|
UK Funky
UK funky (sometimes known as UKF or funky) is a genre of electronic dance music born in United Kingdom that is heavily influenced by Soca, soulful house, tribal house, UK garage, broken beat and grime. Typically, UK funky blends beats, bass loops and synths with African and Latin percussion in the dembow rhythm and contemporary R&B-style vocals. Characteristics UK funky uses tempos of around 130bpm. Drum patterns vary between tracks, using either " 4 to the floor" or a syncopated style. The drum patterns commonly also include percussion playing African inspired rhythms. Instrumentation varies widely, but drum machines and synthesizers are common. There are similarities to garage in rhythmic, musical and vocal styles. UK funky is highly influenced by the tribal, soulful and bassline house subgenres. Similar genres include Afrobeats, broken beat, electro and garage. History US house producers such as Masters At Work, Karizma (with "Twyst This"), Quentin Harris and Dennis Fer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garage House
Garage house (originally known as "garage"; local terms include "New York house" and New Jersey sound) is a dance music style that was developed alongside Chicago house music. The genre was popular in the 1980s in the United States and the 1990s in the United Kingdom, where it developed into UK garage and speed garage. Characteristics In comparison to other forms of house music, garage includes more gospel-influenced piano riffs and female vocals. It has a more soulful R&B-derived sound than Chicago house. History Garage house was developed in the Paradise Garage nightclub in New York City and Club Zanzibar in Newark, New Jersey, United States, during the early-to-mid 1980s. There was much overlap between it and early house music, making it difficult to tell the two apart. It predates the development of Chicago house, and according to All Music, is relatively closer to disco than other dance styles. As Chicago house gained international popularity, New York's garage music sce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grime (music Genre)
Grime is a genre of electronic music that emerged in London in the early 2000s. It developed out of the earlier UK dance style UK garage, and draws influences from jungle, dancehall, and hip hop. The style is typified by rapid, syncopated breakbeats, generally around 140 beats per minute, and often features an aggressive or jagged electronic sound. Emceeing is a significant element of the style, and lyrics often revolve around gritty depictions of urban life. The style initially spread among pirate radio stations and underground scenes before achieving some mainstream recognition in the UK during the mid-2000s through artists such as Dizzee Rascal, Kano, Lethal Bizzle, and Wiley. In the mid-2010s, grime began to receive popular attention in Canada. The genre has been described as the "most significant musical development within the UK for decades." Grime is generally considered to be distinct from hip hop due to its roots primarily being genres such as UK garage and jungle. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dennis Ferrer
Dennis Ferrer (born December 26 1970) is a New York-based DJ, producer and remixer. He currently resides in Union City, New Jersey. A veteran of soulful house music production, he has worked with the likes of Masters at Work (MAW), Little Louie Vega, the Martinez Brothers and many other notable New York producers and DJs. Ferrer is also the founder of the Objektivity record label. In 2010 He releases his most famous single "Hey Hey" on Defected Records Discography * '' The World as I See It'' (2006) Singles *" Touch The Sky (feat. Mia Tuttaville) (2007) *“Hey Hey” (2010) *"Sunny Days" (feat. Dawn Tallman) (2020) Remixes * 2007 Fish Go Deep - The Cure And The Cause (Dennis Ferrer Remix) * 2008 The Sunburst Band - Journey To The Sun (Dennis Ferrer Remix) * 2008 Don't Believe in Love (Dennis Ferrer Objektivity Mix) (nominated to the Grammy Award for Best Remixed Recording, Non-Classical). * 2012 Nick Curly - Underground (Dennis Ferrer Remix) * 2014 London Grammar - Sights ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quentin Harris
Quentin Harris (born 8 September 1970 in Detroit, Michigan) is a New York City-based house music producer, remixer and DJ. He is active in the gay, underground, and pop-dance music scenes.Interview: Quentin Harris Djhistory.com, interviewed by Bill Brewster and Mark Treadwell in London, February 20, 2010 He is best known for his 2005 club hit ''Let’s Be Young''. Early career Quentin Harris' early influences included DJ , , |
Karizma (musician)
Karizma (born Christopher Clayton on March 28, 1970, in Baltimore, Maryland) is an American electronic musician, DJ and record producer, known for his wide variety of music production in deep house, deep techno, hip hop, jazz, and broken beat. Early career Karizma grew up in Baltimore, United States, and he began to DJ for fashion shows and college parties at age of 13. Karizma and DJ Spen worked on a music production project with a record label, Jasper Street Company, and joined the house-music production group the Basement Boys, and worked on remixes for musicians such as Mary J. Blige, Bob Sinclar, and Lenny Kravitz. In October 1999, Karizma released his first solo work, "The Power E.P." from Black Vinyl Records, while he belong to the Basement Boys. In 2006, Karizma distributed his unreleased track, "Twyst this" to a few contacts including Gilles Peterson. Gilles Peterson introduced it on his radio program, Worldwide on BBC Radio 1, and this track got chart in on top 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masters At Work
Masters at Work is the American garage house production and remix team of "Little" Louie Vega and Kenny "Dope" Gonzalez. The duo has produced music together under the names MAW, KenLou, Sole Fusion, Hardrive, and Nuyorican Soul. They have been referred to as one of the most influential artists in the history of house music. Biography In the late 1980s, Kenny "Dope" Gonzalez organized a series of block parties with his friend Mike Delgado under the name "Masters at Work". Gonzalez loaned the name to Todd Terry for his 1987 singles "Alright Alright" and "Dum Dum Cry", with editing by Mike Delgado and Franklin Martinez. Terry had attended Gonzalez's parties and became influential to him. When Vega was hired to mix one of Terry's freestyles, this eventually led him to meeting Gonzalez. Gonzalez and Vega then started using the name ''Masters at Work'' in 1990. In 1993, the duo also created the Nuyorican Soul moniker, blending their residence in New York City, Puerto Rican heritag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electro (music)
Electro (or electro- funk)Rap meets Techno, with a short history of Electro Globaldarkness.com. Retrieved on July 18, 2011. is a of and early hip hop directly influenced by the use of the Roland TR-808 drum machines, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afrobeats
Afrobeats (not to be confused with Afrobeat or Afroswing), or Afro-pop or Afro-fusion (or Afropop or Afrofusion), is an umbrella term to describe popular music from West Africa and the diaspora that initially developed in Nigeria, Ghana, and the UK in the 2000s and 2010s. Afrobeats is less of a style per se, and more of a descriptor for the fusion of sounds flowing out of Ghana and Nigeria. Genres such as hiplife, jùjú music, highlife and naija beats, among others, were amalgamated under the 'Afrobeats' umbrella. Afrobeats is primarily produced in Lagos, Accra, and London. Historian and cultural critic Paul Gilroy reflects on the changing London music scene as a result of shifting demographics: We are moving towards an African majority which is diverse both in its cultural habits and in its relationship to colonial and postcolonial governance, so the shift away from Caribbean dominance needs to be placed in that setting. Most of the grime folks are African kids, either the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bassline House
Bassline (sometimes referred to as bassline house, organ house, Niche, B-Line, or 4x4) is a music genre related to UK garage that originated in Yorkshire and the Midlands in the early 2000s. Stylistically it comprises a four-to-the-floor rhythm normally at around 135–142 beats per minute and a strong emphasis on bass, similar to that of its precursor speed garage, with chopped up vocal samples and a pop music aesthetic. In the scene's early days the most prominent bassline club was Niche Nightclub in Sheffield, which became the centre of controversy due to a police raid which resulted in the club's closure in 2005. Characteristics Early bassline house Early bassline shares more similarities with its predecessor speed garage than the style that began to emerge in the latter half of the decade, with many people still referring to bassline house releases from the early 2000s as speed garage. This early style grew from the sound that was popular in nightclubs in Yorkshire and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synthesizer
A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II Sound Synthesizer, RCA Mark II, which was controlled with Punched card, punch cards and used hundreds of vacuum tubes. The Moog synthesizer, d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Four On The Floor (music)
Four-on-the-floor (or four-to-the-floor) is a rhythm pattern used primarily in dance genres such as disco and electronic dance music. It is a steady, uniformly accented beat in time in which the bass drum is hit on every beat (1, 2, 3, 4)."The Dance Music Manual: Tools, Toys and Techniques," Rick Snoman (2004) This was popularized in the disco music of the 1970s and the term ''four-on-the-floor'' was widely used in that era, since the beat was played with the pedal-operated, drum-kit bass drum. Four on the floor was common in jazz drumming until bebop styles expanded rhythmic roles beyond the basics in the 1940s. Garage rock bands of the 1960s such as the Troggs and the Seeds used four-on-the-floor on some of their hits. Earl Young is seen as the inventor of the disco style of rock drumming (in Harold Melvin & the Blue Notes's "The Love I Lost" from 1973), as he was the first to make extensive and distinctive use of the hi-hat cymbal throughout the playing time of an R&B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contemporary R&B
Contemporary R&B (or simply R&B) is a popular music genre that combines rhythm and blues with elements of pop, soul, funk, hip hop, and electronic music. The genre features a distinctive record production style, drum machine-backed rhythms, pitch corrected vocals, and a smooth, lush style of vocal arrangement. Electronic influences are becoming an increasing trend and the use of hip hop or dance-inspired beats are typical, although the roughness and grit inherent in hip hop may be reduced and smoothed out. Contemporary R&B vocalists often use melisma, and since the mid-1980s, R&B rhythms have been combined with elements of hip hop culture and music and pop culture and pop music. Pre-history According to Geoffrey Himes speaking in 1989, the progressive soul movement of the early 1970s "expanded the musical and lyrical boundaries of &Bin ways that haven't been equaled since". This movement was led by soul singer-songwriter/producers such as Curtis Mayfield, Marvin Gaye, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Electro (music)")
.png "Click for more on -> Afrobeats")
.jpg "Click for more on -> Contemporary R&B")