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UHDTV
Ultra-high-definition television (also known as Ultra HD television, Ultra HD, UHDTV, UHD and Super Hi-Vision) today includes 4K UHD and 8K UHD, which are two digital video formats with an aspect ratio of 16:9. These were first proposed by NHK Science & Technology Research Laboratories and later defined and approved by the International Telecommunication Union (ITU). The Consumer Electronics Association announced on October 17, 2012, that "Ultra High Definition", or "Ultra HD", would be used for displays that have an aspect ratio of 16:9 or wider and at least one digital input capable of carrying and presenting native video at a minimum resolution of . In 2015, the Ultra HD Forum was created to bring together the end-to-end video production ecosystem to ensure interoperability and produce industry guidelines so that adoption of ultra-high-definition television could accelerate. From just 30 in Q3 2015, the forum published a list up to 55 commercial services available aroun ...
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4K Resolution
4K resolution refers to a horizontal display resolution of approximately 4,000 pixels. Digital television and digital cinematography commonly use several different 4K resolutions. In television and consumer media, 38402160 (4K Ultra-high-definition television, UHD) is the dominant 4K standard, whereas the digital cinema, movie projection industry uses 40962160 (Digital Cinema Initiatives, DCI 4K). The 4K television market share increased as prices fell dramatically during 2014 and 2015. 4K standards and terminology The term "4K" is generic and refers to any resolution with a horizontal pixel count of approximately 4,000. Several different 4K resolutions have been standardized by various organizations. The terms "4K" and "Ultra HD" are used more widely in marketing than "2160p". While typically referring to motion pictures, some digital camera vendors have used the term "4K photo" for still photographs, making it appear like an especially high resolution even though 3840×2160 ...
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8K Resolution
8K resolution refers to an image or display resolution with a width of approximately 8,000 pixels. 8K UHD () is the highest resolution defined in the Rec. 2020 (UHDTV) standard. 8K display resolution is the successor to 4K resolution. TV manufacturers pushed to make 4K a new standard by 2017. At CES 2019, the first 8K TVs were unveiled. The feasibility of a fast transition to this new standard is questionable in view of the absence of broadcasting resources. It is predicted (2018 forecast by Strategy Analytics) that 8K-ready devices will still only account for 3% of UHD TVs by 2023 with global sales of 11 million units a year. However, TV manufacturers remain optimistic as the 4K market grew much faster than expected, with actual sales exceeding projections nearly six-fold in 2016. In 2013, a transmission network's capability to carry HDTV resolution was limited by internet speeds and relied on satellite broadcast to transmit the high data rates. The demand is expected to dri ...
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1080p
1080p (1920×1080 progressively displayed pixels; also known as Full HD or FHD, and BT.709) is a set of HDTV high-definition video modes characterized by 1,920 pixels displayed across the screen horizontally and 1,080 pixels down the screen vertically; the ''p'' stands for progressive scan, ''i.e.'' non-interlaced. The term usually assumes a widescreen aspect ratio of 16:9, implying a resolution of 2.1 megapixels. It is often marketed as Full HD or FHD, to contrast 1080p with 720p resolution screens. Although 1080p is sometimes informally referred to as 2K, these terms reflect two distinct technical standards, with differences including resolution and aspect ratio. 1080p video signals are supported by ATSC standards in the United States and DVB standards in Europe. Applications of the 1080p standard include television broadcasts, Blu-ray Discs, smartphones, Internet content such as YouTube videos and Netflix TV shows and movies, consumer-grade televisions and projector ...
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High-dynamic-range Television
High-dynamic-range television (HDR or HDR-TV) is a technology that improves the quality of display signals. It is contrasted with the retroactively-named standard dynamic range (SDR). HDR changes the way the luminance and colors of videos and images are represented in the signal, and allows brighter and more detailed highlight representation, darker and more-detailed shadows, and a wider array of more intense colors. HDR allows compatible displays to receive a higher quality image source. It does not improve a display's intrinsic properties (brightness, contrast, and color capabilities). Not all HDR displays have the same capabilities, and HDR content will look different depending on the display used. HDR-TV was first used in 2014 to enhance videos, and it is now also available for still pictures. HDR-TV is a part of HDR imaging, an end-to-end process of increasing the dynamic range of images and videos from their capture and creation, to their storage, distribution and displa ...
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NHK Science & Technology Research Laboratories
NHK Science & Technology Research Laboratories (STRL, ja, NHK放送技術研究所, NHK Hōsō Gijutsu Kenkyūjo), headquartered in Setagaya, Tokyo, Japan, is responsible for technical research at NHK, Japan's public broadcaster. Work done by the STRL includes research on direct-broadcast satellite ( BS), Integrated Services Digital Broadcasting, high-definition television, and ultra-high-definition television. On May 9, 2013, NHK and Mitsubishi Electric announced that they had jointly developed the first High Efficiency Video Coding (HEVC) encoder for 8K Ultra HD TV, which is also called Super Hi-Vision (SHV). The HEVC encoder supports the Main 10 profile at Level 6.1 allowing it to encode 10-bit video with a resolution of 7680 × 4320 at 60 fps. The HEVC encoder has 17 3G-SDI inputs and uses 17 boards for parallel processing with each board encoding a row of 7680 × 256 pixels to allow for real time video encoding. The HEVC encoder was shown at the NHK Science & Technology Res ...
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8K UHD, 5K, 4K UHD, FHD And SD
8K or 8k may stand for: * 8K resolution ** 8K UHDTV, a digital video format * 8 K, the quantity 8 kelvins *8000 (number), a natural number *Form 8-K, a United States Securities and Exchange Commission form * 8,000 metres or 8K, a common running race distance * Eight-thousander, a class of tall mountains *GCR Class 8K, a class of British 2-8-0 steam locomotive *China Railways 8K, an Alstom-built electric locomotive *K-Mile Air K-Mile Air is a Thai-registered express cargo airline based at Suvarnabhumi Airport. It was established in 2004 and began operations in 2006. K-Mile Air business model focused on the needs of air express, courier and postal companies who require ... (IATA airline code) See also * K8 (other) {{Letter-NumberCombDisambig it:8K ...
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High-definition Television
High-definition television (HD or HDTV) describes a television system which provides a substantially higher image resolution than the previous generation of technologies. The term has been used since 1936; in more recent times, it refers to the generation following standard-definition television (SDTV), often abbreviated to HDTV or HD-TV. It is the current de facto standard video format used in most broadcasts: terrestrial broadcast television, cable television, satellite television and Blu-ray Discs. Formats HDTV may be transmitted in various formats: * 720p (1280 horizontal pixels × 720 lines): 921,600 pixels * 1080i (1920×1080) interlaced scan: 1,036,800 pixels (~1.04 MP). * 1080p (1920×1080) progressive scan: 2,073,600 pixels (~2.07 MP). ** Some countries also use a non-standard CEA resolution, such as 1440×1080i: 777,600 pixels (~0.78 MP) per field or 1,555,200 pixels (~1.56 MP) per frame When transmitted at two megapixels per frame, HDTV provides about five times ...
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Digital Cinema
Digital cinema refers to adoption of digital technology within the film industry to distribute or project motion pictures as opposed to the historical use of reels of motion picture film, such as 35 mm film. Whereas film reels have to be shipped to movie theaters, a digital movie can be distributed to cinemas in a number of ways: over the Internet or dedicated satellite links, or by sending hard drives or optical discs such as Blu-ray discs. Digital movies are projected using a digital video projector instead of a film projector, are shot using digital movie cameras and edited using a non-linear editing system (NLE). The NLE is often a video editing application installed in one or more computers that may be networked to access the original footage from a remote server, share or gain access to computing resources for rendering the final video, and to allow several editors to work on the same timeline or project. Alternatively a digital movie could be a film reel that ha ...
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Adobe RGB Color Space
The Adobe RGB (1998) color space or opRGB is a color space developed by Adobe Systems, Inc. in 1998. It was designed to encompass most of the colors achievable on CMYK color printers, but by using RGB primary colors on a device such as a computer display. The Adobe RGB (1998) color space encompasses roughly 50% of the visible colors specified by the CIELAB color space – improving upon the gamut of the sRGB color space, primarily in cyan-green hues. It was subsequently standardized by the IEC as IEC 61966-2-5:1999 with a name opRGB (optional RGB color space) and is used in HDMI. Historical background Beginning in 1997, Adobe Systems was looking into creating ICC profiles that its consumers could use in conjunction with Photoshop's new color management features. Since not many applications at the time had any ICC color management, most operating systems did not ship with useful profiles. Lead developer of Photoshop, Thomas Knoll decided to build an ICC profile around specif ...
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CIE 1931 Color Space
The CIE 1931 color spaces are the first defined quantitative links between distributions of wavelengths in the electromagnetic visible spectrum, and physiologically perceived colors in human color vision. The mathematical relationships that define these color spaces are essential tools for color management, important when dealing with color inks, illuminated displays, and recording devices such as digital cameras. The system was designed in 1931 by the ''"Commission Internationale de l'éclairage"'', known in English as the International Commission on Illumination. The CIE 1931 RGB color space and CIE 1931 XYZ color space were created by the International Commission on Illumination (CIE) in 1931. They resulted from a series of experiments done in the late 1920s by William David Wright using ten observers and John Guild using seven observers. The experimental results were combined into the specification of the CIE RGB color space, from which the CIE XYZ color space was derived. T ...
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Spatial Aliasing
In signal processing and related disciplines, aliasing is an effect that causes different signals to become indistinguishable (or ''aliases'' of one another) when sampled. It also often refers to the distortion or artifact that results when a signal reconstructed from samples is different from the original continuous signal. Aliasing can occur in signals sampled in time, for instance digital audio, or the stroboscopic effect, and is referred to as temporal aliasing. It can also occur in spatially sampled signals (e.g. moiré patterns in digital images); this type of aliasing is called spatial aliasing. Aliasing is generally avoided by applying low-pass filters or anti-aliasing filters (AAF) to the input signal before sampling and when converting a signal from a higher to a lower sampling rate. Suitable reconstruction filtering should then be used when restoring the sampled signal to the continuous domain or converting a signal from a lower to a higher sampling rate. For spat ...
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Lechner Distance
Bernard J. Lechner (25 January 1932 – 11 April 2014) was an electronics engineer and formerly vice president, RCA Laboratories, where he worked for 30 years covering various aspects of television and information display technologies. Biography Lechner was born in New York City, NY, in 1932. He grew up and attended high school in New Rochelle, New York. According to his ''oral history'' recollections, he was already very interested in radio and TV receivers during his high school years. He built sets with commercially available kits. Then, he studied electrical engineering at the Columbia University in New York City, interrupted by two years service for the U.S. Army Signal Corps in the US and Germany. He received the B.S.E.E. degree in 1957. In 1957, he joined the RCA Laboratories in Princeton, New Jersey, as Member of Technical Staff and worked on various aspects of video engineering such as a home video tape recorder, two-way cable TV services (pay-TV and interactive sh ...
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