Unfinished Sympathy
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Unfinished Sympathy
"Unfinished Sympathy" is a 1991 song by the English trip hop group Massive Attack, released under the temporary group name Massive. It was written by the three band members Robert "3D" Del Naja, Andrew "Mushroom" Vowles and Grant "Daddy G" Marshall, the song's vocalist Shara Nelson and the group's co-producer Jonathan "Jonny Dollar" Sharp. It was released on 11 February 1991 as the second single from the band's first album, ''Blue Lines'', on the band's Wild Bunch label distributed by Circa Records. The name "Massive" was used to avoid a radio ban, as the track's release coincided with the Gulf War. Produced by Massive Attack and Dollar, the song incorporates various musical elements into its arrangement, including vocal and percussion samples, drum programming and string orchestration by the arranger Wil Malone. "Unfinished Sympathy" topped the Dutch Top 40 and was a top-20 hit on the singles charts of several countries, including Germany, Switzerland and the United Kingdom ...
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Massive Attack
Massive Attack are an English trip hop collective formed in 1988 in Bristol by Robert "3D" Del Naja, Adrian "Tricky" Thaws, Andrew "Mushroom" Vowles and Grant "Daddy G" Marshall. The debut Massive Attack album ''Blue Lines'' was released in 1991, with the single "Unfinished Sympathy" reaching the charts and later being voted the 63rd greatest song of all time in a poll by ''NME''. 1998's ''Mezzanine'' (containing the top 10 single " Teardrop") and 2003's '' 100th Window'' charted in the UK at number one. Both ''Blue Lines'' and ''Mezzanine'' feature in ''Rolling Stone''s list of the 500 Greatest Albums of All Time. The group has won numerous music awards throughout their career, including a Brit Award—winning Best British Dance Act, two MTV Europe Music Awards, and two Q Awards. They have released five studio albums that have sold over 13 million copies worldwide. Throughout their history, Massive Attack have been supporters and activists for political, human rights a ...
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Wil Malone
Wil Malone (born 1952, in Hornsey, North London) is a British music producer and arranger, who has worked with artists including Black Sabbath, Iron Maiden, Todd Rundgren, The Verve, Massive Attack, Depeche Mode and Italian rocker Gianna Nannini. In 1976, Malone and Lou Reizner covered a Beatles song, "You Never Give Me Your Money", for the musical documentary ''All This and World War II''. Malone also did the string arrangements for several songs by collaborative techno group UNKLE. Malone released an eponymous solo album in 1970 and another called ''Motherlight'' and composed the score for the cult horror film ''Death Line ''Death Line'' is a 1972 horror film written and directed by Gary Sherman and starring Donald Pleasence, Norman Rossington, David Ladd, Sharon Gurney, Hugh Armstrong, and Christopher Lee. Its plot follows two university students who find them ...'' in 1972. References External links * 1952 births British record producers Living people< ...
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Q (magazine)
''Q'' was a popular music magazine published monthly in the United Kingdom. It was founded in 1986 by broadcast journalists Mark Ellen and David Hepworth, who were presenters of the BBC television music series ''The Old Grey Whistle Test''. ''Q'''s final issue was published in July 2020. ''Q'' was originally published by the EMAP media group and set itself apart from much of the other music press with monthly production and higher standards of photography and printing. In the early years, the magazine was sub-titled "The modern guide to music and more". Originally it was to be called ''Cue'' (as in the sense of cueing a record, ready to play), but the name was changed so that it would not be mistaken for a snooker magazine. Another reason, cited in ''Q''s 200th edition, is that a single-letter title would be more prominent on newsstands. In January 2008, EMAP sold its consumer magazine titles, including ''Q'', to the Bauer Media Group. Bauer put the title up for sale in 2020 ...
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Melody Maker
''Melody Maker'' was a British weekly music magazine, one of the world's earliest music weeklies; according to its publisher, IPC Media, the earliest. It was founded in 1926, largely as a magazine for dance band musicians, by Leicester-born composer, publisher Lawrence Wright; the first editor was Edgar Jackson. In January 2001, it was merged into "long-standing rival" (and IPC Media sister publication) ''New Musical Express''. 1950s–1960s Originally the ''Melody Maker'' (''MM'') concentrated on jazz, and had Max Jones, one of the leading British proselytizers for that music, on its staff for many years. It was slow to cover rock and roll and lost ground to the ''New Musical Express'' (''NME''), which had begun in 1952. ''MM'' launched its own weekly singles chart (a top 20) on 7 April 1956, and an LPs charts in November 1958, two years after the ''Record Mirror'' had published the first UK Albums Chart. From 1964, the paper led its rival publications in terms of approac ...
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The Look Of Love (1967 Song)
"The Look of Love" is a popular song composed by Burt Bacharach and Hal David and originally popularized by English pop singer Dusty Springfield. The song is notable for its sensuality and its relaxed bossa nova rhythm. The song was featured in the 1967 spoof James Bond film '' Casino Royale''. In 2008, the song was inducted into the Grammy Hall of Fame. It also received a Best Song nomination at the 1968 Academy Awards. Songwriters The music was written by Burt Bacharach, and was originally intended to be an instrumental. But later Hal David added the lyrics, and the song was published in 1967. According to Bacharach, the melody was inspired by watching Ursula Andress in an early cut of the film. Recordings Early recordings Stan Getz made the first recording of the song, an instrumental version, in December 1966 for his album '' What the World Needs Now: Stan Getz Plays Burt Bacharach and Hal David''. The first recording featuring the song's lyrics was by Dusty Springfield, ...
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Adrian Sherwood
Adrian Maxwell Sherwood (born 20 January 1958, London, England) is an English record producer specialising in the genre of dub music. He has created a distinctive production style based on the application of dub effects and dub mixing techniques to other forms of electronic dance music and popular music outside of the genre. He has worked extensively with a variety of reggae artists as well as the musicians Keith LeBlanc, Doug Wimbish and Skip McDonald. Sherwood has remixed tracks by Coldcut, Depeche Mode, The Woodentops, Primal Scream, Pop Will Eat Itself, Sinéad O'Connor, and Skinny Puppy. In his role as a record producer he has worked with a variety of record labels; however, his best-known label is On-U Sound Records which he founded in 1979. Sherwood has been a member of the band Tackhead. He considers himself tone deaf, and focuses on making sounds and noises rather than melody. Career Sherwood was co-founder of Carib Gems and Pressure Sounds, and founder of Hitrun R ...
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The Wild Bunch (sound System)
The Wild Bunch were an English sound system and loose collective of musicians and DJs based in the St Paul's, Montpelier and Bishopston districts of Bristol, England, named after Sam Peckinpah's 1969 Western film. History The group started to perform in 1982 as a sound system on the Bristol scene, with Grant Marshall and Miles Johnson as the main two DJs. In 1984, they invited the young graffiti artist known as 3D (aka Robert Del Naja) to join them, and he soon became one of their MCs, writing lyrics to rap with them. Other rappers joined the collective, such as Willy Wee and later in 1987 Tricky. As pioneers of sound system culture they played all-nighters, clubs and abandoned warehouses. In 1986, they played St Paul's Carnival and signed to 4th & B'way Records on Island Records imprint. Success and disintegration (1985–1989) In 1985, the single ''Tearin Down The Avenue'' was recorded and in May 1986 the group toured Japan. After the tour DJ Milo left to work in Japan ...
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Sound System (DJ)
A sound system is a group of DJs and audio engineers contributing and working together as one, playing and producing music over a large PA system or sound reinforcement system, typically for a dance event or party. Origin The sound system concept originated in the 1950s in Kingston, Jamaica. DJs would load up a truck with a generator, turntables, and huge speakers to set up street parties. The sound system scene is a part of Jamaican cultural history and responsible for the rise of modern Jamaican musical styles such as ska, rocksteady, reggae and dub. When Jamaicans emigrated to the United Kingdom, the sound system culture followed and became firmly rooted there in the 1970s. It is still strongly linked with those Jamaican-originated music genres, and some bands or producers still call themselves sound systems, such as Dub Narcotic Sound System and the On-U Sound System. When Asian Dub Foundation are advertised as ''Asian Dub Foundation'', the whole band performs, but whe ...
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Sliver (film)
''Sliver'' is a 1993 American erotic thriller film based on the Ira Levin novel of the same name about the mysterious occurrences in a privately owned New York high-rise sliver building. Phillip Noyce directed the film, from a screenplay by Joe Eszterhas. Because of a major battle with the MPAA (which originally gave the film an NC-17 rating), the filmmakers were forced to make extensive reshoots before release. These reshoots actually necessitated changing the killer's identity. The film stars Sharon Stone, William Baldwin, and Tom Berenger. When he signed on to direct the film, Noyce remarked, "I liked the script a lot. Or at least, I liked the idea of jumping on the Joe Eszterhas bandwagon." Plot Carly Norris, a book editor and divorcee in her mid-30s, moves into the exclusive New York City sliver building "113". She meets other tenants including Zeke, a video game designer; Jack, a novelist; Vida, a fashion model who moonlights as a call girl; and Gus, a professor of videogr ...
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Sliver (soundtrack)
''Sliver: Music from the Motion Picture'' is a soundtrack album for the 1993 film ''Sliver''. It peaked at number 23 on the ''Billboard'' 200 chart and was certified gold by the RIAA on December 17, 1993. ''(search term: Sliver)'' Track listing Notes * "Oh Carolina" contains the "Peter Gunn Theme" written by Henry Mancini Henry Mancini ( ; born Enrico Nicola Mancini, ; April 16, 1924 – June 14, 1994) was an American composer, conductor, arranger, pianist and flautist. Often cited as one of the greatest composers in the history of film, he won four Academy Award .... Chart history References External links * {{discogs master, 22546 1993 soundtrack albums Virgin Records soundtracks 1993 compilation albums Thriller film soundtracks ...
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Los Angeles
Los Angeles ( ; es, Los Ángeles, link=no , ), often referred to by its initials L.A., is the largest city in the state of California and the second most populous city in the United States after New York City, as well as one of the world's most populous megacities. Los Angeles is the commercial, financial, and cultural center of Southern California. With a population of roughly 3.9 million residents within the city limits , Los Angeles is known for its Mediterranean climate, ethnic and cultural diversity, being the home of the Hollywood film industry, and its sprawling metropolitan area. The city of Los Angeles lies in a basin in Southern California adjacent to the Pacific Ocean in the west and extending through the Santa Monica Mountains and north into the San Fernando Valley, with the city bordering the San Gabriel Valley to it's east. It covers about , and is the county seat of Los Angeles County, which is the most populous county in the United States with an estim ...
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One-shot Film
A one-shot cinema (also one-take film, single-take film, or continuous shot feature film) is a full-length movie filmed in one long take by a single camera, or manufactured to give the impression it was. Use and theory In a 2019 article, discussing the award-winning film ''1917'' (2019), Eric Grode of ''The New York Times'' wrote that very long takes were becoming popular in more mainstream films "as a sobering reminder of temporality, a virtuosic calling card, a self-issued challenge or all of the above", also citing the Academy Award-winner from several years prior, ''Birdman'' (2014). History Grode notes that before such films as ''1917'' and ''Birdman'', the idea of experimenting with long uninterrupted takes had a history of over 80 years, with Alfred Hitchcock being a pioneer. Aside from early experiments like ''Young and Innocent'' and '' Notorious'', the most famous early example of a film that extensively uses long takes is the 1948 ''Rope'', which was shot in mainl ...
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