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Unione Accademica Nazionale
According to the theory of the art historian Marcia B. Hall, which has gained considerable acceptance, ''unione'' () is one of the canonical painting modes of the Renaissance; that is, one of four modes of painting colours available to Italian High Renaissance painters, along with sfumato, chiaroscuro and cangiante. Unione was developed by Raphael, who exemplified it in the ''Stanza della Segnatura The four Raphael Rooms ( it, Stanze di Raffaello) form a suite of reception rooms in the Apostolic Palace, now part of the Vatican Museums, in Vatican City. They are famous for their frescoes, painted by Raphael and his workshop. Together with Mi ...''. Unione is similar to sfumato, but is more useful for the edges of chiaroscuro, where vibrant colors are involved. As with chiaroscuro, ''unione'' conveys the contrasts, and as sfumato it strives for harmony and unity, but also for coloristic richness. Unione is softer than chiaroscuro in the search for the right tonal key. There sho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcia B
Marcia may refer to: People * Marcia (given name) * James Marcia, Canadian psychologist *Stefano Marcia (born 1993), South African Olympic sailor Other uses * ''Marcia'' (Beccafumi), a c. 1519 painting by Domenico Beccafumi * ''Marcia'' (bivalve), a genus of Venus clams in the family Veneridae * Marcia (gens), a Roman gens * '' Marcia: Greatest Hits 1975–1983'', a 2004 album by Marcia Hines * ''Marcia'', the Italian musical designation for a march or march tempo See also *Martia (other) *Martian (other) *Mars (other) Mars is a planet in the Solar System. Mars also commonly refers to: *Mars (mythology), the Ancient Roman god of war, equivalent to the Greek god ''Ares'' *Mars, Incorporated, a confectioner and food company *Mars (chocolate bar), produced by Mars, ... * Marzia (other) * Mercia (other) {{disambiguation, surname ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canonical Painting Modes Of The Renaissance
Italian Renaissance painting is the painting of the period beginning in the late 13th century and flourishing from the early 15th to late 16th centuries, occurring in the Italian Peninsula, which was at that time divided into many political states, some independent but others controlled by external powers. The painters of Renaissance Italy, although often attached to particular courts and with loyalties to particular towns, nonetheless wandered the length and breadth of Italy, often occupying a diplomatic status and disseminating artistic and philosophical ideas. The city of Florence in Tuscany is renowned as the birthplace of the Renaissance, and in particular of Renaissance painting, although later in the era Rome and Venice assumed increasing importance in painting. A detailed background is given in the companion articles Renaissance art and Renaissance architecture. Italian Renaissance painting is most often divided into four periods: the Proto-Renaissance (1300–1425), the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
High Renaissance
In art history, the High Renaissance was a short period of the most exceptional artistic production in the Italian states, particularly Rome, capital of the Papal States, and in Florence, during the Italian Renaissance. Most art historians state that the High Renaissance started around 1495 or 1500 and ended in 1520 with the death of Raphael, although some say the High Renaissance ended about 1525, or in 1527 with the Sack of Rome by the army of Charles V, Holy Roman Emperor, or about 1530 (see next section for specific art historians' positions). The best-known exponents of painting, sculpture and architecture of the High Renaissance include Leonardo da Vinci, Michelangelo, Raphael, and Bramante. In recent years, the use of the term has been frequently criticized by some academic art historians for oversimplifying artistic developments, ignoring historical context, and focusing only on a few iconic works. Origin of term The term ''High Renaissance'' was first used by Jacob ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sfumato
Sfumato (, ) is a painting technique for softening the transition between colours, mimicking an area beyond what the human eye is focusing on, or the out-of-focus plane. It is one of the canonical painting modes of the Renaissance. Leonardo da Vinci was the most prominent practitioner of sfumato, based on his research in optics and human vision, and his experimentation with the camera obscura. He introduced it and implemented it in many of his works, including the ''Virgin of the Rocks'' and in his famous painting of the ''Mona Lisa''. He described sfumato as "without lines or borders, in the manner of smoke". According to the theory of the art historian Marcia B. Hall, which has gained considerable acceptance, ''sfumato'' is one of four modes of painting colours available to Italian High Renaissance painters, along with cangiante, chiaroscuro, and unione. Etymology The word ''sfumato'' comes from the Italian language and is derived from ''fumo'' ("smoke", "fume"). Sfumato trans ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chiaroscuro
Chiaroscuro ( , ; ), in art, is the use of strong contrasts between light and dark, usually bold contrasts affecting a whole composition. It is also a technical term used by artists and art historians for the use of contrasts of light to achieve a sense of volume in modelling three-dimensional objects and figures. Similar effects in cinema, and black and white and low-key photography, are also called chiaroscuro. Further specialized uses of the term include chiaroscuro woodcut for coloured woodcuts printed with different blocks, each using a different coloured ink; and chiaroscuro drawing for drawings on coloured paper in a dark medium with white highlighting. Chiaroscuro is one of the canonical painting modes of the Renaissance (alongside cangiante, sfumato and unione) (see also Renaissance art). Artists known for using the technique include Leonardo da Vinci, Caravaggio Rembrandt, Vermeer and Goya, and Georges de La Tour. History Origin in the chiaroscuro drawing The term ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cangiante
According to the theory of the art historian Marcia B. Hall, which has gained considerable acceptance, ''cangiante'' is one of the canonical painting modes of the Renaissance; i.e. one of the four modes of painting colours available to Italian High Renaissance painters, along with sfumato, chiaroscuro and unione. The word itself derives from the Italian ''cangiare'' ("to change"). ''Cangiante'' is characterized by a change in color necessitated by an original color's darkness or lightness limitation. For example, when painting shadows on a yellow object, the artist may use a red color simply because the yellow paint cannot be made dark enough. There are other methods of rendering shadows or highlights (for example, mixing the original hue with black or brown), but these can render the shadow color dull and impure. During the Renaissance, the variety and availability of paint colors were severely limited. The greatest practitioner of the ''cangiante'' technique was Michelangelo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raphael
Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. List of works by Raphael, His work is admired for its clarity of form, ease of composition, and visual achievement of the Renaissance Neoplatonism, Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period. His father was court painter to the ruler of the small but highly cultured city of Urbino. He died when Raphael was eleven, and Raphael seems to have played a role in managing the family workshop from this point. He trained in the workshop of Perugino, and was described as a fully trained "master" by 1500. He worked in or for several cities in north Italy until in 1508 he moved to Rome at the invitation of the pope, to work on the Vatican Palace. He was given a series of important commissions there and elsewhere in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanza Della Segnatura
The four Raphael Rooms ( it, Stanze di Raffaello) form a suite of reception rooms in the Apostolic Palace, now part of the Vatican Museums, in Vatican City. They are famous for their frescoes, painted by Raphael and his workshop. Together with Michelangelo's Sistine Chapel ceiling frescoes, they are the grand fresco sequences that mark the High Renaissance in Rome. The ''Stanze'', as they are commonly called, were originally intended as a suite of apartments for Pope Julius II. He commissioned Raphael, then a relatively young artist from Urbino, and his studio in 1508 or 1509 to redecorate the existing interiors of the rooms entirely. It was possibly Julius' intent to outshine the apartments of his predecessor (and rival) Pope Alexander VI, as the ''Stanze'' are directly above Alexander's Borgia Apartment. They are on the third floor, overlooking the south side of the Belvedere Courtyard. Running from east to west, as a visitor would have entered the apartment, but not following ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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