Télémaque (Campra)
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Télémaque (Campra)
''Télémaque, ou Les fragments des modernes'' (''Telemachus, or Excerpts from the Moderns'') is an opera by the France, French composer André Campra, first performed at the Académie Royale de Musique (the Paris Opera) on 11 November 1704. It is a ''pasticcio, pastiche'' ''tragédie en musique'' in a prologue and five acts with a libretto by Antoine Danchet. The opera is made up from musical excerpts taken from Campra's previous works and those of other composers. The works used are ''Énée et Lavinie (Collasse), Énée et Lavinie'', ''Astrée (Collasse), Astrée'' and ''Canente (Collasse), Canente'' by Pascal Collasse ; ''Aréthuse'' and ''Le carnaval de Venise'' by Campra; ''Médée (Charpentier), Médée'' by Marc-Antoine Charpentier ; ''Circé (Desmarets), Circé'' et ''Les fêtes galantes'' by Henri Desmarets; ''Ariane et Bacchus'' by Marin Marais; ''Ulysse (Rebel), Ulysse'' by Jean-Féry Rebel. Sources Libretto at "Livres baroques"Félix Clément and Pierre Larousse ''Di ...
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André Campra
André Campra (; baptized 4 December 1660 – 29 June 1744) was a French composer and conductor of the Baroque era. The leading French opera composer in the period between Jean-Baptiste Lully and Jean-Philippe Rameau, Campra wrote several '' tragédies en musique'' and ''opéra-ballets'' that were extremely well received. He also wrote three books of cantatas as well as religious music, including a requiem. Biography Campra was the son of Giovanni Francesco Campra, a surgeon and violinist from Graglia, Italy, and Louise Fabry, from Aix-en-Provence. His father was his first music teacher. He was baptised on 4 December 1660 in the Église de la Madeleine in Aix. He became a choirboy in the Cathédrale Saint-Sauveur there in 1674 and commenced ecclesiastical studies four years later. He was reprimanded by his superiors in 1681 for having taken part in theatrical performances without permission, but was nevertheless made a chaplain on 27 May of that year. He served as ''maître de ...
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Circé (Desmarets)
''Circé'' is an opera composed by Henri Desmarets to a libretto by Louise-Geneviève Gillot de Saintonge and first performed at the Académie Royale de Musique (the Paris Opera) on 1 October 1694. It takes the form of a '' tragédie en musique'' in a prologue and five acts. The piece concerns the sorceress Circe who appears in Greek mythology and in Homer's '' Odyssey''. Louise-Geneviève Gillot de Saintonge The libretto for ''Circé'' was written by Louise Genevieve Gillot de Saintonge (1650–1718) who based it on the Greek mythological character of that name. She also wrote the libretto for the opera '' Didon'', also composed by Desmarets. Henri Desmarets Henri Desmarets (1661–1741) was a French Baroque era composer associated with the court of King Louis XIV. He was considered very talented and became best known for his sacred grand motets. He spent his early years in the shadow of the king's favorite, Lully, and after Lully's death in 1687 composed several successfu ...
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1704 Operas
Seventeen or 17 may refer to: *17 (number), the natural number following 16 and preceding 18 * one of the years 17 BC, AD 17, 1917, 2017 Literature Magazines * ''Seventeen'' (American magazine), an American magazine * ''Seventeen'' (Japanese magazine), a Japanese magazine Novels * ''Seventeen'' (Tarkington novel), a 1916 novel by Booth Tarkington *''Seventeen'' (''Sebuntiin''), a 1961 novel by Kenzaburō Ōe * ''Seventeen'' (Serafin novel), a 2004 novel by Shan Serafin Stage and screen Film * ''Seventeen'' (1916 film), an American silent comedy film *'' Number Seventeen'', a 1932 film directed by Alfred Hitchcock * ''Seventeen'' (1940 film), an American comedy film *'' Eric Soya's '17''' (Danish: ''Sytten''), a 1965 Danish comedy film * ''Seventeen'' (1985 film), a documentary film * ''17 Again'' (film), a 2009 film whose working title was ''17'' * ''Seventeen'' (2019 film), a Spanish drama film Television * ''Seventeen'' (TV drama), a 1994 UK dramatic short starring Chri ...
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Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ...
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Operas By André Campra
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles o ...
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Jean-Féry Rebel
Jean-Féry Rebel (18 April 1666 – 2 January 1747) was an innovative French Baroque composer and violinist. Biography Rebel, a child violin prodigy, was the most famous offspring of Jean Rebel, a tenor in Louis XIV's private chapel. He later became a student of the great violinist, singer, conductor, and composer Jean-Baptiste Lully. By 1699, at age 33, Rebel became first violinist of the Académie royale de musique (also known as the Opéra). He travelled to Spain in 1700. Upon his return to France in 1705, he was given a place in the prestigious ensemble known as the Les Vingt-quatre Violons du Roi. He was chosen Maître de Musique in 1716. His most important position at court was Chamber Composer, receiving the title in 1726. Rebel served as court composer to Louis XIV and ''maître de musique'' at the Académie, and directed the Concert Spirituel (during the 1734–1735 season). Rebel was one of the first French musicians to compose sonatas in the Italian style. Many ...
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Ulysse (Rebel)
''Ulysse'' or ''Ulysse et Pénélope'' (''Ulysses'' or ''Ulysses and Penelope'') is an opera by the French composer Jean-Féry Rebel, first performed at the Académie Royale de Musique (the Paris Opéra) on 21 January 1703. It takes the form of a ''tragédie en musique'' in a prologue and five acts. The libretto is by Guichard. Recording *''Ulysse''. Les Solistes du Marais: Guillemette Laurens, Circé, Stéphanie Révidat, Pénélope, Bertrand Chuberre, Ulysse, Bernard Deletré, Urilas, Howard Crook, Orphée, Euriloque, Céline Ricci, Eugénie Warnier, Vincent Lièvre-Picard, Thomas van Essen, Le Chœur du Marais, La Simphonie du Marais, conducted by Hugo Reyne Hugo Reyne (born in 1961) is a contemporary French recorder player, oboist and conductor. He is the founder and music director of La Simphonie du Marais. Biography Born in Paris, Hugo Reyne began learning the flute and oboe at a very young a .... Recorded 9-10 July 2007. aint-Sulpice-le-Verdon, Vendée Conseil Gén ...
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Marin Marais
Marin Marais (; 31 May 1656, in Paris – 15 August 1728, in Paris) was a French composer and viol player. He studied composition with Jean-Baptiste Lully, often conducting his operas, and with master of the bass viol Monsieur de Sainte-Colombe for six months. In 1676 he was hired as a musician to the royal court of Versailles and was moderately successful there, being appointed in 1679 as ''ordinaire de la chambre du roy pour la viole,'' a title he kept until 1725. He was the father of the composer Roland Marais (c. 1685 – c. 1750). Career Marin Marais was a master of the viol, and the leading French composer of music for the instrument. He wrote five books of '' Pièces de viole'' (1686–1725) for the instrument, generally suites with basso continuo. These were quite popular in the court, and for these he was remembered in later years as he who "founded and firmly established the empire of the viol" ( Hubert Le Blanc, 1740). His other works include a book of ''Pièces en ...
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Ariane Et Bacchus
(''Ariadne and Bacchus'') is an opera by Marin Marais first performed at the Académie Royale de Musique (the Paris Opera The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be ...) on 8 March 1696. It takes the form of a '' tragédie en musique'' in five acts and a prologue. The libretto by Saint-Jean is based on Ovid's '' Metamorphoses'' and deals with the legend of Ariadne. Sources *Félix Clément and Pierre Larousse ''Dictionnaire des Opéras'', Paris, 1881 French-language operas Tragédies en musique Operas by Marin Marais 1696 operas Operas Opera world premieres at the Paris Opera Operas based on Metamorphoses Ariadne {{french-opera-stub ...
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Henri Desmarets
Henri Desmarets (February 1661 – 7 September 1741) was a French composer of the Baroque period primarily known for his stage works, although he also composed sacred music as well as secular cantatas, songs and instrumental works. Biography Early years and first successes Henri Desmarets was born into a modest Paris household in February 1661. His mother, Madeleine ''née'' Frottier, came from a bourgeois Parisian family. His father, Hugues Desmarets was a huissier in the cavalry at the Grand Châtelet. Desmarets' childhood was marked by his father's death when he was eight years old, his mother's subsequent remarriage in 1670, and the death of his two siblings. In 1674, he entered into the service of King Louis XIV as a page and choir singer in the Chapelle Royale (Chapel Royal). According to Duron and Ferraton, he may have also previously sung as a choir boy in Saint-Germain l'Auxerrois which was the parish church of the kings of France. While in the service of the ...
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