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Uhadi Musical Bow
The Uhadi, a musical bow, is a traditional Southern African Xhosa musical instrument. It is a large unembraced musical bow which is attached to a resonator and played by percussion. The length of the string bow ranges from 115 to 130 centimeters. Similar musical bows in Southern Africa include the ‘’thomo’’ in Sotho music and the ‘’ugubhu’’ in Zulu music. History The earliest description of the use of the uhadi among the isiXhosa was in 1815 by the scholar James Campbell: ‘The women have a calabash hung to a bow string, on which they beat and sing in harmony with the beating. The words they use are the names of friends, rivers and places they can recollect, having no songs.’ Although this description was inaccurate, as it did not describe the strings, it was most likely describing the uhadi musical bow as there is no evidence of any other Xhosa musical bow using a calabash as resonator. Traditionally the uhadi musical bow is an instrument which was mostly played ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Xhosa People
The Xhosa people, or Xhosa language, Xhosa-speaking people (; ) are African people who are direct kinsmen of Tswana people, Sotho people and Twa people, yet are narrowly sub grouped by European as Nguni people, Nguni ethnic group whose traditional homeland is primarily the Cape Provinces, Cape Provinces of South Africa, however the skulls from Mapungubwe empire shows that they have always been in Southern Africa like their kinsmen and had developed a sophisticated culture as well as civilization. They were the second largest racial group in apartheid Southern Africa and are native speakers of the Xhosa language, IsiXhosa language. Presently, approximately eight million Xhosa speaking African people are distributed across the country, and the Xhosa language is South Africa's second-most-populous home language, after the Zulu, again we must qualify the former statement as in great countries like China, Xhosa and Zulu language would not be classified as different languages, rather ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reed (plant)
Reed is a common name for several tall, grass-like plants of wetlands. Varieties They are all members of the order Poales (in the modern, expanded circumscription), and include: In the grass family, Poaceae * Common reed (''Phragmites australis''), the original species named reed * Giant reed (''Arundo donax''), used for making reeds for musical instruments * Burma reed (''Neyraudia reynaudiana'') * Reed canary-grass (''Phalaris arundinacea'') * Reed sweet-grass (''Glyceria maxima'') * Small-reed (''Calamagrostis'' species) In the sedge family, Cyperaceae * Paper reed or papyrus ('' Cyperus papyrus''), the source of the Ancient Egyptian writing material, also used for making boats In the family Typhaceae * Bur-reed (''Sparganium'' species) * Reed-mace (''Typha'' species), also called bulrush or cattail In the family Restionaceae * Cape thatching reed ('' Elegia tectorum''), a restio originating from the South-western Cape, South Africa. * Thatching reed (''Thamnochortus ins ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
African Music
Given the vastness of the African continent, its music is diverse, with regions and nations having many distinct musical traditions. African music includes the genres amapiano, Jùjú, Fuji, Afrobeat, Highlife, Makossa, Kizomba, and others. The music and dance of the African diaspora, formed to varying degrees on African musical traditions, include American music like Dixieland jazz, blues, jazz, and many Caribbean genres, such as calypso (see kaiso) and soca. Latin American music genres such as cumbia, conga, rumba, son cubano, salsa music, bomba, samba and zouk were founded on the music of enslaved Africans, and have in turn influenced African popular music. Like the music of Asia, India and the Middle East, it is a highly rhythmic music. The complex rhythmic patterns often involving one rhythm played against another to create a polyrhythm. The most common polyrhythm plays three beats on top of two, like a triplet played against straight notes. Sub-Saharan African m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
African Musical Instruments
Given the vastness of the African continent, its music is diverse, with regions and nations having many distinct musical traditions. African music includes the genres amapiano, Jùjú, Fuji, Afrobeat, Highlife, Makossa, Kizomba, and others. The music and dance of the African diaspora, formed to varying degrees on African musical traditions, include American music like Dixieland jazz, blues, jazz, and many Caribbean genres, such as calypso (see kaiso) and soca. Latin American music genres such as cumbia, conga, rumba, son cubano, salsa music, bomba, samba and zouk were founded on the music of enslaved Africans, and have in turn influenced African popular music. Like the music of Asia, India and the Middle East, it is a highly rhythmic music. The complex rhythmic patterns often involving one rhythm played against another to create a polyrhythm. The most common polyrhythm plays three beats on top of two, like a triplet played against straight notes. Sub-Saharan African music tra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Bows , the ability to perceive music or to create music
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{{Music disambiguation ...
Musical is the adjective of music. Musical may also refer to: * Musical theatre, a performance art that combines songs, spoken dialogue, acting and dance * Musical film and television, a genre of film and television that incorporates into the narrative songs sung by the characters * MusicAL, an Albanian television channel * Musical isomorphism, the canonical isomorphism between the tangent and cotangent bundles See also * Lists of musicals * Music (other) * Musica (other) * Musicality Musicality (''music -al -ity'') is "sensitivity to, knowledge of, or talent for music" or "the quality or state of being musical", and is used to refer to specific if vaguely defined qualities in pieces and/or genres of music, such as melodiousnes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chordophones
String instruments, stringed instruments, or chordophones are musical instruments that produce sound from vibrating strings when a performer plays or sounds the strings in some manner. Musicians play some string instruments by plucking the String (music), strings with their fingers or a plectrum—and others by hitting the strings with a light wooden hammer or by rubbing the strings with a bow (music), bow. In some keyboard (music), keyboard instruments, such as the harpsichord, the musician presses a key that plucks the string. Other musical instruments generate sound by striking the string. With bowed instruments, the player pulls a rosined horsehair bow across the strings, causing them to vibrate. With a hurdy-gurdy, the musician cranks a wheel whose rosined edge touches the strings. Bowed instruments include the string section instruments of the orchestra in Western classical music (violin, viola, cello and double bass) and a number of other instruments (e.g., viols and V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Belembaotuyan
The eleaotua is a musical bow played in Guam, also spelled ''eluaotuas'', ''eleaotuchan'', and ''elimau-tuyan''. This gourd-resonating musical bow likely has common roots with the Brazilian berimbau, due to constant trade between Asia and South America in the nineteenth century, during which the instrument may have been introduced to the Chamorro people.{{cite web , url=http://www.guampedia.com/belembaotuyan-2/ , title= Belembaotuyan , last=Pangelinan, first=Therese Q. Crisostomo, date=July 14, 2014 , website=guampedia.com, publisher= , accessdate=2015-01-22 The instrument also resembles various zither/boat lutes found throughout Southeast Asia (esp. in the Philippines) called kutiyapi. Description The ''eleaotua'' has traditionally been part of wedding and other ceremonies in Guam, such as the Chamorro Month celebrations in schools, though it has lost popularity in recent times. The name of the instrument comes from the words ''eleao'' ('swaying of the trees' in Chamorro languag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Malunga
The ''malunga'' is a single-stringed musical bow played by the Siddi of India, who are the descendants of East African immigrants. It produces two tones, an octave apart, and the knuckle of the hand supporting the instrument may be pressed against the string to vary the pitch. It is struck with a stick and, as with the ''berimbau'' of Brazil, the hand holding the stick also holds a rattle (in the case of the ''malunga'' the rattle, called ''mai misra''). The ''malunga'' has a gourd resonator which amplifies the instrument's sound. The placement of this rattle along the string also varies the pitch produced by the Malunga. Construction The bow is made of solid-core bamboo cane, and the string is made of three twisted strands of gut. The gourd resonator is made from a coconut shell and is a mobile part of the instrument. Cultural importance The ''malunga'' is one of the instruments that is used in the religious practices of the Siddi people in India. This instrument is one of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berimbau
The berimbau () is a single-string percussion instrument, a musical bow, originally from Africa, that is now commonly used in Brazil. The berimbau would eventually be incorporated into the practice of the Afro-Brazilian martial art ''capoeira'', the berimbau leads the capoeiristas movement in the ''roda''—the faster the berimbau is playing the faster the capoeirista moves in the game. The instrument is known for being the subject matter of a popular song by Brazilian guitarist Baden Powell, with lyrics by Vinicius de Moraes. The instrument is also a part of Candomblé-de-caboclo tradition. History The berimbau's origins have not been fully researched, though it is most likely an adaptation of African gourde musical bows, as no Indigenous Brazilian or European people use musical bows. The way the ''berimbau'' and the ''m'bulumbumba'' of southwest Angola are made and played are very similar, as well as the tuning and basic patterns performed on these instruments. The ass ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalumbu
The kalumbu, or kalumbo, is a traditional instrument of the Tonga and Ila people of Zambia and Zimbabwe. A single metal-stringed bow played with a stick is lashed onto a calabash gourd that acts as a resonating chamber. The kalumbu player manipulates the resonance of the instrument by moving the gourd toward and away from his or her chest. Though now quite rare in Africa, the kalumbu is considered the predecessor of the Afro-Brazilian berimbau used in Capoeira performances. A similar instrument, the ''dende'', is played by children in Botswana. The berimbau The berimbau () is a single-string percussion instrument, a musical bow, originally from Africa, that is now commonly used in Brazil. The berimbau would eventually be incorporated into the practice of the Afro-Brazilian martial art ''capoeira'' ... of Brazil is another similar instrument. References Musical bows Zimbabwean musical instruments {{Composite-instrument-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Imbongi
An imbongi (plural ''iimbongi''), or a Xhosa Praise Poet, is a member of the Xhosa community who performs ceremonial activities at important events. An imbongi is traditionally a male who recites emotive poetry, sings, explains family relationships, re-tells historical events, and comments on current affairs History The earliest written record of iimbongi was made by Methodist missionary James Whitworth. Whitworth noted in his 6 April 1825 journal entry while visiting Gcaleka king Hintsa: ‘'At sunset, a man proclaimed aloud the transactions of the day, which seems to be the usual custom, ending with 'Our Captain is a great Captain. When the white men came to see him, he received them kindly and gave them an ox to eat.' The imbongi draws poetic inspiration from his ancestors when appropriate. When praising a chief, his poetry includes references to the praise names of the chief and the chief's ancestors. In this way the imbongi seeks to garner favor from royal ancestors for t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Bow
The musical bow (bowstring or string bow, a subset of bar zithers) is a simple string instrument used by a number of South African peoples, which is also found in the Americas via slave trade. It consists of a flexible, usually wooden, stick 1.5 to 10 feet (0.5 to 3 m) long, and strung end to end with a taut cord, usually metal. It can be played with the hands or a wooden stick or branch. It is uncertain if the musical bow developed from the hunting bow, though the San or Bushmen people of the Kalahari Desert do convert their hunting bows to musical use. Types of bow include mouth-resonated string bow, earth-resonated string bow, and gourd-resonated string bow. History There is speculation that the hunting bow may have been used as a musical instrument from as early as circa 13,000 B.C. Henri Breuil surveyed the Trois Frères in France caves and made an engraving that attempted to reproduce a c. 13,000 B.C. cave painting into a black-and-white lithograph engraving ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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