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UNESCO Reclining Figure 1957–58
''UNESCO Reclining Figure 1957–58'' is a sculpture by Henry Moore. It was made in a series of scales, from a small plaster maquette, through a half-size working model made in plaster and cast in bronze (LH 415), to a full-size version carved in Roman travertine marble in 1957–1958 (LH 416). The final work was installed in 1958 at the World Heritage Centre, the headquarters of UNESCO (the United Nations Educational, Scientific and Cultural Organisation) at the Place de Fontenoy in Paris. This was Moore's last major public commission in which he created a new work for a specific site; he afterwards generally worked from an existing sketch or model. Background Moore was commissioned in 1955 to create a sculpture for the piazza in front of UNESCO's new headquarters in Paris, designed by the architect Marcel Breuer. Early ideas included groups of standing or seated figures, such as '' Draped Reclining Woman 1957–58'' and '' Draped Seated Woman 1957–58'', but he settled on a si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
World Heritage Centre
UNESCO Headquarters, or Maison de l'UNESCO, is a building inaugurated on 3 November 1958 at number 7 Place de Fontenoy in Paris, France, to serve as the headquarters for the United Nations Educational, Scientific and Cultural Organization (UNESCO). It is a building that can be visited freely. Design The design of the UNESCO Headquarters building was the combined work of three architects: Bernard Zehrfuss (France), Marcel Breuer (Hungary), and Pier Luigi Nervi (Italy). Plans were also validated by an international committee of five architects composed of Lucio Costa (Brazil), Walter Gropius (Germany/United States), Le Corbusier (France), Sven Markelius (Sweden) and Ernesto Nathan Rogers (Italy), with the collaboration of Eero Saarinen (Finland). Description The main building, which houses the secretariat, consists of seven floors forming a three-pointed star. To this is added a building called the "accordion" and a cubic building, which is intended for permanent delegations and non ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hermann Noack
Hermann Noack, or Noack Foundry (German: ''Bildgießerei Hermann Noack GmbH & Co.''), is a German art foundry in Berlin, named after its original proprietor and his three direct descendants, all with the same name, who have run the business. Most of its works are cast in bronze. History The company was founded by Hermann Noack in 1897, with early support from the sculptors August Gaul and Fritz Klimsch. Noack was born in Oberlausitz and educated in Lauchhammer. He learned his craft at the Gladenbeck foundry before setting up his own business. He had worked on the National Kaiser Wilhelm Monument by Reinhold Begas. The foundry has been run by four generations of the same family, all with the same name: * Hermann Noack I (1867-1941) * Hermann Noack II (1895-1958) * Hermann Noack III (born 1931) * Hermann Noack IV (born 1966) The business moved to Fehlerstraße in Friedenau, then a small settlement near Berlin. The premises were rebuilt after the Second World War, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sculptures Of Women
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, and this has been lost. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sculptures By Henry Moore
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, and this has been lost. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
