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Two Nudes In An Exotic Landscape (Metzinger)
''Baigneuses: Deux nus dans un paysage exotique'' (also called ''Bañistas: dos desnudos en un paisaje exótico'' and ''Bathers: Two Nudes in an Exotic Landscape'') is an oil painting created circa 1905 by the French artist and theorist Jean Metzinger (1883–1956). ''Two Nudes in an Exotic Landscape'' is a Proto-Cubist work executed in a highly personal Divisionist style during the height of the Fauve period. The painting is now in the Carmen Thyssen-Bornemisza Collection, Spain ( Colección Carmen Thyssen-Bornemisza). Description ''Two Nudes in an Exotic Landscape'' is an oil painting on canvas with dimensions 116 x 88.8 cm (45 3/8 by 35 in), signed ''Metzinger'' (lower right). The work—consistent in style with other works by Metzinger created circa 1905–1906, such as '' Femme au Chapeau (Woman with a Hat)''—represents two nude women, one seen from the rear and the other from a more frontal position, in a lush, tropical, or subtropical setting. The landscape conta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Metzinger
Jean Dominique Antony Metzinger (; 24 June 1883 – 3 November 1956) was a major 20th-century French painter, theorist, writer, critic and poet, who along with Albert Gleizes wrote the first theoretical work on Cubism. His earliest works, from 1900 to 1904, were influenced by the neo-Impressionism of Georges Seurat and Henri-Edmond Cross. Between 1904 and 1907 Metzinger worked in the Divisionist and Fauvist styles with a strong Paul Cézanne, Cézannian component, leading to some of the first Proto-Cubism, proto-Cubist works. From 1908 Metzinger experimented with the faceting of form, a style that would soon become known as Cubism. His early involvement in Cubism saw him both as an influential artist and an important theorist of the movement. The idea of moving around an object in order to see it from different view-points is treated, for the first time, in Metzinger's ''Note sur la Peinture'', published in 1910.Jean Metzinger, October–November 1910, "Note sur la peinture" Pan: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neo-Impressionism
Neo-Impressionism is a term coined by French art critic Félix Fénéon in 1886 to describe an art movement founded by Georges Seurat. Seurat's most renowned masterpiece, ''A Sunday Afternoon on the Island of La Grande Jatte'', marked the beginning of this movement when it first made its appearance at an exhibition of the Société des Artistes Indépendants (Salon des Indépendants) in Paris. Around this time, the peak of France's modern era emerged and many painters were in search of new methods. Followers of Neo-Impressionism, in particular, were drawn to modern urban scenes as well as landscapes and seashores. Science-based interpretation of lines and colors influenced Neo-Impressionists' characterization of their own contemporary art. The Pointillism, Pointillist and Divisionism, Divisionist techniques are often mentioned in this context, because they were the dominant techniques in the beginning of the Neo-impressionist movement. Some argue that Neo-Impressionism became the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Delaunay
Robert Delaunay (12 April 1885 – 25 October 1941) was a French artist who, with his wife Sonia Delaunay and others, co-founded the Orphism art movement, noted for its use of strong colours and geometric shapes. His later works were more abstract. His key influence related to bold use of colour and a clear love of experimentation with both depth and tone. Overview Delaunay is most closely identified with Orphism. From 1912 to 1914, he painted nonfigurative paintings based on the optical characteristics of brilliant colors that were so dynamic they would function as the form. His theories are mostly concerned with color and light and influenced many, including Stanton Macdonald-Wright, Morgan Russell, Patrick Henry Bruce, Der Blaue Reiter, August Macke, Franz Marc, Paul Klee, and Lyonel Feininger. Art Critic Guillaume Apollinaire was strongly influenced by Delaunay's theories of color and often quoted from them to explain Orphism, which he had named. Delaunay's fixations w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bilateral Symmetry
Symmetry in biology refers to the symmetry observed in organisms, including plants, animals, fungi, and bacteria. External symmetry can be easily seen by just looking at an organism. For example, take the face of a human being which has a plane of symmetry down its centre, or a pine cone with a clear symmetrical spiral pattern. Internal features can also show symmetry, for example the tubes in the human body (responsible for transporting gases, nutrients, and waste products) which are cylindrical and have several planes of symmetry. Biological symmetry can be thought of as a balanced distribution of duplicate body parts or shapes within the body of an organism. Importantly, unlike in mathematics, symmetry in biology is always approximate. For example, plant leaves – while considered symmetrical – rarely match up exactly when folded in half. Symmetry is one class of patterns in nature whereby there is near-repetition of the pattern element, either by reflection or rotation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gino Severini
Gino Severini (7 April 1883 – 26 February 1966) was an Italian Painting, painter and a leading member of the Futurism (art), Futurist movement. For much of his life he divided his time between Paris and Rome. He was associated with neo-classicism and the "return to order" in the decade after the First World War. During his career he worked in a variety of media, including mosaic and fresco. He showed his work at major exhibitions, including the Rome Quadrennial, and won art prizes from major institutions. Early life Severini was born into a poor family in Cortona, Italy. His father was a junior court official and his mother a dressmaker. He studied at the Scuola Tecnica in Cortona until the age of fifteen, when he and a group of fellow-classmates were expelled from the entire Italian school system for the attempted theft of exam papers. The boys escaped a custodial sentence but Severini never again attended formal education. For a while he worked with his father; then in 1899 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
