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Untitled Toho Godzilla Film
The untitled Toho ''Godzilla'' film, under the working title , is an upcoming Japanese ''kaiju'' film directed and written by Takashi Yamazaki. Co-produced by Robot Communications and Toho Studios; it is the 37th film in the Godzilla (franchise), ''Godzilla'' franchise, the 33rd ''Godzilla'' film produced by Toho, the fifth film in the franchise's Reiwa era and the second live-action film thereof. The film is scheduled to be theatrically released in Japan on November 3, 2023, to commemorate the franchise's 69th anniversary. Premise The film will take place in post-war Japan, between 1945 and 1947. Production Development Robot Communications announced the film, under the working title ''Blockbuster Monster Movie'', on February 18, 2022, through a casting call on their official website. Robot stated Takashi Yamazaki would direct and that the film will be presented by Toho. Shirogumi opened a recruiting call for VFX designers and compositors in August 2022. Toho announced the proje ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Takashi Yamazaki
is a Japanese visual effects artist, television producer, director, screenwriter, and actor. He won the Japan Academy Film Prize for Director of the Year, Director of the Year and Japan Academy Film Prize for Screenplay of the Year, Screenplay of the Year awards at the Japan Academy Film Prize in 2006 for ''Always Sanchōme no Yūhi, Always: Sunset on Third Street''. He is a member of the animation and visual effects studio Shirogumi. Filmography Films * ''Juvenile (2000 film), Juvenile'' (2000) * ''Returner'' (2002) * ''Always Sanchōme no Yūhi, Always: Sunset on Third Street'' (2005) * ''Always Zoku Sanchōme no Yūhi, Always: Sunset on Third Street 2'' (2007) * ''Tsuyoshi Kusanagi, Ballad'' (2009) * ''Space Battleship Yamato (2010 film), Space Battleship Yamato'' (2010) * ''Friends: Naki on Monster Island'' (2011) * ''Always Sanchōme no Yūhi '64, Always: Sunset on Third Street 3'' (2012) * ''The Eternal Zero'' (2013) * ''Stand by Me Doraemon'' (2014) * ''Parasyte: Part 1'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wrap (filmmaking)
Wrap, as used in the phrase "That's a wrap" has been used by directors since the early days of the film industry to signal the end of filming. Since the 1920s, filmmakers have been using this phrase when principal photography is concluded and the film is ready to go into post-production. At that point, it is traditional to hold a wrap party for the cast and crew of the film. This marks the end of the actors' collaboration with each other, the director, producer, and crew on the film (except for possible dubbing or pick-ups). However the leading cast members may be called in several months or years later to help promote the film when it is ready to be released. The term "wrap" is sometimes said to be an acronym for "Wind, Reel and Print", although this is disputed. Printing would typically be done at the end of each shoot day (or when else desired, usually as soon as possible for safety of the picture) and not at the end of an entire shoot. This is illustrated by use of the phr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kaiju Films
is a Japanese media genre that focuses on stories involving giant monsters. The word ''kaiju'' can also refer to the giant monsters themselves, which are usually depicted attacking major cities and battling either the military or other monsters. The ''kaiju'' genre is a subgenre of ''tokusatsu'' entertainment. The 1954 film ''Godzilla'' is commonly regarded as the first ''kaiju'' film. ''Kaiju'' characters are often somewhat metaphorical in nature; Godzilla, for example, serves as a metaphor for nuclear weapons, reflecting the fears of post-war Japan following the atomic bombings of Hiroshima and Nagasaki and the '' Lucky Dragon 5'' incident. Other notable examples of ''kaiju'' characters include Rodan, Mothra, King Ghidorah and Gamera. Etymology The Japanese word ''kaijū'' originally referred to monsters and creatures from ancient Japanese legends; it earlier appeared in the Chinese ''Classic of Mountains and Seas''. After ''sakoku'' had ended and Japan was opened to for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toho Films
is a Japanese film, theatre production and distribution company. It has its headquarters in Chiyoda, Tokyo, and is one of the core companies of the Osaka-based Hankyu Hanshin Toho Group. Outside of Japan, it is best known as the producer and distributor of many '' kaiju'' and ''tokusatsu'' films, the Chouseishin ''tokusatsu'' superhero television franchise, the films of Akira Kurosawa, and the anime films of Studio Ghibli, CoMix Wave Films, TMS Entertainment and OLM, Inc. All nine of the highest-grossing Japanese films are released by Toho. Other famous directors, including Yasujirō Ozu, Kenji Mizoguchi, Masaki Kobayashi, and Mikio Naruse, also directed films for Toho. Toho's most famous creation is Godzilla, who is featured in 32 of the company's films. Godzilla, Rodan, Mothra, King Ghidorah and Mechagodzilla are described as Toho's Big Five because of the monsters' numerous appearances throughout the franchise, as well as spin-offs. Toho has also been involved in the pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Films Directed By Takashi Yamazaki
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitiz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2023 Science Fiction Films
3 (three) is a number, numeral and digit. It is the natural number following 2 and preceding 4, and is the smallest odd prime number and the only prime preceding a square number. It has religious or cultural significance in many societies. Evolution of the Arabic digit The use of three lines to denote the number 3 occurred in many writing systems, including some (like Roman and Chinese numerals) that are still in use. That was also the original representation of 3 in the Brahmic (Indian) numerical notation, its earliest forms aligned vertically. However, during the Gupta Empire the sign was modified by the addition of a curve on each line. The Nāgarī script rotated the lines clockwise, so they appeared horizontally, and ended each line with a short downward stroke on the right. In cursive script, the three strokes were eventually connected to form a glyph resembling a with an additional stroke at the bottom: ३. The Indian digits spread to the Caliphate in the 9th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2023 Science Fiction Action Films
3 (three) is a number, numeral and digit. It is the natural number following 2 and preceding 4, and is the smallest odd prime number and the only prime preceding a square number. It has religious or cultural significance in many societies. Evolution of the Arabic digit The use of three lines to denote the number 3 occurred in many writing systems, including some (like Roman and Chinese numerals) that are still in use. That was also the original representation of 3 in the Brahmic (Indian) numerical notation, its earliest forms aligned vertically. However, during the Gupta Empire the sign was modified by the addition of a curve on each line. The Nāgarī script rotated the lines clockwise, so they appeared horizontally, and ended each line with a short downward stroke on the right. In cursive script, the three strokes were eventually connected to form a glyph resembling a with an additional stroke at the bottom: ३. The Indian digits spread to the Caliphate in the 9th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Godzilla Films
franchise is a Japanese media franchise created and owned by Toho Co., Ltd., centered on the fictional '' kaiju'' character Godzilla. It is the longest-running film franchise, having been in ongoing production from 1954, with several hiatuses of varying lengths. The film franchise consists of 38 films; 33 produced by Toho, one produced by TriStar Pictures, and four produced by Legendary Pictures. The first film, ''Godzilla'', was directed by Ishirō Honda and released by Toho in 1954. It became an influential classic of the genre. It featured political and social undertones relevant to Japan at the time. The original introduced an acclaimed music score by Akira Ifukube, reused in many later films. The 1954 film and its special effects director Eiji Tsuburaya are largely credited for establishing the template for ''tokusatsu'', a technique of practical special effects filmmaking that would become essential in Japan's film industry since the release of ''Godzilla'' (1954). For ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2020s Monster Movies
S, or s, is the nineteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''ess'' (pronounced ), plural ''esses''. History Origin Northwest Semitic šîn represented a voiceless postalveolar fricative (as in 'ip'). It originated most likely as a pictogram of a tooth () and represented the phoneme via the acrophonic principle. Ancient Greek did not have a phoneme, so the derived Greek letter sigma () came to represent the voiceless alveolar sibilant . While the letter shape Σ continues Phoenician ''šîn'', its name ''sigma'' is taken from the letter '' samekh'', while the shape and position of ''samekh'' but name of ''šîn'' is continued in the '' xi''. Within Greek, the name of ''sigma'' was influenced by its association with the Greek word (earlier ) "to hiss". The original name of the letter "sigma" may have been ''san'', but due to the compli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2020s Japanese-language Films
S, or s, is the nineteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''ess'' (pronounced ), plural ''esses''. History Origin Northwest Semitic šîn represented a voiceless postalveolar fricative (as in 'ip'). It originated most likely as a pictogram of a tooth () and represented the phoneme via the acrophonic principle. Ancient Greek did not have a phoneme, so the derived Greek letter sigma () came to represent the voiceless alveolar sibilant . While the letter shape Σ continues Phoenician ''šîn'', its name ''sigma'' is taken from the letter '' samekh'', while the shape and position of ''samekh'' but name of ''šîn'' is continued in the '' xi''. Within Greek, the name of ''sigma'' was influenced by its association with the Greek word (earlier ) "to hiss". The original name of the letter "sigma" may have been ''san'', but due to the compli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2020s Japanese Films
S, or s, is the nineteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''ess'' (pronounced ), plural ''esses''. History Origin Northwest Semitic šîn represented a voiceless postalveolar fricative (as in 'ip'). It originated most likely as a pictogram of a tooth () and represented the phoneme via the acrophonic principle. Ancient Greek did not have a phoneme, so the derived Greek letter sigma () came to represent the voiceless alveolar sibilant . While the letter shape Σ continues Phoenician ''šîn'', its name ''sigma'' is taken from the letter ''samekh'', while the shape and position of ''samekh'' but name of ''šîn'' is continued in the '' xi''. Within Greek, the name of ''sigma'' was influenced by its association with the Greek word (earlier ) "to hiss". The original name of the letter "sigma" may have been ''san'', but due to the complica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kantō Region
The is a geographical area of Honshu, the largest island of Japan. In a common definition, the region includes the Greater Tokyo Area and encompasses seven prefectures: Gunma, Tochigi, Ibaraki, Saitama, Tokyo, Chiba and Kanagawa. Slightly more than 45 percent of the land area within its boundaries is the Kanto Plain. The rest consists of the hills and mountains that form land borders with other regions of Japan. As the Kanto region contains Tokyo, the capital and largest city of Japan, the region is considered the center of Japan's politics and economy. According to the official census on October 1, 2010, by the Japan Statistics Bureau, the population was 42,607,376, amounting to approximately one third of the total population of Japan. Other definitions The Kantō regional governors' association (関東地方知事会, ''Kantō chihō chijikai'') assembles the prefectural governors of Ibaraki, Tochigi, Gunma, Saitama, Chiba, Tokyo, Kanagawa, Yamanashi, Nagano and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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