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Télémaque (Destouches)
''Télémaque et Calypso'' (''Telemachus and Calypso''), also ''Télémaque'' or rench: ''ou''''Calypso'', is an opera by the French composer André Cardinal Destouches, first performed at the Académie Royale de Musique (the Paris Opera) on 29 November 1714. It takes the form of a '' tragédie en musique'' in a prologue and five acts. The libretto is by Simon-Joseph Pellegrin. The plot is taken from ''Les Aventures de Télémaque'' by François Fénelon, itself adapted from Homer's '' Telemachy'': Telemachus is shipwrecked while searching for his father Ulysses, and resists seduction by the sea-nymph Calypso because of his love for the shepherdess Eucharis. The opera was imitated by a number of other Italian and French versions, including by Alessandro Scarlatti and Carlo Sigismondo Capece Carlo Sigismondo Capece (21 June 1652 in Rome – 12 March 1728 in Polistena) was an Italian dramatist and librettist. Capece was court poet to Queen Maria Casimira of Poland, who was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Calypso (mythology)
In Greek mythology, Calypso (; grc-gre, Καλυψώ, "she who conceals") was a nymph who lived on the island of Ogygia, where, according to Homer's ''Odyssey'', she detained Odysseus for seven years. She promised Odysseus immortality if he would stay with her, but Odysseus preferred to return home. Etymology The name "Calypso" may derive from the Ancient Greek (), meaning "to cover", "to conceal", or "to hide". According to ''Etymologicum Magnum'', her name means "concealing the knowledge" ( grc, καλύπτουσα το διανοούμενον, kalýptousa to dianooúmenon, label=none), which – combined with the Homeric epithet (, meaning "subtle" or "wily") – justifies the reclusive character of Calypso and her island. Family Calypso is generally said to be the daughter of the Titan Atlas. Her mother is mostly unnamed, but Hyginus wrote that it was Pleione, mother of the Pleiades. Hesiod, and the Homeric Hymn to Demeter, mention either a different Calypso or poss ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By André Cardinal Destouches
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1714 Operas
Events January–March * January 21 – After being tricked into deserting a battle against India's Mughal Empire by the rebel Sayyid brothers, Prince Azz-ud-din Mirza is blinded on orders of the Emperor Farrukhsiyar as punishment. * February 7 – The Siege of Tönning (a fortress of the Swedish Empire and now located in Germany in the state of Schleswig-Holstein) ends after almost a year, as Danish forces force the surrender of the remaining 1,600 defenders. The fortress is then leveled by the Danes. * February 28 – (February 17 old style) Russia's Tsar Peter the Great issues a decree requiring compulsory education in mathematics for children of government officials and nobility, applying to children between the ages of 10 and 15 years old. * March 2 – (February 19 old style) The Battle of Storkyro is fought between troops of the Swedish Empire and the Russian Empire, near what is now the village of Napue in Finland. The outnumbered Swedish forces, under the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Sigismondo Capece
Carlo Sigismondo Capece (21 June 1652 in Rome – 12 March 1728 in Polistena) was an Italian dramatist and librettist. Capece was court poet to Queen Maria Casimira of Poland, who was living in exile in Rome, and is best remembered today for the libretto of ''La resurrezione ''La resurrezione'' (''The Resurrection''), HWV 47, is an oratorio by George Frideric Handel, set to a libretto by Carlo Sigismondo Capece (1652–1728). Capece was court poet to Marie Casimire Louise de La Grange d'Arquien, Queen Marie Casimire ...'' (HWV 47, 1708) a sacred oratorio by George Frideric Handel. Robert Ignatius Letellier ''The Bible in Music'' 2017- 1443868485 p 143 "La resurrezione (HWV 47) is a sacred oratorio by George Frideric Handel, set to a libretto by Carlo Sigismondo Capece (1652–1728). Capece was court poet to Queen Maria Casimira of Poland, who was living in exile in Rome." He also provided the Libretto for operas including Domenico Scarlatti's '' Tolomeo e Alessandro'' (1711) a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessandro Scarlatti
Pietro Alessandro Gaspare Scarlatti (2 May 1660 – 22 October 1725) was an Italian Baroque composer, known especially for his operas and chamber cantatas. He is considered the most important representative of the Neapolitan school of opera. Nicknamed by his contemporaries "the Italian Orpheus", he divided his career between Naples and Rome, where he received his training; a significant part of his works was composed for the papal city. He is often considered the founder of the Neapolitan school, although he has only been its most illustrious representative: his contribution, his originality and his influence were essential, as well as lasting, both in Italy and in Europe. Particularly known for his operas, he brought the Italian dramatic tradition to its maximum development, begun by Monteverdi at the beginning of 17th century and continued by Cesti, Cavalli, Carissimi, Legrenzi and Stradella, designing the final form of the ''Da capo aria'', imitated throughout Europe. H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eucharis (fiction)
Eucharis, who does not appear in Greek mythology, was one of the nymph Calypso's attendants in Fénelon's novel ''Les Aventures de Télémaque'' (1699). In Fénelon's modern prose epic, an improvisation upon Homeric themes, Telemachus while searching for his father, Odysseus, has been shipwrecked on Ogygia, Calypso's island, and there has fallen in love with Eucharis but must leave her, dutifully to pursue his quest. Fénelon, in charge of the education of the prospective heir to the French throne, admonished his readers to see the work "not as a frivolous novel, that is offered here, reader, for your idleness, but a learned parable". Its theme of the conflict between duty and love is a persistent one, central in French 17th-century classical theater, but peripheral to the ''Odyssey'' in spite of its erotic episodes. A sub-theme in ''Les Aventures de Télémaque'', that of spiritual education, is summed up within the novel by Mentor, who says, "He who has not felt his weakn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Odysseus
Odysseus ( ; grc-gre, Ὀδυσσεύς, Ὀδυσεύς, OdysseúsOdyseús, ), also known by the Latin variant Ulysses ( , ; lat, UlyssesUlixes), is a legendary Greek king of Ithaca and the hero of Homer's epic poem the ''Odyssey''. Odysseus also plays a key role in Homer's ''Iliad'' and other works in that same epic cycle. Son of Laërtes and Anticlea, husband of Penelope, and father of Telemachus and Acusilaus, Odysseus is renowned for his intellectual brilliance, guile, and versatility (''polytropos''), and is thus known by the epithet Odysseus the Cunning ( grc-gre, μῆτις, mêtis, cunning intelligence). He is most famous for his ''nostos'', or "homecoming", which took him ten eventful years after the decade-long Trojan War. Name, etymology, and epithets The form ''Odys(s)eus'' is used starting in the epic period and through the classical period, but various other forms are also found. In vase inscriptions, we find the variants ''Oliseus'' (), ''Olyseus'' (), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
