Ultimate Collector's Edition
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Ultimate Collector's Edition
''Ultimate Collectors' Edition'' is a compilation box set by the band U.K., released on 4 November 2016. The set includes 14 CDs, 4 Blu-rays and a 66-page book detailing the band's history. The CDs include: remastered versions of the band's two studio albums (''U.K.'' and ''Danger Money''), each with an extra disc containing songs in pre-production form; an extended, 2-CD version of the '' Night After Night'' live album featuring a complete show, and a remaster of the original version; a remixed version of '' Reunion – Live in Tokyo'', three concerts from 1978 (In Boston, Philadelphia and Cleveland), two bonus discs with interviews with John Wetton and Eddie Jobson, and the band's final concert from 1979 (In the Netherlands). The four Blu-ray discs present the albums ''U.K.'', ''Danger Money'', the extended ''Night After Night'' and ''Reunion''. Contents All the songs on each of the albums included are written by Eddie Jobson and John Wetton, except where noted. CDs ''U.K.'' ...
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Progressive Rock
Progressive rock (shortened as prog rock or simply prog; sometimes conflated with art rock) is a broad genre of rock music that developed in the United Kingdom and United States through the mid- to late 1960s, peaking in the early 1970s. Initially termed "progressive pop", the style was an outgrowth of psychedelic bands who abandoned standard pop traditions in favour of instrumentation and compositional techniques more frequently associated with jazz, folk, or classical music. Additional elements contributed to its " progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of "art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing. Progressive rock is based on fusions of styles, approaches and genres, involving a continuous move between formalism and eclecticism. Due to its historical reception, the scope of progressiv ...
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Allan Holdsworth
Allan Holdsworth (6 August 1946 – 15 April 2017) was a British jazz fusion and progressive rock guitarist and composer. Holdsworth was known for his esoteric and idiosyncratic usage of advanced music theory concepts, especially with respect to melody and harmony. His music incorporates a vast array of complex chord progressions, often using unusual chord shapes in an abstract way based on his understanding of "chord scales", and intricate improvised solos, frequently across shifting tonal centres. He used myriad scale forms often derived from those such as the Lydian, diminished, harmonic major, augmented, whole tone, chromatic and altered scales, among others, often resulting in an unpredictable and dissonant " outside" sound. His unique legato soloing technique stemmed from his original desire to play the saxophone. Unable to afford one, he strove to use the guitar to create similarly smooth lines of notes. He also became associated with playing an early form of gu ...
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Marco Minnemann
Marco Minnemann (born 24 December 1970) is a German drummer, composer, and multi-instrumentalist. Career Marco Minnemann has released over a dozen solo albums as drummer, multi-instrumentalist, and vocalist, and performed on over 100 studio albums with dozens of artists and groups. Minnemann was a member of the German funk-metal crossover band Freaky Fukin Weirdoz; has performed and recorded with German rock band H-Blockx and Grammy-nominated English musician Steven Wilson; is the drummer for The Mute Gods, a trio led by Nick Beggs of British new wave band Kajagoogoo; and has performed with Joe Satriani since 2013. Minnemann appeared on the cover of the June 2007 issue of ''Modern Drummer'', with the magazine writing that "he has been instrumental in developing the advanced concept of complex interdependence", a drum technique allowing him to play varying patterns with each of his feet and hands. In 2006, Minnemann recorded a 51-minute live drum solo that served as the basis for ...
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Alex Machacek
Alex Machacek (born 1 July 1972, Tulln an der Donau, Austria) is an Austrian jazz fusion guitarist. Early years Machacek was born to a Czech family in Tulln, Austria. His family had moved to Austria in the 1960s as refugees. Since then, they have adopted Austria as their nation. He started playing the guitar at the age of eight by taking classical guitar lessons for six years at a music school in Vienna. Machacek's early influences were heavy metal musicians and bands such as Iron Maiden, KISS, Deep Purple and Queen. However, in the mid-1980s, he was attracted to the music of Mike Stern, John Scofield, Allan Holdsworth, Frank Zappa, Chick Corea and John McLaughlin. He stated that he is influenced by all the music that he liked, including heavy metal and hard rock. Music career Machacek studied jazz guitar and jazz education at the Conservatory of Vienna, Austria. He took classical lessons in percussion. After that, he attended Berklee College of Music in Boston for two sem ...
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Richard Palmer-James
Richard William Palmer-James (born 11 June 1947) is an English guitarist, songwriter and lyricist. He may be best known as one of the founder members of Supertramp (playing guitar and songwriter); writing lyrics for several songs by the progressive rock group King Crimson in the early 1970s; and for writing lyrics for the 1985 hit "(I'll Never Be) Maria Magdalena" by Sandra. Palmer-James was born in Meyrick Park, Bournemouth, where he got his start in the music business playing in various local bands: The Corvettes, The Palmer-James Group (formed with Alec James), Tetrad, and Ginger Man, all of which included John Wetton on bass and vocals. He was a founding member of Supertramp, playing guitar and singing vocals, as well as writing the lyrics for their self-titled debut album under the name Richard Palmer. He also co-wrote the lyrics of "Goldrush", a song written during his days in the band but not recorded until their 2002 album ''Slow Motion''. Palmer wrote lyrics for ...
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Robert Fripp
Robert Fripp (born 16 May 1946) is a British musician, songwriter, record producer, and author, best known as the guitarist, founder and longest-lasting member of the progressive rock band King Crimson. He has worked extensively as a session musician and collaborator, notably with David Bowie, Blondie, Brian Eno, Peter Gabriel, Daryl Hall, Midge Ure, Talking Heads, and David Sylvian. He also composed the startup sound of Windows Vista operating system, in collaboration with Tucker Martine and Steve Ball. His discography includes contributions to over 700 official releases. His compositions often feature unusual asymmetric rhythms, influenced by classical and folk traditions. His innovations include a tape delay system known as Frippertronics and new standard tuning. Early life Robert Fripp was born in Wimborne Minster, Dorset, England, the second child of a working-class family. His mother Edith (''née'' Greene; 1914–1993) was from a Welsh mining family. Her earnings f ...
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David Cross (musician)
David Cross (born 23 April 1949 in Turnchapel near Plymouth, England) is an English electric violinist and keyboardist best known for playing with progressive rock band King Crimson from 1972 to 1974. He appears on their studio albums ''Larks' Tongues in Aspic,'' '' Starless and Bible Black'', and a single track on ''Red''. Cross also appears on numerous other live recordings from 1973 & 1974 that have been released by Robert Fripp's Discipline Global Mobile label in the decades since, including ''USA'' (1975) and ''The Night Watch'' (1997).'' After his time with King Crimson, Cross travelled extensively, eventually returning to music through work in the theatre. In 1987 he formed an ensemble called Low Flying Aircraft with Keith Tippett on piano. In 1988, he was invited by keyboardist Geoff Serle to join Radius, with whom he has recorded five studio albums. Since the late 1980's, he has toured and recorded with his own eponymous band (see below). Over a 30 year period, the ...
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Starless
"Starless" is a composition by English progressive rock band King Crimson. It is the final track on their seventh studio album, ''Red'', released on 6 October 1974. Background The original chords and melody for "Starless" were written by John Wetton, who intended the song to be the title track of the group's previous album ''Starless and Bible Black''. Event occurs at 5:15-7:01. Robert Fripp and Bill Bruford initially disliked the song and declined to record it for that album. Instead the group chose an instrumental improvisation as the title track. However, "Starless" was later revived, its lyrics altered and a long instrumental section (based on a bass riff written by Bruford) added to it, and performed live between March and June 1974. For the ''Red'' recording sessions, the lyrics were again altered (with contributions by Richard Palmer-James). The introductory theme, originally played by David Cross, was taken over by the guitar, with Fripp making minor alterations to the m ...
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Terry Bozzio
Terry John Bozzio (born December 27, 1950) is an American drummer best known for his work with Missing Persons and Frank Zappa. He has been featured on nine solo or collaborative albums, 26 albums with Zappa and seven albums with Missing Persons. Bozzio has been a prolific sideman, playing on numerous releases by other artists since the mid-1970s. He was inducted into the ''Modern Drummer'' Hall of Fame in 1997. His son and stepdaughter are also drummers with the latter, Marina, being a member of the band Aldious. Biography Terry Bozzio was born on December 27, 1950, in San Francisco, California. He started at age 6 playing makeshift drum sets. At the age of 13 he saw the Beatles' premiere performance on ''The Ed Sullivan Show'' and begged his father for drum lessons. In 1968, Bozzio graduated from Sir Francis Drake High School in San Anselmo, California, where he received a music scholarship award, and later went on to the College of Marin. During this time he studied concu ...
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Concert Classics, Vol
A concert is a live music performance in front of an audience. The performance may be by a single musician, sometimes then called a recital, or by a musical ensemble, such as an orchestra, choir, or band. Concerts are held in a wide variety and size of settings, from private houses and small nightclubs, dedicated concert halls, amphitheatres and parks, to large multipurpose buildings, such as arenas and stadiums. Indoor concerts held in the largest venues are sometimes called ''arena concerts'' or ''amphitheatre concerts''. Informal names for a concert include ''show'' and ''gig''. Regardless of the venue, musicians usually perform on a stage (if not actual then an area of the floor designated as such). Concerts often require live event support with professional audio equipment. Before recorded music, concerts provided the main opportunity to hear musicians play. For large concerts or concert tours, the challenging logistics of arranging the musicians, venue, equipment and audi ...
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Bill Bruford
William Scott Bruford (born 17 May 1949) is an English former drummer and percussionist who first gained prominence as a founding member of the progressive rock band Yes. After leaving Yes in 1972, Bruford spent the rest of the 1970s recording and touring with King Crimson (1972–1974) and Roy Harper (1975), and touring with Genesis (1976) and U.K. (1978). In 1978, he formed his own group ( Bruford), which was active until 1980. In the 1980s, Bruford returned to King Crimson for three years (1981–1984), collaborated with several artists (including Patrick Moraz and David Torn), and formed his own electric jazz band Earthworks in 1986. He then played with his former Yes bandmates in Anderson Bruford Wakeman Howe, which eventually led to a very brief second stint in Yes. Bruford played in King Crimson for his third and final tenure from 1994–1997, after which he continued with a new acoustic configuration of Earthworks. On 1 January 2009, Bruford retired from professional ...
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Jazz Fusion
Jazz fusion (also known as fusion and progressive jazz) is a music genre that developed in the late 1960s when musicians combined jazz harmony and jazz improvisation, improvisation with rock music, funk, and rhythm and blues. Electric guitars, amplifiers, and keyboards that were popular in rock and roll started to be used by jazz musicians, particularly those who had grown up listening to rock and roll. Jazz fusion arrangements vary in complexity. Some employ groove-based vamps fixed to a single key or a single chord with a simple, repeated melody. Others use elaborate chord progressions, unconventional time signatures, or melodies with counter-melodies. These arrangements, whether simple or complex, typically include improvised sections that can vary in length, much like in other forms of jazz. As with jazz, jazz fusion can employ brass and woodwind instruments such as trumpet and saxophone, but other instruments often substitute for these. A jazz fusion band is less likely to ...
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