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Unforgettable (Joe Pass Album)
''Unforgettable'' is an album by American jazz guitarist Joe Pass, released posthumously in 1998. All tracks on this album are performed on a nylon string classical guitar, and are from the same 1992 session that produced '' Songs for Ellen''. Reception Jim Ferguson ( JazzTimes) said of ''Unforgettable'': "Musicians will marvel at Pass' innovative solo voice, facility, and encyclopedic array of harmonic devices, while casual listeners will be soothed by the session's gentle mood. Overall, a vivid look at one facet of the greatest jazz guitarist since Wes Montgomery." by Jim Ferguson (retrieved 3 October 2011) Track listing #"[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Studio Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Guitar
The classical guitar (also known as the nylon-string guitar or Spanish guitar) is a member of the guitar family used in classical music and other styles. An acoustic wooden string instrument with strings made of gut or nylon, it is a precursor of the modern acoustic and electric guitars, both of which use metal strings. Classical guitars derive from the Spanish vihuela and gittern of the fifteenth and sixteenth century. Those instruments evolved into the seventeenth and eighteenth-century baroque guitar—and by the mid-nineteenth century, early forms of the modern classical guitar. For a right-handed player, the traditional classical guitar has twelve frets clear of the body and is properly held up by the left leg, so that the hand that plucks or strums the strings does so near the back of the sound hole (this is called the classical position). However, the right-hand may move closer to the fretboard to achieve different tonal qualities. The player typically holds the left leg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walkin' My Baby Back Home (song)
"Walkin' My Baby Back Home" is a popular song written in 1930 by Roy Turk (lyrics) and Fred E. Ahlert (music). The song first charted in 1931 with versions by Nick Lucas (No. 8), Ted Weems (also No. 8), The Charleston Chasers (No. 15) and Lee Morse (No. 18). Other recordings *A recording made by Jo Stafford on November 9, 1945, was released by Capitol Records as catalog number 20049, and on her album, ''Songs by Jo Stafford'' (catalog number B-D23). *Harry Richman recorded the song on November 4, 1947. This version was released by Decca Records as catalog number 24391. *Maurice Chevalier recorded the song on February 22, 1931 for Victor Records in New York. *A major hit version of it was recorded by Nat King Cole at the Capitol Studios at 5515 Melrose Avenue in Hollywood, on September 4, 1951 and released by Capitol Records as catalog number 2130. It went to No. 8 in 1952. *The song charted again in 1952 at No. 4 in a version recorded in February 1952 by Johnnie Ray, released by C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isn't It Romantic?
"Isn't It Romantic?" is a popular song and part of the Great American Songbook. The music was composed by Richard Rodgers, with lyrics by Lorenz Hart. It has a 32-bar chorus in A–B–A–C form. Alec Wilder, in his book ''American Popular Song: The Great Innovators 1900–1950,'' calls it "a perfect song." It was introduced by Maurice Chevalier and Jeanette MacDonald in the Paramount film ''Love Me Tonight'' (1932). It has since been recorded numerous times, with and without vocals, by many jazz and popular artists. The song has also since been featured in a number of other movies. In ''Love Me Tonight'', the song is used in a sequence in which it is first sung by Maurice Chevalier, a tailor, and then taken up by others (his customer, a cabby, a composer, a troop of soldiers, a band of gypsies) and is finally heard and sung by a princess, played by Jeanette MacDonald. The lyrics in the film are not the same as those in the published version. In 2004 this version finished at #7 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Heyman
Edward Heyman (March 14, 1907October 16, 1981) was an American lyricist and producer, best known for his lyrics to " Body and Soul," "When I Fall in Love," and " For Sentimental Reasons." He also contributed to a number of songs for films. Biography Heyman studied at the University of Michigan where he had an early start on his career writing college musicals. After graduating from college, Heyman moved back to New York City where he started working with a number of experienced musicians like Victor Young ("When I Fall in Love"), Dana Suesse ("You Oughta Be in Pictures") and Johnny Green (" Body and Soul," " Out of Nowhere," "I Cover the Waterfront" and "Easy Come, Easy Go"). From 1935 to 1952, Heyman contributed songs to film scores including '' Sweet Surrender'', ''That Girl from Paris'', ''Curly Top'', '' The Kissing Bandit'', ''Delightfully Dangerous'' and ''Northwest Outpost''. Arguably Heyman's biggest hit is his lyric to " Body and Soul", written in 1930, which was often ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Green
John Waldo Green (October 10, 1908 – May 15, 1989) was an American songwriter, composer, musical arranger, conductor and pianist. He was given the nickname "Beulah" by colleague Conrad Salinger. His most famous song was one of his earliest, " Body and Soul" from the revue ''Three's a Crowd''. Green won four Academy Awards for his film scores and a fifth for producing a short musical film, and he was inducted into the Songwriters Hall of Fame in 1972. He was also honored with a star on the Hollywood Walk of Fame. Early years John Waldo Green was born in New York City, the son of musical parents Vivian Isidor Green (June 29, 1885 – January 3, 1940) and Irina Etelka Jellenik (April 12, 1885 – November 15, 1947), a.k.a. Irma (or Erma) Etelka Jellenik. Vivian and Irina wed on December 16, 1907 in Manhattan. John attended Horace Mann School and the New York Military Academy, and was accepted by Harvard at the age of 15, entering the university in 1924. His musical tuto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ray Noble (musician)
Raymond Stanley Noble (17 December 1903 – 2 April 1978) was an English jazz and big band musician, who was a bandleader, composer and arranger, as well as a radio host, television and film comedian and actor; he also performed in the United States. Noble wrote both lyrics and music for many popular songs during the British dance band era, known as the "Golden Age of British music", notably for his longtime friend and associate Al Bowlly, including "Love Is the Sweetest Thing", "Cherokee", "The Touch of Your Lips", "I Hadn't Anyone Till You", and his signature tune, "The Very Thought of You". Noble played a radio comedian opposite American ventriloquist Edgar Bergen's stage act of Mortimer Snerd and Charlie McCarthy, and American comedy duo Burns and Allen, later transferring these roles from radio to TV and popular films. Early life and career Noble was born at 1 Montpelier Terrace in the Montpelier area of Brighton, England. A blue plaque on the house commemorates him. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Very Thought Of You
"The Very Thought of You" is a pop standard that was recorded and published in 1934 with music and lyrics by Ray Noble. The song was first recorded by Ray Noble and His Orchestra with Al Bowlly on vocals for HMV in England in April 1934. This record was then released in the United States by Victor, and it reached number one for five weeks on the pop music charts. The song was the subject of litigation in 1962. In 1934, Noble assigned the copyright to British publisher Campbell, Connelly & Company. Before the copyright was renewed, however, Noble assigned the United States copyright to M. Witmark & Sons. A suit was brought by Campbell, Connelly against Noble, stating that the assignment covered all rights, including rights in the USA. A British High Court judge ruled in favor of Campbell, Connelly. Charting cover versions * In 1946, Luis Russell recorded the song, which went to number three on the Most-Played Juke Box Race Records charts. * A rhythm and blues version by Li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rodgers And Hart
Rodgers and Hart were an American songwriting partnership between composer Richard Rodgers (1902–1979) and the lyricist Lorenz Hart (1895–1943). They worked together on 28 stage musicals and more than 500 songs from 1919 until Hart's death in 1943.Rodgers and Hart Biography Guide to Musical Theatre, accessed April 5, 2009 History Richard Rodgers and Lorenz Hart were introduced in 1919; Rodgers was still in high school while Hart had already graduated from . Their first collaboration together was at Columbia, and resulted in the 1920 |
My Romance (song)
"My Romance" is a popular music, popular jazz song, with music by Richard Rodgers and lyrics by Lorenz Hart, written for Billy Rose's musical play, musical, ''Jumbo (musical), Jumbo'' (1935 in music, 1935). Gloria Grafton and Donald Novis introduced the song in that musical. In the Billy Rose's Jumbo (film), 1962 movie version of ''Jumbo'', Doris Day performed the song. The song's lyrics describe a romantic attraction between two people, often by listing elements that are not needed to make this attraction work. In turn, the singer states that the romance does not need a certain setting ("a moon in the sky"), location ("a blue lagoon"), or stereotypical dating accompaniment ("soft guitars"), due to the strong attraction to the person. Other versions * Dave Brubeck – ''The Dave Brubeck Quartet'' (1952) * Bill Evans – ''The Complete Village Vanguard'' (1961) * Doris Day – 1962 * Johnny Smith – ''The Man with the Blue Guitar'' (1962) * Ben Webster with Hank Jones – ''Ben an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wes Montgomery
John Leslie "Wes" Montgomery (March 6, 1923 – June 15, 1968) was an American jazz guitarist. Montgomery was known for an unusual technique of plucking the strings with the side of his thumb and his extensive use of octaves, which gave him a distinctive sound. Montgomery often worked with his brothers Buddy (Charles F.) and Monk (William H.) and with organist Melvin Rhyne. His recordings up to 1965 were oriented towards hard bop, soul jazz, and post bop, but around 1965 he began recording more pop-oriented instrumental albums that found mainstream success. His later guitar style influenced jazz fusion and smooth jazz. Biography Montgomery was born in Indianapolis, Indiana. According to NPR, the nickname "Wes" was a child's abbreviation of his middle name, Leslie. The family was large, and the parents split up early in the lives of the children. Montgomery and his brothers moved to Columbus, Ohio, with their father and attended Champion High School. His older brother Monk dropped ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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