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Tyrannick Love
''Tyrannick Love, or The Royal Martyr'' is a tragedy by John Dryden in rhymed couplets, first acted in June 1669, and published in 1670. It is a retelling of the story of Saint Catherine of Alexandria and her martyrdom by the Roman Emperor Maximinus, the "tyrant" of the title, who is enraged at Catherine's refusal to submit to his violent sexual passion. Dryden reportedly wrote the play in only seven weeks. Nell Gwyn played the tyrant's daughter Valeria, and spoke "what must be the most amusing epilogue ever written" (in the words of Maximillian E. Novak, Dryden's modern editor). However, at that time "amusing" meant "thoughtful or thought-provoking" and was therefore very complimentary to both the play and the execution. The modern interpretation of "amusing" undermines the actual reality. When two stagehands came onstage to carry off Valeria's corpse at the play's end, Gwyn jumped up and assumed her genuine identity, though still in costume, to deliver the epilogue. In a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Dryden
'' John Dryden (; – ) was an English poet, literary critic, translator, and playwright who in 1668 was appointed England's first Poet Laureate. He is seen as dominating the literary life of Restoration England to such a point that the period came to be known in literary circles as the Age of Dryden. Romanticist writer Sir Walter Scott called him "Glorious John". Early life Dryden was born in the village rectory of Aldwincle near Thrapston in Northamptonshire, where his maternal grandfather was the rector of All Saints. He was the eldest of fourteen children born to Erasmus Dryden and wife Mary Pickering, paternal grandson of Sir Erasmus Dryden, 1st Barone t (1553–1632), and wife Frances Wilkes, Puritan landowning gentry who supported the Puritan cause and Parliament. He was a second cousin once removed of Jonathan Swift. As a boy, Dryden lived in the nearby village of Titchmarsh, where it is likely that he received his first education. In 1644 he was sent to Westminst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Hart (17th-century Actor)
Charles Hart (bap. 1625 – 18 August 1683) was a prominent British Restoration actor. A Charles Hart was christened on 11 December 1625, in the parish of St. Giles Cripplegate, in London. It is not absolutely certain that this was the actor, though the name was not common at the time.. He was most likely the son of William Hart, a minor actor with the King's Men. Hart began his career as a boy player with the King's Men; he was an apprentice of Richard Robinson, longtime member of that company. Hart established his reputation by playing the role of the Duchess in ''The Cardinal,'' the tragedy by James Shirley, in 1641. Wright says in Historia histrionica that:"Hart and Clun, were bred up Boys at the Blackfriers; and Acted Womens Parts, Hart was ichardRobinson's Boy or Apprentice: He Acted the Dutchess in the Tragedy of the Cardinal, which was the first Part that gave him Reputation." He served as a soldier in the English Civil War, and was an officer in Prince Rupert's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English Restoration Plays
English usually refers to: * English language * English people English may also refer to: Peoples, culture, and language * ''English'', an adjective for something of, from, or related to England ** English national identity, an identity and common culture ** English language in England, a variant of the English language spoken in England * English languages (other) * English studies, the study of English language and literature * ''English'', an Amish term for non-Amish, regardless of ethnicity Individuals * English (surname), a list of notable people with the surname ''English'' * People with the given name ** English McConnell (1882–1928), Irish footballer ** English Fisher (1928–2011), American boxing coach ** English Gardner (b. 1992), American track and field sprinter Places United States * English, Indiana, a town * English, Kentucky, an unincorporated community * English, Brazoria County, Texas, an unincorporated community * Engli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duke Of Monmouth
Duke is a male title either of a monarch ruling over a duchy, or of a member of royalty, or nobility. As rulers, dukes are ranked below emperors, kings, grand princes, grand dukes, and sovereign princes. As royalty or nobility, they are ranked below princess nobility and grand dukes. The title comes from French ''duc'', itself from the Latin ''dux'', 'leader', a term used in republican Rome to refer to a military commander without an official rank (particularly one of Germanic or Celtic origin), and later coming to mean the leading military commander of a province. In most countries, the word ''duchess'' is the female equivalent. Following the reforms of the emperor Diocletian (which separated the civilian and military administrations of the Roman provinces), a ''dux'' became the military commander in each province. The title ''dux'', Hellenised to ''doux'', survived in the Eastern Roman Empire where it continued in several contexts, signifying a rank equivalent to a captain o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary Knep
Mary Knep (died 1681), also Knepp, Nepp, Knip, or Knipp, was an English actress and one of the first generation of female performers to appear on the public stage during the Restoration era. Acting career Knep was primarily a singer and dancer, but "developed into a first-rate actress". She began her career with the King's Company, which was under the management of Thomas Killigrew. She made her debut in the title role of Jonson's ''Epicene'' on 1 June 1664. Before this, she had been cast as Lucetta in Killigrew's 1664 planned production of his ''Thomaso'', with an all-female cast, but this had been cancelled before completion. Knep played major and minor roles in a range of productions of the 1660s and 1670s, including: * the Widow in Beaumont and Fletcher's ''The Scornful Lady'', 1666 * Guiomar in Fletcher and Massinger's '' The Custom of the Country'', 1667 * Alibech in Dryden's '' The Indian Emperour'', the 1667 revival * Asteria in Dryden's '' The Maiden Queen'', 1667 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Kynaston (actor)
Edward Kynaston (c. 1640 – January 1706) was an English actor, one of the last Restoration "boy players", young male actors who played women's roles. Career Kynaston was good looking and made a convincing woman: Samuel Pepys called him "the loveliest lady that ever I saw in my life" after seeing him in a production of John Fletcher's ''The Loyal Subject'' at the Cockpit-in-Court, "only her voice snot very good". He also played the title role in Ben Jonson's '' Epicoene''. Pepys had dinner with Kynaston after this production on 18 August 1660. Simultaneously, Kynaston played male roles as well. He filled the role of Otto in ''Rollo Duke of Normandy'' on 6 December 1660, having played the female role of Arthiope in the same play in previous weeks. On 7 January 1661, Kynaston played three roles in a performance of Jonson's '' Epicoene'', one female and two male. Part of Kynaston's appeal may have been his ambiguous sexuality. The actor Colley Cibber recalled: "the Ladies of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elizabeth James
Elizabeth James was an English stage actress of the seventeenth century. She was a member of the King's Company, based at the Theatre Royal, Drury Lane. Several of her known performances were in the premieres of work by John Dryden. She also featured in the debut of William Wycherley's '' The Country Wife'' in 1675. Her last known stage role was in 1676, although it appears she was still in the public eye more than a decade later.Highfill, Burnim & Langhans p.130-131 Selected roles * Damilcar in '' Tyrannick Love'' by John Dryden (1669) * Isabella in ''The Conquest of Granada'' by John Dryden (1670) * Alleria in '' The Generous Enemies'' by John Corye (1671) * Isabel in '' Love in a Wood'' by William Wycherley (1671) * Amalthea in '' Marriage à la mode'' by John Dryden (1672) * Sophronia in ''The Assignation'' by John Dryden (1672) * Julia in '' Amboyna'' by John Dryden (1673) * Arabella in ''The Amorous Old Woman'' by Thomas Duffett (1674) * Bianca in '' Othello'' by William Sha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Bell (actor)
Richard Bell (died 1672) was an English stage actor. He joined the King's Company based at the Theatre Royal, Drury Lane in 1668. Considered a promising actor he appeared in the premieres of two plays by John Dryden and William Wycherley's debut '' Love in a Wood''. His career was cut short when he was killed in a fire that destroyed the Drury Lane theatre in January 1672. A planned role for him in Wycherley's new play ''The Gentleman Dancing Master'' had to be cut.McCarthy p.49 Selected roles * Frapolo in '' The Sisters'' by James Shirley (1668) * Christophero in ''The Island Princess'' by John Fletcher (1668) *Amariel in '' Tyrannick Love'' by John Dryden (1669) * Honorius in '' The Roman Empress'' by William Joyner (1670) * Duke of Arcos in ''The Conquest of Granada'' by John Dryden (1670) * Sanco in '' The Generous Enemies'' by John Corye (1671) * Vincent in '' Love in a Wood'' by William Wycherley (1671) * Julius Caesar in ''Julius Caesar'' by William Shakespeare Wil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Beeston
William Beeston (1606? – 1682) was an English actor and theatre manager, the son and successor to the more famous Christopher Beeston. Early phase William was brought up in the theatrical world of his father; he became an actor, and also his father's assistant in managing the Cockpit and Red Bull theatres and their associated companies of actors, including the company of younger players colloquially known as Beeston's Boys. Upon his father's death in 1638, William Beeston inherited their theatrical enterprise – though he managed it with much less success than his father had. On 5 May 1640 he was thrown into the Marshalsea Prison for a Beeston's Boys' play, acted the day before, that gave offence to Sir Henry Herbert, the Master of the Revels. The play was most likely ''The Court Beggar'' by Richard Brome, which satirized several members of Queen Henrietta Maria's circle of favourites, including Sir John Suckling and Sir William Davenant (though Brome's ''The Queen and Co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Lydall
Edward Lydall was an English stage actor of the seventeenth century. He was a member of the King's Company at the Theatre Royal, Drury Lane.Wilson p.34 His first known performance was in 1668. He generally played supporting roles. His surname is sometimes written as Lidell. Selected roles * Don Melchor de Guzman in ''An Evening's Love'' by John Dryden (1668) * Valerius in '' Tyrannick Love'' by John Dryden (1669) * Statilius in '' The Roman Empress'' by William Joyner (1670) * Prince Abdalla in ''The Conquest of Granada'' by John Dryden (1670) * Signor Cassidoro in ''The Generous Enemies'' by John Corye (1671) * Argaleon in '' Marriage à la mode'' by John Dryden (1672) * Collins in '' Amboyna'' by John Dryden (1673) * Don Alonzo in ''The Spanish Rogue'' by Thomas Duffett (1673) * Piso in ''Nero'' by Nathaniel Lee (1674) * Lelius in ''Sophonisba'' by Nathaniel Lee (1675) * Apollo in ''Psyche Debauched'' by Thomas Duffet (1675) * Loredano in '' Love in the Dark'' by Francis Fane ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Cartwright (actor)
William Cartwright (died 17 December 1686) was an English actor of the seventeenth century, whose career spanned the Caroline era to the Restoration. He is sometimes known as William Cartwright, Junior or William Cartwright the younger to distinguish him from his father, another William Cartwright ( fl. 1598 – 1636), an actor of the previous generation. Early career William Cartwright the younger was about eighty years old when he died; he was therefore born around 1606 or 1607. Nothing is known of his early life; it is reasonable to assume that he began his stage career under his father's tutelage. He was included with his father on a 1635 list of actors; apparently they both belonged to the King's Revels Men at that time. James Wright's ''Historia Histrionica'' ( 1699) maintains that the younger Cartwright was associated with the Salisbury Court Theatre — which may refer to his time with his father's troupe, or may indicate that he was with Queen Henrietta's Men in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rebecca Marshall
Rebecca Marshall ( fl. 1663 – 1677) was a noted English actress of the Restoration era, one of the first generation of women performers on the public stage in Britain. She was the younger sister of Anne Marshall, another prominent actress of the period. The younger Marshall sister began acting with the King's Company, under the management of Thomas Killigrew, around 1663; she remained with that troupe for her full career, except for a final year with the rival Duke's Company in 1677. She acted with her sister Anne at least once, in John Dryden's ''The Maiden Queen'' in 1664; Anne played Candiope, and Rebecca played the Queen. When her older sister retired from the stage (temporarily) in 1668, Rebecca inherited several of her roles, as Aurelia in Dryden's ''An Evening's Love'' and Nourmahal in ''Aureng-zebe''; she may also have inherited the part of Evadne in Beaumont and Fletcher's ''The Maid's Tragedy''. Rebecca Marshall's other roles were: * Calpurnia in Shakespeare's ''Ju ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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