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Unit Of Action
In acting, units of action, otherwise known as bits or beats, are sections that a play's action can be divided into for the purposes of dramatic exploration in rehearsal. The concept was propounded by the Russian actor, director and educator Konstantin Stanislavsky, who initially liked to use the term ''kusok'' ( rus, кусок, p=kʊˈsok, a=ru-кусок.ogg) an ordinary Russian word that can be translated as bit – as in a bit, or slice, of bread or meat. This was the term Stanislavsky preferred in the original drafts of his books. Stanislavsky also referred to these bits of action as episodes, events and facts. The term, unit, was introduced in the standard early translations of Stanislavsky's writings. Use of beat in the place of bit has become mainstream in American method acting. This historic mistranslation may have helped spawn the common metaphor of the dramatic script as a musical score. Stanislavsky used the same metaphor to refer to detailed production plan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Konstantin Stanislavsky As Famusov In Woe From Wisdom By Aleksandr Griboyedov (A)
The first name Konstantin () is a derivation from the Latin name ''Constantinus (name), Constantinus'' (Constantine (name), Constantine) in some Languages of Europe, European languages, such as Russian language, Russian and German language, German. As a Christianity, Christian given name, it refers to the memory of the Roman emperor Constantine the Great. A number of notable persons in the Byzantine Empire, and (via mediation by the Christian Eastern Orthodox Church) in History of Russia, Russian history and earlier Early East Slavs, East Slavic history are often referred to by this name. "Konstantin" means "firm, constant". There is a number of variations of the name throughout European cultures: * Константин (Konstantin) in Russian language, Russian (diminutive Костя/Kostya), Bulgarian (diminutives Косьо/Kosyo, Коце/Kotse) and Serbian * Костянтин (Kostiantyn) in Ukrainian language, Ukrainian (diminutive Костя/Kostya) * Канстанцін ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanislavski's System
Stanislavski's system is a systematic approach to training actors that the Russian theatre practitioner Konstantin Stanislavski developed in the first half of the twentieth century. His system cultivates what he calls the "art of experiencing" (with which he contrasts the "art of representation").Benedetti (1999a, 201), Carnicke (2000, 17), and Stanislavski (1938, 16—36 "art of representation" corresponds to Mikhail Shchepkin's "actor of reason" and his "art of experiencing" corresponds to Shchepkin's "actor of feeling"; see Benedetti (1999a, 202). It mobilises the actor's conscious thought and will in order to activate other, less-controllable psychological processes—such as emotional experience and subconscious behaviour—sympathetically and indirectly. In rehearsal, the actor searches for inner motives to justify action and the definition of what the character seeks to achieve at any given moment (a "task"). Later, Stanislavski further elaborated the system with a more p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Boleslavsky
Richard Boleslawski (born Bolesław Ryszard Srzednicki; February 4, 1889 – January 17, 1937) was a Polish theatre and film director, actor and teacher of acting. Biography Richard Boleslawski was born Bolesław Ryszard Srzednicki on February 4, 1889, in Mohyliv-Podilskyi, in the Russian Empire to an ethnic Polish family of Catholic faith. He graduated from the Tver Cavalry Officers School. He trained as an actor at the First Studio of the Moscow Art Theatre under Konstantin Stanislavski and his assistant Leopold Sulerzhitsky, where he was introduced to the 'system'. During World War I, Boleslawski fought as a cavalry lieutenant on the tsarist Russian side until the fall of the Russian Empire. He left Russia after the October Revolution of 1917 for his native Poland, where he directed his first movies. As his birth name was difficult to pronounce, he took the name Ryszard Bolesławski. His ''Miracle at the Vistula'' (''Cud nad Wisłą'') was a semi-documentary about the mirac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mondegreen
A mondegreen () is a mishearing or misinterpretation of a phrase in a way that gives it a new meaning. Mondegreens are most often created by a person listening to a poem or a song; the listener, being unable to hear a lyric clearly, substitutes words that sound similar and make some kind of sense. The American writer Sylvia Wright coined the term in 1954, recalling a childhood memory of her mother reading the Scottish ballad " The Bonny Earl of Murray" (from Thomas Percy's 1765 book ''Reliques of Ancient English Poetry''), and mishearing the words "layd him on the green" as "Lady Mondegreen". Drawings by Bernarda Bryson. Reprinted in: Contains the essays "The Death of Lady Mondegreen" and "The Quest of Lady Mondegreen". "Mondegreen" was included in the 2000 edition of the ''Random House Webster's College Dictionary'', and in the ''Oxford English Dictionary'' in 2002. Merriam-Webster's ''Collegiate Dictionary'' added the word in 2008. Etymology In a 1954 essay in ''Harper's Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norman Hapgood
Norman Hapgood (March 28, 1868 – April 29, 1937) was an American writer, journalist, editor, and critic, and an American Minister to Denmark. Biography Norman Hapgood was born March 28, 1868 in Chicago, Illinois to Charles Hutchins Hapgood (1836–1917) and Fanny Louise (Powers) Hapgood (1846–1922). He is the older brother of the journalist and author Hutchins Hapgood. He graduated from Harvard University in 1890 and from the law school there in 1893, then chose to become a writer. Hapgood worked as the drama critic of the New York City ''Commercial Advertiser'' and of the ''Bookman'' in 1897–1902. He was named the editor of ''Collier's Weekly'' in 1903 and remained at that post for about a decade, before leaving to become editor of ''Harper's Weekly'' in June 1913. His editorial style attracted much attention for its vigor and range. He inspired T. G. Masaryk to write the first memorandum to president Wilson for independence of Czechoslovakia from London to Washingto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elizabeth Reynolds Hapgood
Elizabeth or Elisabeth may refer to: People * Elizabeth (given name), a female given name (including people with that name) * Elizabeth (biblical figure), mother of John the Baptist Ships * HMS ''Elizabeth'', several ships * ''Elisabeth'' (schooner), several ships * ''Elizabeth'' (freighter), an American freighter that was wrecked off New York harbor in 1850; see Places Australia * City of Elizabeth ** Elizabeth, South Australia * Elizabeth Reef, a coral reef in the Tasman Sea United States * Elizabeth, Arkansas * Elizabeth, Colorado * Elizabeth, Georgia * Elizabeth, Illinois * Elizabeth, Indiana * Hopkinsville, Kentucky, originally known as Elizabeth * Elizabeth, Louisiana * Elizabeth Islands, Massachusetts * Elizabeth, Minnesota * Elizabeth, New Jersey, largest city with the name in the U.S. * Elizabeth City, North Carolina * Elizabeth (Charlotte neighborhood), North Carolina * Elizabeth, Pennsylvania * Elizabeth Township, Pennsylvania (other) * Elizabeth, We ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Improvisation
Improvisation is the activity of making or doing something not planned beforehand, using whatever can be found. Improvisation in the performing arts is a very spontaneous performance without specific or scripted preparation. The skills of improvisation can apply to many different faculties, across all artistic, scientific, physical, cognitive, academic, and non-academic disciplines; see Applied improvisation. Improvisation also exists outside the arts. Improvisation in engineering is to solve a problem with the tools and materials immediately at hand. Improvised weapons are often used by guerrillas, insurgents and criminals. Engineering Improvisation in engineering is to solve a problem with the tools and materials immediately at hand. Examples of such improvisation was the re-engineering of carbon dioxide scrubbers with the materials on hand during the Apollo 13 space mission, or the use of a knife in place of a screwdriver to turn a screw. Engineering improvisations ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Action (theatre)
Action as a term in Western theatre practice refers to a principle from actor training first developed by Russian actor and theatre director Konstantin Stanislavski in the first half of the 20th century at the Moscow Art Theatre. It forms part of his overall structure of systematized acting training, most frequently called the System, which in its turn gave rise to Method Acting. In his writings on theatre, Stanislavski states "The basis of theatre is doing, dynamism. ..In Latin, the corresponding word is actio, and the root of this same word has passed into our vocabulary, "''action''", "''actor''", "''act''". So, drama is an action we can see being performed, and, when he comes on, the actor becomes an agent in that action" and "acting is action - mental and physical." Jean Benedetti understands action in a Stanislavskian context more simply as "What is done in order to fulfill a Task," a Task in its turn referring to "What a character has to do, the problem he has to solve." A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerzy Grotowski
Jerzy Marian Grotowski (; 11 August 1933 – 14 January 1999) was a Polish theatre director and theorist whose innovative approaches to acting, training and theatrical production have significantly influenced theatre today. He was born in Rzeszów, in southeastern Poland, in 1933 and studied acting and directing at the Ludwik Solski Academy of Dramatic Arts in Kraków and Russian Academy of Theatre Arts in Moscow. He debuted as a director in 1957 in Kraków with Eugène Ionesco's play ''Chairs'' and shortly afterward founded a small laboratory theatre in 1959 in the town of Opole in Poland. During the 1960s, the company began to tour internationally and his work attracted increasing interest. As his work gained wider acclaim and recognition, Grotowski was invited to work in the United States and left Poland in 1982. Although the company he founded in Poland closed a few years later in 1984, he continued to teach and direct productions in Europe and America. However, Grotowski b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acting
Acting is an activity in which a story is told by means of its enactment by an actor or actress who adopts a character—in theatre, television, film, radio, or any other medium that makes use of the mimetic mode. Acting involves a broad range of skills, including a well-developed imagination, emotional facility, physical expressivity, vocal projection, clarity of speech, and the ability to interpret drama. Acting also demands an ability to employ dialects, accents, improvisation, observation and emulation, mime, and stage combat. Many actors train at length in specialist programs or colleges to develop these skills. The vast majority of professional actors have undergone extensive training. Actors and actresses will often have many instructors and teachers for a full range of training involving singing, scene-work, audition techniques, and acting for camera. Most early sources in the West that examine the art of acting ( grc-gre, ὑπόκρισις, ''hypokrisis'') d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moscow Art Theatre Production Of The Seagull
The Moscow Art Theatre production of ''The Seagull'' in 1898, directed by Konstantin Stanislavski and Vladimir Nemirovich-Danchenko, was a crucial milestone for the fledgling theatre company that has been described as "one of the greatest events in the history of Russian theatre and one of the greatest new developments in the history of world drama." It was the first production in Moscow of Anton Chekhov's 1896 play ''The Seagull'', though it had been performed with only moderate success in St. Petersburg two years earlier. Nemirovich, who was a friend of Chekhov's, overcame the writer's refusal to allow the play to appear in Moscow after its earlier lacklustre reception and convinced Stanislavski to direct the play for their innovative and newly founded Moscow Art Theatre (MAT). The production opened on . The MAT's success was due to the fidelity of its delicate representation of everyday life, its intimate, ensemble playing, and the resonance of its mood of despondent uncertai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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