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Ukrainian Composer
This is a list of Ukrainian composers of classical music who were either born on the territory of modern-day Ukraine or were ethnically Ukrainian. List by century of birth 15th century 16th century 17th century 18th century 19th century 20th century Notes References Sources Further reading * External links Ukraine: Music– Britannica Free scores by Ukrainian composersat the International Music Score Library Project (IMSLP) Composerslisted in the (Music archive of Boris Tarakanov) (in Russian) in ''Internet Encyclopaedia of Ukraine'' Explore Music by Ukrainian Composersfrom the Boosey & Hawkes Boosey & Hawkes is a British music publisher purported to be the largest specialist classical music publisher in the world. Until 2003, it was also a major manufacturer of brass, string and woodwind musical instruments. Formed in 1930 throu ... website {{DEFAULTSORT:List Of Ukrainian Composers Ukrainian *list Composers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
European Classical Music
Classical music generally refers to the art music of the Western world, considered to be distinct from Western folk music or popular music traditions. It is sometimes distinguished as Western classical music, as the term "classical music" also applies to non-Western art music. Classical music is often characterized by formality and complexity in its musical form and harmonic organization, particularly with the use of polyphony. Since at least the ninth century it has been primarily a written tradition, spawning a sophisticated notational system, as well as accompanying literature in analytical, critical, historiographical, musicological and philosophical practices. A foundational component of Western Culture, classical music is frequently seen from the perspective of individual or groups of composers, whose compositions, personalities and beliefs have fundamentally shaped its history. Rooted in the patronage of churches and royal courts in Western Europe, surviving earl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mykola Markevych
Mykola Markevych ( uk, Микола Андрійович Маркевич; 7 February 1804 – 21 June 1860) was a Ukrainian historian, ethnographer, musician and poet of Ukrainian Cossack descent, who was known as a friend of Alexander Pushkin, Wilhelm Küchelbecker, Anton Delvig and Kondraty Ryleyev. His main work is the '' History of Little Russia'' (in 5 vols.), which was published in Moscow between 1842 and 1843. History Mykola Markevych was born in Dunaiets, Chernigov Governorate, Russian Empire (now located in modern-day Ukraine) on 7 February 1804. He studied at the Saint Petersburg Pedagogical Institute from 1817 to 1820. Then he studied piano and composition in Moscow. He served as an officer in the Russian Imperial army from 1820–1824. Markevych collected many historical materials on Cossack history and Ukrainian folk songs at his estate and around the area of Central Ukraine. He wrote many works on Ukrainian folk customs and beliefs, as well as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mykola Markevych
Mykola Markevych ( uk, Микола Андрійович Маркевич; 7 February 1804 – 21 June 1860) was a Ukrainian historian, ethnographer, musician and poet of Ukrainian Cossack descent, who was known as a friend of Alexander Pushkin, Wilhelm Küchelbecker, Anton Delvig and Kondraty Ryleyev. His main work is the '' History of Little Russia'' (in 5 vols.), which was published in Moscow between 1842 and 1843. History Mykola Markevych was born in Dunaiets, Chernigov Governorate, Russian Empire (now located in modern-day Ukraine) on 7 February 1804. He studied at the Saint Petersburg Pedagogical Institute from 1817 to 1820. Then he studied piano and composition in Moscow. He served as an officer in the Russian Imperial army from 1820–1824. Markevych collected many historical materials on Cossack history and Ukrainian folk songs at his estate and around the area of Central Ukraine. He wrote many works on Ukrainian folk customs and beliefs, as well as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Compositions By Artemy Vedel
Artemy Lukyanovich Vedel ( uk, Ведель Артем Лук'янович; 13 April 176726 July 1808) was a Ukrainian composer of liturgical music, who made an important contribution in the music history of Ukraine. Together with Maxim Berezovsky and Dmitry Bortniansky, Vedel is recognized as one of the 'Golden Three' composers of 18th century Ukrainian classical music, and one of Russia's greatest choral composers. Musicologist Musicology (from Greek μουσική ''mousikē'' 'music' and -λογια ''-logia'', 'domain of study') is the scholarly analysis and research-based study of music. Musicology departments traditionally belong to the humanities, although some mu ...s consider him to the archetypal composer of Ukrainian music from the baroque era. References Sources * * {{DEFAULTSORT:List of Compositions By Artemy Vedel Vedel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artemy Vedel
Artemy Lukyanovich Vedel (russian: Артемий Лукьянович Ведель, uk, Артем Лук'янович Ведель, translit=Artem Lukianovych Vedel; ), born Artemy Lukyanovich Vedelsky, was a Ukrainian-born Russian composer of military and liturgical music. He produced works based on Ukrainian folk melodies, and made an important contribution to the music of Ukraine. Together with Maxim Berezovsky and Dmitry Bortniansky, Vedel is recognised by musicologists as one of the "Golden Three" composers of 18th century Ukrainian classical music, and one of Russia's greatest choral composers. Vedel was born in Kyiv, the son of a wealthy wood carver. He studied at the Kyiv-Mohyla Academy until 1787, after which he was appointed to conduct the academy's choir and orchestra. In 1788 he was sent to Moscow to work for the regional governor, but he returned home in 1791 and resumed his career at the Kyiv-Mohyla Academy. The Imperial Russian Army general Andrei Leva ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harpsichord
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism that plucks one or more strings with a small plectrum made from quill or plastic. The strings are under tension on a soundboard, which is mounted in a wooden case; the soundboard amplifies the vibrations from the strings so that the listeners can hear it. Like a pipe organ, a harpsichord may have more than one keyboard manual, and even a pedal board. Harpsichords may also have stop buttons which add or remove additional octaves. Some harpsichords may have a buff stop, which brings a strip of buff leather or other material in contact with the strings, muting their sound to simulate the sound of a plucked lute. The term denotes the whole family of similar plucked-keyboard instruments, including the smaller virginals, muselar, and spinet. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sinfonia Concertante
Sinfonia concertante (; also called ''symphonie concertante'') is an orchestral work, normally in several movements, in which one or more solo instruments contrast with the full orchestra.Collins: ''Encyclopedia of Music'', William Collins Sons & Company Ltd., 1976 504. o. It emerged as a musical form during the Classical period of Western music from the Baroque concerto grosso. Sinfonia concertante encompasses the symphony and the concerto genres, a concerto in that soloists are on prominent display, and a symphony in that the soloists are nonetheless discernibly a part of the total ensemble and not preeminent. Sinfonia concertante is the ancestor of the double and triple concerti of the Romantic period corresponding approximately to the 19th century. Classical Era In the Baroque period, the differences between a concerto and a ''sinfonia'' (also "symphony") were initially not all that clear. The word ''sinfonia'' would, for example, be used as the name for an overture to a sta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dmytro Bortnyansky
Dmitry Stepanovich Bortniansky ; ; alternative transcriptions of names are ''Dmitri Bortnianskii'', and ''Bortnyansky'', group=n (28 October 1751 – ) was a Russian Imperial composer of Ukrainian Cossack origin. He was a composer, harpsichordist and conductor who served at the court of Catherine the Great. Bortniansky was critical to the musical history of both Ukraine and Russia, with both nations claiming him as their own. Bortniansky, who has been compared to Palestrina, is known today for his liturgical works and prolific contributions to the genre of choral concertos. He was one of the "Golden Three" of his era, alongside Artemy Vedel and Maxim Berezovsky. Bortniansky was so popular in the Russian Empire that his figure was represented in 1862 in the bronze monument of the Millennium of Russia in the Novgorod Kremlin. He composed in many different musical styles, including choral compositions in French, Italian, Latin, German and Church Slavonic. Biography Student Dmi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violin Sonata
A violin sonata is a musical composition for violin, often accompanied by a keyboard instrument and in earlier periods with a bass instrument doubling the keyboard bass line. The violin sonata developed from a simple baroque form with no fixed format to a standardised and complex classical form. Since the romantic age some composers have pushed the boundaries of both the classical format as well as the use of the instruments. The early violin sonata In the earliest violin sonatas a bass instrument and the harpsichord played a simple bass line (continuo) with the harpsichord doubling the bass line and fixed chords while the violin played independently. The music was contrapuntal with no fixed format. Georg Philipp Telemann wrote many such sonatas as did Johann Sebastian Bach. Bach also wrote sonatas with harpsichord obbligato, which freed the keyboard instrument from playing only a bass line accompaniment and allowed in to enhance the part of the soloist. He also wrote sonatas for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movement (music), movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), Brass instrument, brass, Woodwind instrument, woodwind, and Percussion instrument, percussion Musical instrument, instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a Full score, musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Ludwig van Beethoven, Beethoven's Symphony No. 9 (Bee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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