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Underground Art
Underground art is any form of art that operates outside of conventional norms in the art world, part of underground culture. This can include essentially any genre of art that is not popular in the art world, including visionary art and street art. Underground art can include art created both legally and illegally, organized or unauthorized, and can essentially exist in any form. Visionary Art is often considered a form of underground art because of it popularity outside conventional art channels. Rather than being displayed in galleries and museums, most visionary art is displayed online, at music festivals, or other forms of gatherings such as Burning Man and Rainbow Gatherings. Street Art is also often considered a form of underground art because of its unconventional settings. Again, rather than galleries and museums, street art exists in outdoors spaces, utilizing stickers, Lock On sculptures, installations, stencils, and/or spray paint as its medium. Graffiti, a for ...
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Underground Culture
Underground culture, or simply underground, is a term to describe various alternative cultures which either consider themselves different from the mainstream of society and culture, or are considered so by others. The word "underground" is used because there is a history of resistance movements under harsh regimes where the term ''underground'' was employed to refer to the necessary secrecy of the resisters. For example, the Underground Railroad was a network of clandestine routes by which African slaves in the 19th century United States attempted to escape to freedom. The phrase "underground railroad" was resurrected and applied in the 1960s to the extensive network of draft counseling groups and houses used to help Vietnam-era draft dodgers escape to Canada, and was also applied in the 1970s to the clandestine movement of people and goods by the American Indian Movement in and out of occupied Native American reservation lands. (See Wounded Knee). The filmmaker Rosa von Praun ...
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Street Installation
Street installations are a form of street art and installation art. While conventional street art is done on walls and surfaces street installations use three-dimensional objects set in an urban environment. Like graffiti, it is generally non-permission based and the installation is effectively abandoned by the artist upon completion. Street Installations sometimes have an interactive component. Artists Notable artist in the field include: * Above *BIBI *Banksy * Bleeps.gr *Brad Downey *El Celso *Graffiti Research Lab *Harmen de Hoop *Invader (artist) *Manfred Kielnhofer *Lennie Lee * Leon Reid IV *Mark Divo * Mark Jenkins *Joe Mangrum *Mark McGowan * Nsumi * Paige Smith (A Common Name) *TEJN *Dan Witz See also *Art intervention *Culture jamming *Installation art * Lock On street sculptures References External links * Wooster Collective's sub-category for street installationNew York Times articleabout the 2006 street art show at 11 Spring in New York's SoHo, which includes refe ...
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Underground Music
Underground music is music with practices perceived as outside, or somehow opposed to, mainstream popular music culture. Underground music is intimately tied to popular music culture as a whole, so there are important tensions within underground music because it appears to both assimilate and resist the forms and processes of popular music culture. Underground music may be perceived as expressing sincerity, intimacy, freedom of creative expression in opposition to those practices deemed formulaic or commercially driven. Notions of individuality non-conformity are also commonly deployed in extolling the virtue of underground music. There are examples of underground music that are particularly difficult to encounter, such as the underground rock scenes in the pre- Mikhail Gorbachev Soviet Union, in which has amassed a devoted following over the years (most notably for bands such as Kino). However, most underground music is readily accessible, although performances and recordings ma ...
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Underground Film
An underground film is a film that is out of the mainstream either in its style, genre or financing. Notable examples include: John Waters' ''Pink Flamingos'', David Lynch's ''Eraserhead'', Andy Warhol's ''Blue Movie'', Rosa von Praunheim's ''Tally Brown, New York'', Frank Henenlotter's ''Basket Case'', Nikos Nikolaidis' ''Singapore Sling'', Rinse Dreams' ''Café Flesh'', and Jörg Buttgereit's ''Nekromantik''. Definition and history The first printed use of the term "underground film" occurs in a 1957 essay by American film critic Manny Farber, "Underground Films." Farber uses it to refer to the work of directors who "played an anti-art role in Hollywood." He contrasts "such soldier-cowboy-gangster directors as Raoul Walsh, Howard Hawks, William Wellman," and others with the "less talented De Sicas and Zinnemanns hocontinue to fascinate the critics." However, as in "Underground Press", the term developed as a metaphorical reference to a clandestine and subversive culture ...
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Public Property
Public property is property that is dedicated to public use. The term may be used either to describe the use to which the property is put, or to describe the character of its ownership (owned collectively by the population of a state). This is in contrast to private property, owned by an individual person or artificial entities that represent the financial interests of persons, such as corporations. State ownership, also called public ownership, government ownership or state property, are property interests that are vested in the state, rather than an individual or communities. Differences from private property In a paper by Armen A. Alchian, he explored what distinguishes public property from private property, concluding that a unique difference lies in the limitations put on its alienability. That is, a crucial feature of public property lies in the inability of their owners to sell or grant them to others. According to Alchian, private property is that which can be transferr ...
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Cityscape
In the visual arts, a cityscape (urban landscape) is an artistic representation, such as a painting, drawing, print or photograph, of the physical aspects of a city or urban area. It is the urban equivalent of a landscape. ''Townscape'' is roughly synonymous with ''cityscape,'' though it implies the same difference in urban size and density (and even modernity) implicit in the difference between the words ''city'' and ''town''. In urban design the terms refer to the configuration of built forms and interstitial space. History of cityscapes in art From the first century A.D. dates a fresco at the Baths of Trajan in Rome depicting a bird's eye view of an ancient city.Eugenio la Rocca: "The Newly Discovered City Fresco from Trajan's Baths, Rome." ''Imago Mundi'' Vol. 53 (2001), pp. 121–124. In the Middle Ages, cityscapes appeared as a background for portraits and biblical themes. From the 16th up to the 18th century numerous copperplate prints and etchings were made showi ...
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Graffiti
Graffiti (plural; singular ''graffiti'' or ''graffito'', the latter rarely used except in archeology) is art that is written, painted or drawn on a wall or other surface, usually without permission and within public view. Graffiti ranges from simple written words to elaborate wall paintings, and has existed Graffito (archaeology), since ancient times, with examples dating back to ancient Egypt, ancient Greece, and the Roman Empire. Graffiti is a controversial subject. In most countries, marking or painting property without permission is considered by property owners and civic authorities as defacement and vandalism, which is a punishable crime, citing the use of graffiti by street gangs to mark territory or to serve as an indicator of gang-related activities. Graffiti has become visualized as a growing urban "problem" for many cities in industrialized nations, spreading from the New York City Subway nomenclature, New York City subway system and Philadelphia in the early 1970s to ...
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Spray Paint
Aerosol paint (commonly spray paint) is paint that comes in a sealed, pressurized container and is released in an aerosol spray when a valve button is depressed. Aerosol painting is one form of spray painting; it leaves a smooth, even coat, unlike many traditional rolled and brushed paints. Standard-sized cans are lightweight, portable, inexpensive, and easy to store. Aerosol primer can be applied directly to bare metal and many plastics. Graffiti artists are known to use spray paint because the medium is quick, permanent, and portable. The origin of the product, however, dates back to 1949, when it was designed for the very practical purpose of applying aluminum paint coatings to radiators. History In 1949, Edward H. Seymour, of Sycamore, Illinois, added paint to existing spray can technology at his wife Bonnie's suggestion. It was initially designed to demonstrate an aluminum paint he developed. His patent was awarded in 1951. Most aerosol paints also have a metal, marble, g ...
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Stencil Graffiti
Stencil graffiti is a form of graffiti that makes use of stencils made out of paper, cardboard, or other media to create an image or text that is easily reproducible. The desired design is cut out of the selected medium and then the image is transferred to a surface through the use of spray paint or roll-on paint. The process of stencilling involves applying paint across a stencil to form an image on a surface below. Sometimes multiple layers of stencils are used on the same image to add colours or create the illusion of depth. Because the stencil stays uniform throughout its use, it is easier for an artist to replicate what could be a complicated piece - at a high rate when compared to other conventional tagging methods. History Stencil graffiti began in the 1960s. French artist Ernest Pignon-Ernest's stencilled silhouette of a nuclear bomb victim was spray painted in the south of France in 1966 (Plateau d'Albion, Vaucluse) Blek le Rat's first spray painted stencils were ...
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Lock On (street Art)
Lock On is a genre of street art, where artists create installations by attaching sculptures to public furniture using lengths of chain and old bike locks. The installations themselves are referred to as "a Lock On" (''singular'') or "Lock Ons" (''plural''). Style A Lock On is art in a public space, typically attached to a fence or street lamp with some sort of padlock, without permission. The Lock On style is a "non-destructive" form of underground art. Artists * REVS is the tag name of a New York City graffiti artist whose sculpture, wheat paste stickers and roller pieces have earned him a reputation of an artist provocateur. In New York, steel sculptures created with construction-grade steel and spelling "''Revs''" can be found around Brooklyn and Lower Manhattan. * TEJN is considered the "founder" of the Lock On phrase. Taking scrap metal from urban areas, TEJN welds and shapes the iron into figurative sculptures which he "returns to the street" as site-specific art secu ...
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Genre
Genre () is any form or type of communication in any mode (written, spoken, digital, artistic, etc.) with socially-agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other forms of art or entertainment, whether written or spoken, audio or visual, based on some set of stylistic criteria, yet genres can be aesthetic, rhetorical, communicative, or functional. Genres form by conventions that change over time as cultures invent new genres and discontinue the use of old ones. Often, works fit into multiple genres by way of borrowing and recombining these conventions. Stand-alone texts, works, or pieces of communication may have individual styles, but genres are amalgams of these texts based on agreed-upon or socially inferred conventions. Some genres may have rigid, strictly adhered-to guidelines, while others may show great flexibility. Genre began as an absolute classification system for ancient Greek literature, a ...
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Sticker Art
Sticker art (also known as sticker bombing, sticker slapping, slap tagging, and sticker tagging) is a form of street art in which an image or message is publicly displayed using stickers. These stickers may promote a political agenda, comment on a policy or issue, or comprise a subcategory of graffiti. Sticker artists use a variety of label types, including inexpensively purchased and free stickers, such as the United States Postal Service's Label 228 or name tags. History Even if there were various unknown pioneers before, the first officially recognized example of sticker art in the USA is ''André the giant has a posse'' by Shepard Fairey, created in 1989. The first European (and non-American) sticker art project is ''I Sauri'', started in 1993. Since 2000, many graffiti artists and street artists, like Katsu or Barry McGee incorporated stickers in their production, using them as an alternative to tagging and bombing, or as autonomous art projects. Creation Label 228s ...
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