Unbroken (Julie Elias Album)
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Unbroken (Julie Elias Album)
''Unbroken'' is the fourth studio album An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early ... by Julie Elias. She released the album on September 8, 2015. Critical reception Awarding the album three and a half stars from New Release Today, Caitlin Lassiter states, "One of the strongest points in ''Unbroken'' is that the album offers a variation of styles, with rock, pop and worship all being represented. Another great aspect of the album is Julie's songwriting, which shines a deep vulnerability that's rare and appreciated. Being a relatively new indie artist, Julie is just getting started in the CCM industry, but with the elements she displays in ''Unbroken'', it's clear that she has big things ahead." Jonathan Andre, giving the album four and a half stars at 365 Days of Inspiring Me ...
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Julie Elias
Julie Marie Elias is an American Christian musician, who primarily plays an indie pop and indie rock style of worship music. She has released four studio albums, ''A Wild Rose'' in 2012, ''Holy Night'' in 2013, ''Love Rain Down'' in 2014, and, '' Unbroken'' in 2015. Early and personal life Julie Marie Elias was born in Santa Clara County, California, to father Robert Charles "Bob" Elias and mother Dell Marie Elias (''née'', Wogsland). She has a younger sister, Kristen Dell Elias, who's a fitness instructor. They were raised near Reno, Nevada in the area of Lake Tahoe, Nevada. Music career Julie began performing with a focus on acting, appearing in shows like Grey's Anatomy. Her music recording career began in 2011, with the studio album, ''A Wild Rose'', that was released on November 13, 2012, independently. The subsequent album, a Christmas music album, ''Holy Night'', was released independently, on November 19, 2013. She released, ''Love Rain Down'', on August 26, 2014, als ...
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Contemporary Worship Music
Contemporary worship music (CWM), also known as praise and worship music, is a defined genre of Christian music used in contemporary worship. It has developed over the past 60 years and is stylistically similar to pop music. The songs are frequently referred to as "praise songs" or "worship songs" and are typically led by a "worship band" or "praise team", with either a guitarist or pianist leading. It has become a common genre of music sung in many churches, particularly in charismatic or non-denominational Protestant churches with some Roman Catholic congregations incorporating it into their mass as well. History and development In the early 1950s, the Taizé Community in France started to attract youths from several religious denominations with worship hymns based on modern melodies. In the mid-20th century, Christian Unions in university environments hosted evangelistic talks and provided biblical teaching for their members, Christian cafés opened with evangelistic ai ...
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Contemporary Christian Music
Contemporary Christian music, also known as CCM, Christian pop, and occasionally inspirational music is a genre of modern popular music, and an aspect of Christian media, which is lyrically focused on matters related to the Christian faith and stylistically rooted in Christian music. It was formed by those affected by the 1960s Jesus movement revival who began to express themselves in other styles of popular music, beyond the church music of hymns, gospel and Southern gospel music that was prevalent in the church at the time. Initially referred to as Jesus music, today, the term is typically used to refer to pop, but also includes rock, alternative rock, hip hop, metal, contemporary worship, punk, hardcore punk, latin, EDM, R&B-influenced gospel and country styles. It has representation on several music charts including '' Billboard''s Christian Albums, Christian Songs, Hot Christian AC (Adult Contemporary), Christian CHR, Soft AC/Inspirational and Christian Digital Songs as ...
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Christian Rock
Christian rock is a form of rock music that features lyrics focusing on matters of Christian faith, often with an emphasis on Jesus, typically performed by self-proclaimed Christian individuals. The extent to which their lyrics are explicitly Christian varies between bands. Many bands who perform Christian rock have ties to the contemporary Christian music labels, media outlets, and festivals, while other bands are independent. History Christian response to early rock music (1950s–1960s) Most traditional and fundamentalist Christians did not view rock music favorably when it became popular with young people from the 1950s, even though country and gospel music often influenced early rock music. In 1952 Archibald Davison, a Harvard professor, summed up the sound of traditional Christian music and why its supporters might not like rock music when he wrote of "... a rhythm that avoids strong pulses; a melody whose physiognomy is neither so characteristic nor so engaging as to make ...
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Christian Alternative Rock
Christian alternative rock is a form of alternative rock music that is lyrically grounded in a Christian worldview. Some critics have suggested that unlike CCM and older Christian rock, Christian alternative rock generally emphasizes musical style over lyrical content as a defining genre characteristic, though the degree to which the faith appears in the music varies from artist to artist. History Christian alternative music has its roots in the early 1980s, as the earliest efforts at Christian punk and new wave were recorded by artists like Andy McCarroll and Moral Support, Undercover, the 77s, Steve Scott, Adam Again, Quickflight, Daniel Amos, Youth Choir (later renamed the Choir), Lifesavers Underground, Michael Knott, the Prayer Chain, Altar Boys, Breakfast with Amy, Steve Taylor, 4-4-1, David Edwards and Vector. Early labels, most now-defunct, included Blonde Vinyl, Frontline, Exit, and Refuge. By the 1990s, many of these bands and artists had disbanded, were no l ...
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Indie Pop
Indie pop (also typeset as indie-pop or indiepop) is a music genre and subculture that combines guitar pop with DIY ethic in opposition to the style and tone of mainstream pop music. It originated from British post-punk in the late 1970s and subsequently generated a thriving fanzine, Independent record label, label, and club and gig circuit. Compared to its counterpart, indie rock, the genre is more melodic, less abrasive, and relatively angst-free. In later years, the definition of ''indie pop'' has bifurcated to also mean bands from unrelated DIY scenes/movements with pop leanings. Subgenres include chamber pop and twee pop. Development and characteristics Origins and etymology Both ''indie'' and ''indie pop'' had originally referred to the same thing during the late 1970s. Inspired more by punk rock's DIY ethos than its style, guitar bands were formed on the then-novel premise that one could record and release their own music instead of having to procure a record contra ...
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Indie Rock
Indie rock is a Music subgenre, subgenre of rock music that originated in the United States, United Kingdom and New Zealand from the 1970s to the 1980s. Originally used to describe independent record labels, the term became associated with the music they produced and was initially used interchangeably with alternative rock or "Pop rock, guitar pop rock". One of the primary scenes of the movement was Dunedin, where Dunedin sound, a cultural scene based around a convergence of noise pop and jangle became popular among the city's University of Otago, large student population. Independent labels such as Flying Nun Records, Flying Nun began to promote the scene across New Zealand, inspiring key college rock bands in the United States such as Pavement (band), Pavement, Pixies (band), Pixies and R.E.M. Other notable scenes grew in Madchester, Manchester and Hamburger Schule, Hamburg, with many others thriving thereafter. In the 1980s, the use of the term "independent music, indie" (or " ...
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Studio Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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