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Un Poco Loco
"Un Poco Loco" is an Afro-Cuban jazz standard composed by American jazz pianist Bud Powell. It was first recorded for Blue Note Records by Powell, Curly Russell, and Max Roach on May 1, 1951. Musical characteristics "Un Poco Loco" is in thirty-two bar form. On the original recording, improvisation was based on a single scale instead of a chord sequence. Legacy In the late 1980s, the renowned literary and cultural critic Harold Bloom Harold Bloom (July 11, 1930 – October 14, 2019) was an American literary critic and the Sterling Professor of Humanities at Yale University. In 2017, Bloom was described as "probably the most famous literary critic in the English-speaking worl ... included "Un Poco Loco" in his list of the most "sublime" works of twentieth-century American art (from his introduction to ''Modern Critical Interpretations: Thomas Pynchon's Gravity's Rainbow''). References 1951 songs Jazz compositions Compositions by Bud Powell {{1950s-jazz-com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bud Powell
Earl Rudolph "Bud" Powell (September 27, 1924 – July 31, 1966) was an American jazz pianist and composer. Along with Charlie Parker, Thelonious Monk, Kenny Clarke and Dizzy Gillespie, Powell was a leading figure in the development of modern jazz. His virtuosity led many to call him the Charlie Parker of the piano. Powell was also a composer, and many jazz critics credit his works and his playing as having "greatly extended the range of jazz harmony".Grove Life and career Early life He was born in Harlem, New York, United States. Powell's father was a stride pianist.Gitler, p. 112. Powell started classical piano lessons at the age of five. His teacher, hired by his father, was a West Indian man named Rawlins. At 10 years of age, Powell showed interest in the swing music that could be heard all over the neighborhood. He first appeared in public at a rent party,Crawford, p. 12. where he mimicked Fats Waller's playing style. The first jazz composition that he mastered was Ja ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Amazing Bud Powell
''The Amazing Bud Powell'', also called ''The Amazing Bud Powell, Vol. 1'', is an album by Jazz piano, jazz pianist Bud Powell, first released on Blue Note Records, Blue Note in April 1952, as a 10" vinyl. It is part of a loosely connected series with the 1954 companion ''The Amazing Bud Powell, Vol. 2'' and the 1957 ''Bud! The Amazing Bud Powell (Vol. 3)'', all released on Blue Note Records, Blue Note. The album details two recording sessions. In the first, recorded on August 9, 1949, Powell performed in quintet with Fats Navarro, Sonny Rollins, Tommy Potter and Roy Haynes, and in trio with Potter and Haynes. In the second, on May 1, 1951, Powell performed in trio with Curley Russell and Max Roach, and solo. The album is critically prized among Powell's releases. Among the more discussed of the album's tracks is the pianist's composition "Un Poco Loco" ("A Little Crazy"), which has been singled out by critics and cultural historians for its musical and cultural significance. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Music
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisational styl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blue Note Records
Blue Note Records is an American jazz record label owned by Universal Music Group and operated under Capitol Music Group. Established in 1939 by Alfred Lion and Max Margulis, it derived its name from the blue notes of jazz and the blues. Originally dedicated to recording traditional jazz and small group swing, the label began to switch its attention to modern jazz around 1947. From there, Blue Note grew to become one of the most prolific, influential and respected jazz labels of the mid-20th century, noted for its role in facilitating the development of hard bop, post-bop and avant-garde jazz, as well as for its iconic modernism, modernist art direction. History Historically, Blue Note has principally been associated with the "hard bop" style of jazz (mixing bebop with other forms of music including soul music, soul, blues, rhythm and blues and gospel music, gospel), but also recorded essential albums in the avant-garde and Free Jazz, free styles of jazz. Horace Silver, Jimm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Lion
Alfred Lion (born Alfred Löw; April 21, 1908 – February 2, 1987), was an American record executive who co-founded the jazz record label Blue Note in 1939. Lion retired in 1967, having sold the company, after producing recordings by leading musicians throughout the 1940s, 1950s, and 1960s. Early years Lion was born in Schöneberg -later a borough of Berlin- on April 21, 1908.Garner, Carla"Alfred Lion."In ''Immigrant Entrepreneurship: German-American Business Biographies, 1720 to the Present'', vol. 5, edited by R. Daniel Wadhwani. German Historical Institute. Last modified April 28, 2014. His fascination with jazz began at the age of 16 when he saw a concert by Sam Wooding's Orchestra. In 1926, Lion emigrated to the United States, but while working on the New York docks he was attacked by an anti-immigrant worker; he returned to Germany to convalesce. From 1933, Lion lived in South America, working for German import-export companies, returning to New York in 1938. His presence at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afro-Cuban Jazz
Afro-Cuban jazz is the earliest form of Latin jazz. It mixes Afro-Cuban clave-based rhythms with jazz harmonies and techniques of improvisation. Afro-Cuban music has deep roots in African ritual and rhythm.{{cite web, Cuba: Son and Afro-Cuban Music, https://worldmusic.net/blogs/guide-to-world-music/cuba-son-and-afro-cuban-music Afro-Cuban jazz emerged in the early 1940s with the Cuban musicians Mario Bauzá and Frank Grillo "Machito" in the band Machito and his Afro-Cubans in New York City. In 1947, the collaborations of bebop trumpeter Dizzy Gillespie and percussionist Chano Pozo brought Afro-Cuban rhythms and instruments, such as the tumbadora and the bongo, into the East Coast jazz scene. Early combinations of jazz with Cuban music, such as " Manteca" and "Mangó Mangüé", were commonly referred to as "Cubop" for Cuban bebop.{{cite book , last=Fernandez , first=Raul A. , title=From Afro-Cuban Rhythms to Latin Jazz , url=https://books.google.com/books?id=6WO7YevK_18C&pg=PA6 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Standard
Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive list of jazz standards, and the list of songs deemed to be standards changes over time. Songs included in major fake book publications (sheet music collections of popular tunes) and jazz reference works offer a rough guide to which songs are considered standards. Not all jazz standards were written by jazz composers. Many are originally Tin Pan Alley popular songs, Broadway show tunes or songs from Hollywood musicals – the Great American Songbook. In Europe, jazz standards and "fake books" may even include some traditional folk songs (such as in Scandinavia) or pieces of ethnic music (such as gypsy melodies) that have been played with a jazz feel by well known jazz players. A commonly played song can only be considered a jazz standard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Curly Russell
Curly is a surname, given name, nickname or stage name. It may refer to: First name, nickname or stage name * Crazy Horse (1840–1877), Oglala Sioux war chief nicknamed "Curly" * Curly (scout), nickname of Ashishishe (c. 1856–1923), Crow Indian scout for General Custer * Paul Carlyle Curly Armstrong (1918-1983), American basketball player * Curly Bill Brocius, nickname of William Brocius (c. 1845-1882), American Old West gunman and outlaw * Charles Roy Curly Brown (1888-1968), American Major League Baseball pitcher * Harold Lee Curly Chalker (1931-1998), American country and jazz musician * Robert F. Curly Clement (1919 – 2006), American baseball umpire * Curly Ray Cline (1923-1997), American bluegrass fiddler * Curly, nickname of George Andrew Davis Jr. (1920-1952), American World War II and Korean War flying ace * Curly Joe DeRita, Three Stooges persona of Joseph Wardell, whose stage name was Joe DeRita (1909 – 1993), American actor and comedian * Clarence T. "Curly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Roach
Maxwell Lemuel Roach (January 10, 1924 – August 16, 2007) was an American jazz Jazz drumming, drummer and composer. A pioneer of bebop, he worked in many other styles of music, and is generally considered one of the most important drummers in history. He worked with many famous jazz musicians, including Clifford Brown, Coleman Hawkins, Dizzy Gillespie, Charlie Parker, Miles Davis, Duke Ellington, Thelonious Monk, Abbey Lincoln, Dinah Washington, Charles Mingus, Billy Eckstine, Stan Getz, Sonny Rollins, Eric Dolphy, and Booker Little. He was inducted into the ''DownBeat'' Hall of Fame in 1980 and the ''Modern Drummer'' Hall of Fame in 1992. In the mid-1950s, Roach co-led a pioneering quintet along with trumpeter Clifford Brown. In 1970, he founded the percussion ensemble M'Boom. He made numerous musical statements relating to the civil rights movement. Biography Early life and career Max Roach was born to Alphonse and Cressie Roach in the Township of Newland, Pasquotank County, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thirty-two-bar Form
The 32-bar form, also known as the AABA song form, American popular song form and the ballad form, is a song structure commonly found in Tin Pan Alley songs and other American popular music, especially in the first half of the 20th century. As its alternative name ''AABA'' implies, this song form consists of four sections: an eight-bar A section; a second eight-bar A section (which may have slight changes from the first A section); an eight-bar B section, often with contrasting harmony or "feel"; and a final eight-bar A section. The core melody line is generally retained in each A section, although variations may be added, particularly for the last A section. Examples of 32-bar AABA form songs include " Over the Rainbow", "I Got Rhythm", "What'll I Do", "Make You Feel My Love", " The Man I Love", and " Blue Skies". Many show tunes that have become jazz standards are 32-bar song forms. Basic song form At its core, the basic AABA 32-bar song form consists of four sections, ea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scale (music)
In music theory, a scale is any set of musical notes ordered by fundamental frequency or pitch. A scale ordered by increasing pitch is an ascending scale, and a scale ordered by decreasing pitch is a descending scale. Often, especially in the context of the common practice period, most or all of the melody and harmony of a musical work is built using the notes of a single scale, which can be conveniently represented on a staff with a standard key signature. Due to the principle of octave equivalence, scales are generally considered to span a single octave, with higher or lower octaves simply repeating the pattern. A musical scale represents a division of the octave space into a certain number of scale steps, a scale step being the recognizable distance (or interval) between two successive notes of the scale. However, there is no need for scale steps to be equal within any scale and, particularly as demonstrated by microtonal music, there is no limit to how many notes can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chord (music)
A chord, in music, is any harmonic set of pitches/frequencies consisting of multiple notes (also called "pitches") that are heard as if sounding simultaneously. For many practical and theoretical purposes, arpeggios and broken chords (in which the notes of the chord are sounded one after the other, rather than simultaneously), or sequences of chord tones, may also be considered as chords in the right musical context. In tonal Western classical music (music with a tonic key or "home key"), the most frequently encountered chords are triads, so called because they consist of three distinct notes: the root note, and intervals of a third and a fifth above the root note. Chords with more than three notes include added tone chords, extended chords and tone clusters, which are used in contemporary classical music, jazz and almost any other genre. A series of chords is called a chord progression. One example of a widely used chord progression in Western traditional music and blu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
