Un Biglietto Del Tram
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Un Biglietto Del Tram
''Un biglietto del tram'' is the fourth studio album by the Italian progressive rock band Stormy Six. It was released in 1975. The climate for the release of this record (among other things, one of the first "independent" outputs) is the years of lead and politicization of every aspect of life. Stormy Six represented the official voice of the student movement in Milan (or what remained of it), by far the groups' most important challenge of 1968. The concept of the work is related to the struggle for liberation from Nazi barbarism; all the songs have descriptions of facts (or considerations) linked to guerrilla warfare. And during this era, there was a "policy" or view the reaffirmation of an identity and a history without which no speech "left" is possible. Thus, there was no chance of "revivalism". Track listing ;Side A #"Stalingrado" – 5:25 #"La fabbrica" – 3:53 #"Arrivano gli americani" – 5:55 #"8 settembre" – 4:52 ;Side B #"Nuvole a Vinca" – 4:25 #"Dante di Nanni ...
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Stormy Six
Stormy Six were an Italian progressive and folk rock band founded in Milan in 1966. They performed and recorded until 1983, mostly as a sextet but occasionally as a quartet, a quintet and a septet. Although their line-up changed considerably over the years, founding member Franco Fabbri remained with the group for its entire duration. In May 1993 they performed at a re-union concert in Milan, which was recorded and released on a CD, ''Un Concerto'' (1995). Stormy Six were best known as one of the five original Rock in Opposition (RIO) bands that performed at the first RIO festival in March 1978 in London. They later participated actively in the shaping of RIO as an organisation and performed across Europe with other RIO and related bands. History Stormy Six began in 1966 as a pop/psychedelic rock band, opening for The Rolling Stones on their first Italian tour in 1967. After some line-up changes Stormy Six switched to left-wing/protest folk rock and their first three albums, r ...
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Progressive Rock
Progressive rock (shortened as prog rock or simply prog; sometimes conflated with art rock) is a broad genre of rock music that developed in the United Kingdom and United States through the mid- to late 1960s, peaking in the early 1970s. Initially termed "progressive pop", the style was an outgrowth of psychedelic bands who abandoned standard pop traditions in favour of instrumentation and compositional techniques more frequently associated with jazz, folk, or classical music. Additional elements contributed to its " progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of "art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing. Progressive rock is based on fusions of styles, approaches and genres, involving a continuous move between formalism and eclecticism. Due to its historical reception, the scope of progressiv ...
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Progressive Folk
Progressive folk was originally a type of American folk music that pursued a progressive political agenda. More recently, the term has also been applied to a style of contemporary folk that draws from post-Bob Dylan folk music and adds new layers of musical and lyrical complexity, often incorporating various ethnic influences. History Origins of the term The original meaning of progressive folk came from its links to the progressive politics of the American folk revival of the 1930s, particularly through the work of musicologist Charles Seeger. Key figures in the development of progressive folk in America were Pete Seeger and Woody Guthrie, who influenced figures such as Bob Dylan and Joan Baez in the 1960s. All mixed progressive political messages with traditional folk music tunes and themes. In Britain, one of the major strands that emerged from the short-lived skiffle craze of 1956–9 were acoustic artists who performed American progressive material. Vital in the develop ...
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Guarda Giù Dalla Pianura
Guarda may refer to: * Guarda, Portugal, city in Portugal * Guarda District, the district containing that city * Roman Catholic Diocese of Guarda, Portugal, the diocese containing that city * Guarda, Switzerland, municipality in Grisons, Switzerland ** Guarda railway station, a Rhaetian Railway station * Guarda Veneta, municipality in the province of Rovigo, region of Veneto, Italy * A Guarda, municipality in the province of Pontevedra, Galicia, Spain * Guarda-Mor, municipality in Minas Gerais, Brazil See also *Garda (other) *Guard (other) *Guardia (other) *Guardian (other) *La Guardia (other) La Guardia (Italian and Spanish, 'The Guard') or variants may refer to: Places * La Guardia, Bolivia * La Guardia, Catamarca, Argentina * La Guardia, Spain * La Guardia, Pontevedra, Spain, also known as A Guarda * La Guardia de Jaén, Jaén, Spa ...
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Cliché (album)
A cliché ( or ) is an element of an artistic work, saying, or idea that has become overused to the point of losing its original meaning or effect, even to the point of being weird or irritating, especially when at some earlier time it was considered meaningful or novel. In phraseology, the term has taken on a more technical meaning, referring to an expression imposed by conventionalized linguistic usage. The term is often used in modern culture for an action or idea that is expected or predictable, based on a prior event. Typically pejorative, "clichés" may or may not be true. Some are stereotypes, but some are simply truisms and facts. Clichés often are employed for comedic effect, typically in fiction. Most phrases now considered clichéd originally were regarded as striking but have lost their force through overuse. The French poet Gérard de Nerval once said, "The first man who compared woman to a rose was a poet, the second, an imbecile." A cliché is often a vivid dep ...
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Progressive Rock
Progressive rock (shortened as prog rock or simply prog; sometimes conflated with art rock) is a broad genre of rock music that developed in the United Kingdom and United States through the mid- to late 1960s, peaking in the early 1970s. Initially termed "progressive pop", the style was an outgrowth of psychedelic bands who abandoned standard pop traditions in favour of instrumentation and compositional techniques more frequently associated with jazz, folk, or classical music. Additional elements contributed to its " progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of "art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing. Progressive rock is based on fusions of styles, approaches and genres, involving a continuous move between formalism and eclecticism. Due to its historical reception, the scope of progressiv ...
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Independent Music
Independent music (also commonly known as indie music or simply indie) is music that is produced independently from commercial record labels or their subsidiaries, a process that may include an autonomous, do-it-yourself approach to recording and publishing. The term ''indie'' is sometimes used to describe a genre (such as indie rock and indie pop), and as a genre term, "indie" may or may not include music that is independently produced, and many independent music artists do not fall into a single, defined musical style or genre and create self-published music that can be categorized into diverse genres. The term 'indie' or 'independent music' can be traced back to as early as the 1920s after it was first used to reference independent film companies but was later used as a term to classify an independent band or record producer. Record labels Independent labels have a long history of promoting developments in popular music, stretching back to the post-war period in the United ...
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Years Of Lead (Italy)
, partof = the Cold War , image = Stragedibologna-2.jpg , image_size = 300px , caption = Aftermath of the bombing at the Bologna railway station in August 1980 which killed 85 people, the deadliest event during the Years of Lead , date = Late 1968 – mid 1988 ()Resurgence from 1999 to 2005 () , place = Italy (mainly Northern Italy) , result = Far-left and far-right terrorist groups dismantled , combatant1 = Supported by: , combatant2 = Supported by: , combatant3 = Supported by: , commander1 = , commander2 = , commander3 = , units1 = Armed Forces: +90,000 soldiers (1973) Gladio: 622 members , units2 = BR: Several hundred active members PL: 1,072 members and collaborators O22: 25 members PAC: 60 militants AO: 200 membersGun Cuninghame, Patrick. "Autonomia In The Seventies: The Refusal Of Work, The Party And Poli ...
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Milan
Milan ( , , Lombard: ; it, Milano ) is a city in northern Italy, capital of Lombardy, and the second-most populous city proper in Italy after Rome. The city proper has a population of about 1.4 million, while its metropolitan city has 3.26 million inhabitants. Its continuously built-up urban area (whose outer suburbs extend well beyond the boundaries of the administrative metropolitan city and even stretch into the nearby country of Switzerland) is the fourth largest in the EU with 5.27 million inhabitants. According to national sources, the population within the wider Milan metropolitan area (also known as Greater Milan), is estimated between 8.2 million and 12.5 million making it by far the largest metropolitan area in Italy and one of the largest in the EU.* * * * Milan is considered a leading alpha global city, with strengths in the fields of art, chemicals, commerce, design, education, entertainment, fashion, finance, healthcar ...
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Nazism
Nazism ( ; german: Nazismus), the common name in English for National Socialism (german: Nationalsozialismus, ), is the far-right totalitarian political ideology and practices associated with Adolf Hitler and the Nazi Party (NSDAP) in Nazi Germany. During Hitler's rise to power in 1930s Europe, it was frequently referred to as Hitlerism (german: Hitlerfaschismus). The later related term "neo-Nazism" is applied to other far-right groups with similar ideas which formed after the Second World War. Nazism is a form of fascism, with disdain for liberal democracy and the parliamentary system. It incorporates a dictatorship, fervent antisemitism, anti-communism, scientific racism, and the use of eugenics into its creed. Its extreme nationalism originated in pan-Germanism and the ethno-nationalist '' Völkisch'' movement which had been a prominent aspect of German nationalism since the late 19th century, and it was strongly influenced by the paramilitary groups that emerged af ...
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Left (politics)
Left-wing politics describes the range of political ideologies that support and seek to achieve social equality and egalitarianism, often in opposition to social hierarchy. Left-wing politics typically involve a concern for those in society whom its adherents perceive as disadvantaged relative to others as well as a belief that there are unjustified inequalities that need to be reduced or abolished. Left-wing politics are also associated with popular or state control of major political and economic institutions. According to emeritus professor of economics Barry Clark, left-wing supporters "claim that human development flourishes when individuals engage in cooperative, mutually respectful relations that can thrive only when excessive differences in status, power, and wealth are eliminated." Within the left–right political spectrum, ''Left'' and ''Right'' were coined during the French Revolution, referring to the seating arrangement in the French Estates General. Those ...
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Franco Fabbri
Franco Fabbri (born 1949) is a Brazilian-born Italian musician, musicologist and broadcaster. Born in São Paulo in 1949, from 1965 Fabbri was guitarist, vocalist and composer for Stormy Six, regarded as one of the most interesting Italian progressive bands, and one much admired by the specialist press: in 1980 the group received an award for best rock album of the year from the West German record critics, coming ahead of Police. In addition to making eight albums with Stormy Six, he recorded a number of works of electronic and experimental music. As musicologist, Fabbri has published on the rapport between music and technology (''Elettronica e musica''); on music as a 360° phenomenon (''Il suono in cui viviamo'', recently reprinted in an expanded version by Arcana Editore); on the analysis of popular song (in ''Fabrizio De André. Accordi eretici'' and ''Mina. Una forza incantatrice'' and in the Einaudi Encyclopedia of music); and on musical genres, published in various books ...
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