generation of jazz musicians who saw rock music not as the enemy but as a viable musical option. Brecker began studying clarinet at age 6, then moved to alto saxophone in eighth grade, settling on the tenor saxophone as his primary instrument in his sophomore year. He graduated from Chelte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Penguin Guide To Jazz
''The Penguin Guide to Jazz'' is a reference work containing an encyclopedic directory of jazz recordings on CD which were (at the time of publication) currently available in Europe or the United States. The first nine editions were compiled by Richard Cook and Brian Morton, two chroniclers of jazz resident in the United Kingdom. History The first edition was published in Britain by Penguin Books in 1992. Every subsequent two years, through 2010, a new edition was published with updated entries. The eighth and ninth editions, published in 2006 and 2008, respectively, each included 2,000 new CD listings. The title took on different forms over the lifetime of the work, as audio technology changed. The seventh edition was known as ''The Penguin Guide to Jazz on CD'' while subsequent editions were titled ''The Penguin Guide to Jazz Recordings''. The earliest edition had the title ''The Penguin Guide to Jazz on CD, LP and Cassette''. Richard Cook died in 2007, prior to the comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard (magazine)
''Billboard'' (stylized as ''billboard'') is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events, and style related to the music industry. Its music charts include the Hot 100, the 200, and the Global 200, tracking the most popular albums and songs in different genres of music. It also hosts events, owns a publishing firm, and operates several TV shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs, and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox, phonograph, and radio became commonplace. Many topics it covered were spun-off ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scott Yanow
Scott Yanow (born October 4, 1954) is an American jazz reviewer, historian, and author.Allmusic Biography/ref> Biography Yanow was born in New York City and grew up near Los Angeles. Since 1974, he was a regular reviewer of many jazz styles and was the jazz editor for ''Record Review.'' He wrote for many jazz and arts magazines, including ''JazzTimes'', ''Jazziz'', ''Down Beat'', ''Cadence'', ''CODA'' and the ''Los Angeles Jazz Scene''. In September 2002, Yanow was interviewed on-camera by CNN about the Monterey Jazz Festival and wrote an in-depth biography on Dizzy Gillespie for AllMusic.com. He authored 12 books on jazz (including 2022's Life Through The Eyes Of A Jazz Journalist), over 900 liner notes for CDs and over 20,000 reviews of jazz recordings. Yanow was a contributor to and co-editor of the third edition of the ''All Music Guide to Jazz''. He continues to write for ''Downbeat, Jazziz'', the ''Los Angeles Jazz Scene'', "Syncopated Times," "Jazz Artistry Now," the ''J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sigmund Romberg
Sigmund Romberg (July 29, 1887 – November 9, 1951) was a Hungarian-born American composer. He is best known for his musicals and operettas, particularly ''The Student Prince'' (1924), ''The Desert Song'' (1926) and ''The New Moon'' (1928). Early in his career, Romberg was employed by the Shubert brothers to write music for their musicals and revues, including several vehicles for Al Jolson. For the Shuberts, he also adapted several European operettas for American audiences, including the successful '' Maytime'' (1917) and '' Blossom Time'' (1921). His three hit operettas of the mid-1920s, named above, are in the style of Viennese operetta, but his other works from that time mostly employ the style of American musicals of their eras. He also composed film scores. Biography Romberg was born in Hungary as Siegmund Rosenberg to a Jewish [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oscar Hammerstein II
Oscar Greeley Clendenning Hammerstein II (; July 12, 1895 – August 23, 1960) was an American lyricist, librettist, theatrical producer, and (usually uncredited) director in the musical theater for almost 40 years. He won eight Tony Awards and two Academy Awards for Best Original Song. Many of his songs are standard repertoire for vocalists and jazz musicians. He co-wrote 850 songs. He is best known for his collaborations with composer Richard Rodgers, as the duo Rodgers and Hammerstein, whose musicals include ''Oklahoma!'', '' Carousel'', '' South Pacific'', ''The King and I'', and ''The Sound of Music''. Described by Stephen Sondheim as an "experimental playwright", Hammerstein helped bring the American musical to new maturity by popularizing musicals that focused on stories and character rather than the lighthearted entertainment that the musical had been known for beforehand. He also collaborated with Jerome Kern (with whom he wrote ''Show Boat''), Vincent Y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thelonious Monk
Thelonious Sphere Monk (, October 10, 1917 – February 17, 1982) was an American jazz pianist and composer. He had a unique improvisational style and made numerous contributions to the standard jazz repertoire, including " 'Round Midnight", "Blue Monk", " Straight, No Chaser", "Ruby, My Dear", "In Walked Bud", and "Well, You Needn't". Monk is the second-most-recorded jazz composer after Duke Ellington. Monk's compositions and improvisations feature dissonances and angular melodic twists and are consistent with his unorthodox approach to the piano, which combined a highly percussive attack with abrupt, dramatic use of switched key releases, silences, and hesitations. Monk's distinct look included suits, hats, and sunglasses. He also had an idiosyncratic habit during performances: while other musicians continued playing, Monk would stop, stand up, and dance for a few moments before returning to the piano. Monk is one of five jazz musicians to have been featured on the cover of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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