University Of Iowa Museum Of Art
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University Of Iowa Museum Of Art
The University of Iowa Stanley Museum of Art is a visual arts institution that is part of the University of Iowa in Iowa City, Iowa, United States. It is accredited by the American Alliance of Museums. Since its inception, the museum has partnered in many teaching programs and research projects with the University of Iowa School of Art and Art History, and for several decades has sponsored the annual MFA show as well as the faculty exhibitions. Faculty from the SAAH and elsewhere, and graduate students on campus have curated shows at the Museum that are closely linked with their research, courses, and seminars. The teaching mission of the Stanley Museum of Art embraces the curriculum of the University of Iowa and extends throughout the state. Collections The University of Iowa Stanley Museum of Art, established in 1969, has one of the top university art collections in the country. Approximately 17,000 objects constitute diverse collections that include paintings, sculpture, prints ...
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University Of Iowa
The University of Iowa (UI, U of I, UIowa, or simply Iowa) is a public university, public research university in Iowa City, Iowa, United States. Founded in 1847, it is the oldest and largest university in the state. The University of Iowa is organized into 12 colleges offering more than 200 areas of study and seven professional degrees. On an urban 1,880-acre campus on the banks of the Iowa River, the University of Iowa is Carnegie Classification of Institutions of Higher Education, classified among "R1: Doctoral Universities – Very high research activity". In fiscal year 2021, research expenditures at Iowa totaled $818 million. The university is best known for its programs in health care, law, and the fine arts, with programs ranking among the top 25 nationally in those areas. The university was the original developer of the Master of Fine Arts degree and it operates the Iowa Writers' Workshop, which has produced 17 of the university's 46 Pulitzer Prize winners. Iowa is a mem ...
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Matisse
Henri Émile Benoît Matisse (; 31 December 1869 – 3 November 1954) was a French visual artist, known for both his use of colour and his fluid and original draughtsmanship. He was a draughtsman, printmaker, and sculptor, but is known primarily as a painter. Matisse is commonly regarded, along with Pablo Picasso, as one of the artists who best helped to define the revolutionary developments in the visual arts throughout the opening decades of the twentieth century, responsible for significant developments in painting and sculpture. The intense colourism of the works he painted between 1900 and 1905 brought him notoriety as one of the Fauves ( French for "wild beasts"). Many of his finest works were created in the decade or so after 1906, when he developed a rigorous style that emphasised flattened forms and decorative pattern. In 1917, he relocated to a suburb of Nice on the French Riviera, and the more relaxed style of his work during the 1920s gained him critical acclaim ...
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Grant Wood
Grant DeVolson Wood (February 13, 1891 February 12, 1942) was an American painter and representative of Regionalism, best known for his paintings depicting the rural American Midwest. He is particularly well known for '' American Gothic'' (1930), which has become an iconic example of early 20th-century American art. Early life Wood was born in rural Iowa, 4 mi (6 km) east of Anamosa, in 1891, the son of Hattie DeEtte ''Weaver'' Wood and Francis Maryville Wood. His mother moved the family to Cedar Rapids after his father died in 1901. Soon thereafter, Wood began as an apprentice in a local metal shop. After graduating from Washington High School, Wood enrolled in The Handicraft Guild, an art school run entirely by women in Minneapolis in 1910. In 1913, he enrolled at the School of the Art Institute of Chicago and performed some work as a silversmith. Career Close to the end of World War I, Wood joined the US military, working as an artist designing camouflage ...
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Stuart Davis (painter)
Stuart Davis (December 7, 1892 – June 24, 1964), was an early American modernist painter. He was well known for his jazz-influenced, proto- pop art paintings of the 1940s and 1950s, bold, brash, and colorful, as well as his Ashcan School pictures in the early years of the 20th century. With the belief that his work could influence the sociopolitical environment of America, Davis' political message was apparent in all of his pieces from the most abstract to the clearest. Contrary to most modernist artists, Davis was aware of his political objectives and allegiances and did not waver in loyalty via artwork during the course of his career. By the 1930s, Davis was already a famous American painter, but that did not save him from feeling the negative effects of the Great Depression, which led to his being one of the first artists to apply for the Federal Art Project. Under the project, Davis created some seemingly Marxist works; however, he was too independent to fully support Mar ...
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Marsden Hartley
Marsden Hartley (January 4, 1877 – September 2, 1943) was an American Modernist painter, poet, and essayist. Hartley developed his painting abilities by observing Cubist artists in Paris and Berlin. Early life and education Hartley was born in Lewiston, Maine, where his English parents had settled. He was the youngest of nine children.. His mother died when he was eight, and his father remarried four years later to Martha Marsden. His birth name was Edmund Hartley; he later assumed Marsden as his first name when he was in his early twenties. A few years after his mother's death when Hartley was 14, his sisters moved to Ohio, leaving him behind in Maine with his father where he worked in a shoe factory for a year. These bleak occurrences led Hartley to recall his New England childhood as a time of painful loneliness, so much so that in a letter to Alfred Stieglitz, he once described the New England accent as "a sad recollection hatrushed into my very flesh like sharpened knive ...
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Joan Miró
Joan Miró i Ferrà ( , , ; 20 April 1893 – 25 December 1983) was a Catalan painter, sculptor and ceramicist born in Barcelona. A museum dedicated to his work, the Fundació Joan Miró, was established in his native city of Barcelona in 1975, and another, the Fundació Pilar i Joan Miró in Mallorca, Fundació Pilar i Joan Miró, was established in his adoptive city of Palma de Mallorca, Palma in 1981. Earning international acclaim, his work has been interpreted as Surrealism but with a personal style, sometimes also veering into Fauvism and Expressionism. He was notable for his interest in the unconscious or the subconscious mind, reflected in his re-creation of the childlike. His difficult-to-classify works also had a manifestation of Catalonia, Catalan pride. In numerous interviews dating from the 1930s onwards, Miró expressed contempt for conventional painting methods as a way of supporting bourgeois society, and declared an "assassination of painting" in favour o ...
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Alexej Von Jawlensky
Alexej Georgewitsch von Jawlensky (russian: Алексе́й Гео́ргиевич Явле́нский, translit=Alekséy Geórgiyevich Yavlénskiy) (13 March 1864 – 15 March 1941), surname also spelt as Yavlensky, was a Russian expressionist painter active in Germany. He was a key member of the New Munich Artist's Association ( Neue Künstlervereinigung München), Der Blaue Reiter (The Blue Rider) group and later the Die Blaue Vier (The Blue Four). Life and work Alexej von Jawlensky was born in Torzhok, a town in Tver Governorate, Russia, as the fifth child of Georgi von Jawlensky and his wife Alexandra (née Medwedewa). At the age of ten he moved with his family to Moscow. After a few years of military training, he became interested in painting, visiting the Moscow World Exposition c. 1880. Thanks to his good social connections, he managed to get himself posted to St. Petersburg and, from 1889 to 1896, studied at the art academy there, while also discharging his military ...
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Maurice Prendergast
Maurice Brazil Prendergast (October 10, 1858 – February 1, 1924) was an American artist who painted in oil and watercolor, and created monotypes. His delicate landscapes and scenes of modern life, characterized by mosaic-like color, are generally associated with Post-Impressionism. Prendergast, however, was also a member of The Eight, a group of early twentieth-century American artists who, aside from Prendergast, represented the Ashcan School. Biography Maurice Prendergast and his twin sister, Lucy, were born at their family's subarctic trading post in the city of St. John's, in Newfoundland, then a colony in British North America. After the trading post failed, the family moved to Boston. He grew up in the South End and was apprenticed as a youth to a commercial artist. At 14 he went to work in a dry goods store as a package wrapper. This conditioned him from the start to the brightly colored, flat patterning effects that characterized his mature work. He was also ...
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Lyonel Feininger
Lyonel Charles Feininger (July 17, 1871January 13, 1956) was a German-American painter, and a leading exponent of Expressionism. He also worked as a caricaturist and comic strip artist. He was born and grew up in New York City, traveling to Germany at 16 to study and perfect his art. He started his career as a cartoonist in 1894 and met with much success in this area. He was also a commercial caricaturist for 20 years for magazines and newspapers in the USA and Germany. At the age of 36, he started to work as a fine artist. He also produced a large body of photographic works between 1928 and the mid 1950s, but he kept these primarily within his circle of friends. He was also a pianist and composer, with several piano compositions and fugues for organ extant. Life and work Lyonel Feininger was born to German-American violinist and composer Karl Feininger and American singer Elizabeth Feininger. He was born and grew up in New York City, but traveled to Germany at the age of 16 in ...
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Robert Motherwell
Robert Motherwell (January 24, 1915 – July 16, 1991) was an American Abstract Expressionism, abstract expressionist Painting, painter, printmaker, and editor of ''The Dada Painters and Poets: an Anthology''. He was one of the youngest of the New York School (art), New York School, which also included Willem de Kooning, Jackson Pollock, and Mark Rothko. Trained in philosophy, Motherwell then became an artist regarded as among the most articulate spokesmen and the founders of the abstract expressionist painters. He was known for his series of abstract paintings and prints which touched on political, philosophical and literary themes, such as the ''Elegies to the Spanish Republic''. Early life and education Robert Motherwell was born in Aberdeen, Washington on January 24, 1915, the first child of Robert Burns Motherwell II and Margaret Hogan Motherwell. The family later moved to San Francisco, where Motherwell's father served as president of Wells Fargo Bank, but returned to ...
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Mural (1943)
''Mural'' is a large painting by American artist Jackson Pollock. Although signed and dated 1943, the signature and date were not added until 1947, and the work was probably completed around the fall of 1943. It was made with oil paint (and an off-white water-based paint) on linen, and is Pollock's largest canvas, measuring . The work was commissioned by Peggy Guggenheim for the long entrance hall of her townhouse at 155 East 61st Street in New York City. The work marks an important transitional moment in Pollock's artistic career, from his earlier works of surrealist abstraction towards action painting. It has been held by the University of Iowa Museum of Art since 1951. Background In 1943, Pollock had recently come to the end of a period working for the Federal Art Project, and was working at the Museum of Non-Objective Painting (later the Solomon R. Guggenheim Museum). The talent displayed by his small early paintings was recognized by Howard Putzel, who introduced him ...
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Max Beckmann
Max Carl Friedrich Beckmann (February 12, 1884 – December 27, 1950) was a German painter, draftsman, printmaker, sculptor, and writer. Although he is classified as an Expressionist artist, he rejected both the term and the movement. In the 1920s, he was associated with the New Objectivity (''Neue Sachlichkeit''), an outgrowth of Expressionism that opposed its introverted emotionalism. Even when dealing with light subject matter like circus performers, Beckmann often had an undercurrent of moodiness or unease in his works. By the 1930s, his work became more explicit in its horrifying imagery and distorted forms with combination of brutal realism and social criticism, coinciding with the rise of nazism in Germany. Life Max Beckmann was born into a middle-class family in Leipzig, Saxony. From his youth he pitted himself against the old masters. His traumatic experiences of World War I, in which he volunteered as a medical orderly, coincided with a dramatic transformation of his s ...
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