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Twist (dance)
The twist is a dance that was inspired by rock and roll music. From 1959 to the early sixties it became a worldwide dance craze, enjoying immense popularity while drawing controversies from critics who felt it was too provocative. It inspired dances such as the Jerk, the Pony, the Watusi, the Mashed Potato, the Monkey, and the Funky Chicken, but none were as popular. Having seen teenagers in Tampa, Florida doing the dance, Hank Ballard wrote " The Twist", which became the B-side of Hank Ballard and The Midnighters' 1959 single "Teardrops on Your Letter". Dick Clark, having noticed the dance becoming popular among teenagers, recommended to Cameo Records that the more wholesome Chubby Checker rerecord the song, which was released in 1959 and became a number one hit in 1960. The dance became passé among teenagers as it became acceptable among adults and the song was re-released, becoming a number one hit again in 1962. A world record was set in DeLand, Florida, on October 11, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bundesarchiv Bild 183-C0517-0010-005, Berlin, Deutschlandtreffen, Tanzende Jugendliche
, type = Archive , seal = , seal_size = , seal_caption = , seal_alt = , logo = Bundesarchiv-Logo.svg , logo_size = , logo_caption = , logo_alt = , image = Bundesarchiv Koblenz.jpg , image_caption = The Federal Archives in Koblenz , image_alt = , formed = , preceding1 = , preceding2 = , dissolved = , superseding1 = , superseding2 = , agency_type = , jurisdiction = , status = Active , headquarters = PotsdamerStraße156075Koblenz , coordinates = , motto = , employees = , budget = million () , chief1_name = Michael Hollmann , chief1_position = President of the Federal Archives , chief2_name = Dr. Andrea Hänger , chief2_position ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chubby Checker
Chubby Checker (born Ernest Evans; October 3, 1941) is an American rock and roll singer and dancer. He is widely known for popularizing many dance styles, including The Twist dance style, with his 1960 hit cover of Hank Ballard & The Midnighters' R&B song " The Twist", and the Pony dance style with the 1961 cover of the song "Pony Time". His biggest UK hit, "Let's Twist Again", was released one year later (in 1962); that year, he also popularized the song "Limbo Rock", originally a previous-year instrumental hit by the Champs to which he added lyrics, and its trademark Limbo dance, as well as other dance styles such as The Fly. In September 2008, "The Twist" topped '' Billboard''s list of the most popular singles to have appeared in the Hot 100 since its debut in 1960, an honor it maintained for an August 2013 update of the list. Early life Checker was born Ernest Evans in Spring Gully, South Carolina. He was raised in the projects of South Philadelphia, where he lived with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clyde McPhatter
Clyde Lensley McPhatter (November 15, 1932 – June 13, 1972) was an American rhythm and blues, soul, and rock and roll singer. He was one of the most widely imitated R&B singers of the 1950s and early 1960sPalmer, Robert (1981)"Roy Brown, a Pioneer Rock Singer" ''The New York Times'', May 26, 1981. and was a key figure in the shaping of doo-wop and R&B. McPhatter's high-pitched tenor voice was steeped in the gospel music he sang in much of his early life. He was the lead tenor of the Mount Lebanon Singers, a gospel group he formed as a teenager.Shaw, Arnold (1978). ''Honkers and Shouters: The Golden Years of Rhythm and Blues''. Reprint edition (March 1, 1986); / New York: Crowell-Collier Press. pg. 381. He was later the lead tenor of Billy Ward and his Dominoes and was largely responsible for the initial success of the group. After his tenure with the Dominoes, McPhatter formed his own group, the Drifters, and later worked as a solo performer. Only 39 at the time of his death ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Levee
A levee (), dike (American English), dyke (English in the Commonwealth of Nations, Commonwealth English), embankment, floodbank, or stop bank is a structure that is usually soil, earthen and that often runs parallel (geometry), parallel to the course of a river in its floodplain or along low-lying coastlines. The purpose of a levee is to keep the course of rivers from changing and to protect against flooding of the area adjoining the river or coast. Levees can be naturally occurring ridge structures that form next to the bank of a river, or be an artificially constructed fill dirt, fill or wall that regulates water levels. Ancient civilizations in the Indus Valley civilisation, Indus Valley, ancient Egypt, Mesopotamia and China all built levees. Today, levees can be found around the world, and failures of levees due to erosion or other causes can be major disasters. Etymology Speakers of American English (notably in the Midwestern United States, Midwest and Deep South) u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jelly Roll Morton
Ferdinand Joseph LaMothe (later Morton; c. September 20, 1890 – July 10, 1941), known professionally as Jelly Roll Morton, was an American ragtime and jazz pianist, bandleader, and composer. Morton was jazz's first arranger, proving that a genre rooted in improvisation could retain its essential characteristics when notated. His composition "Jelly Roll Blues", published in 1915, was one of the first published jazz compositions. He also claimed to have invented the genre. Morton also wrote "King Porter Stomp", "Wolverine Blues", "Black Bottom Stomp", and "I Thought I Heard Buddy Bolden Say", the last being a tribute to New Orleans musicians from the turn of the 20th century. Morton's claim to have invented jazz in 1902 was criticized. Music critic Scott Yanow wrote, "Jelly Roll Morton did himself a lot of harm posthumously by exaggerating his worth...Morton's accomplishments as an early innovator are so vast that he did not really need to stretch the truth." Gunther Schuller ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bo Carter
Armenter (or Armentia) Chatmon (March 21, 1893 or January 1894 – September 21, 1964), known as Bo Carter, was an early American blues musician. He was a member of the Mississippi Sheiks in concerts and on a few of their recordings. He also managed that group, which included his brothers Lonnie Chatmon on fiddle and, occasionally, Sam Chatmon on bass, and their friend Walter Vinson on guitar and lead vocals. Career Since the 1960s, Carter has become best known for his bawdy songs, such as "Let Me Roll Your Lemon", "Banana in Your Fruit Basket", "Pin in Your Cushion", "Your Biscuits Are Big Enough for Me", "Please Warm My Wiener" and "My Pencil Won't Write No More". However, his output was not limited to dirty blues. In 1928, he recorded the original version of "Corrine, Corrina", which later became a hit for Big Joe Turner and has become a standard in various musical genres. Carter and his brothers (including the pianist Harry Chatmon, who also made recordings) first lear ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perry Bradford
Perry Bradford (February 14, 1893, Montgomery, Alabama – April 20, 1970, New York City) was an American composer, songwriter, and vaudeville performer. His most notable songs included "Crazy Blues," "That Thing Called Love," and "You Can't Keep A Good Man Down." He was nicknamed "Mule" because of his stubbornness, and he is credited with finally persuading Okeh Records to work with Mamie Smith leading to her historic blues recording in 1920. Biography Bradford grew up in Atlanta, where his family moved when he was six, and in 1906 started working in minstrel shows. He played in Chicago as a solo pianist as early as 1909 and visited New York City the following year. Through extensive experience with traveling minstrel shows and theatre companies, Bradford obtained exposure to African-American folksongs. Bradford broke down walls of racial prejudice that had kept African-American singers from recording. Prior to Bradford's influence, African-American artists recorded in a styl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mess Around
The "Mess Around" is a song written by Ahmet Ertegun, co-founder and then-vice-president of Atlantic Records, under the pseudonym of A. Nugetre, or "Nuggy". It was performed by Ray Charles, and was one of Charles's first hits. Origins and composition Ertegun claimed his inspiration for writing the "Mess Around" was stride pianist Pete Johnson. Earlier versions of the tune's New Orleans boogie piano riff can be heard in songs from the early 1930s and 1940s, with perhaps the earliest example being Charles "Cow Cow" Davenport's "Cow Cow Blues" from 1928. Dr. John also spoke about the origin of this tune on his ''Dr John Teaches New Orleans Piano'' series of DVDs. The song's lyrics urge listeners to dance ("everybody do the Mess Around"), along with a few other key phrases, notably "see that girl with the red dress on", harkening back to "Pinetop's Boogie Woogie", Pinetop Smith's early boogie-woogie classic. Release "Mess Around" became a big R&B charted hit when released as a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joel Walker Sweeney
Joel Walker Sweeney (1810 – October 29, 1860), also known as Joe Sweeney, was an American musician and early blackface minstrel performer. He is known for popularizing the playing of the banjo and has often been credited with advancing the physical development of the modern five-string banjo. Biography Born to a farming family in Appomattox County, Virginia, he claimed to have learned to play the banjo from local enslaved Africans. He is the earliest known person to have played the banjo on stage. Aside from his important role in popularizing the instrument, he has often been credited with advancing the physical development of the modern five-string banjo. Whereas the instrument's resonating chamber had formerly been constructed from a gourd (like the banjo's African ancestors and cousins), Sweeney popularized the use of a drum-like resonating chamber (legend has it that he adapted a cheese box for this purpose). He has also been credited with adding the banjo's fifth string, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Banjo
The banjo is a stringed instrument with a thin membrane stretched over a frame or cavity to form a resonator. The membrane is typically circular, and usually made of plastic, or occasionally animal skin. Early forms of the instrument were fashioned by African Americans in the United States. The banjo is frequently associated with folk, bluegrass and country music, and has also been used in some rock, pop and hip-hop. Several rock bands, such as the Eagles, Led Zeppelin, and the Grateful Dead, have used the five-string banjo in some of their songs. Historically, the banjo occupied a central place in Black American traditional music and the folk culture of rural whites before entering the mainstream via the minstrel shows of the 19th century. Along with the fiddle, the banjo is a mainstay of American styles of music, such as bluegrass and old-time music. It is also very frequently used in Dixieland jazz, as well as in Caribbean genres like biguine, calypso and mento. Histo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minstrel Show
The minstrel show, also called minstrelsy, was an American form of racist theatrical entertainment developed in the early 19th century. Each show consisted of comic skits, variety acts, dancing, and music performances that depicted people specifically of African descent. The shows were performed by mostly white people wearing blackface make-up for the purpose of playing the role of black people. There were also some African-American performers and black-only minstrel groups that formed and toured. Minstrel shows caricatured black people as dim-witted, lazy, buffoonish, superstitious, and happy-go-lucky.The Coon Character , Jim Crow Museum of Racist Memorabilia, Ferris State University. Retrieved 29 January 2016.John Kenrick [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blackface
Blackface is a form of theatrical makeup used predominantly by non-Black people to portray a caricature of a Black person. In the United States, the practice became common during the 19th century and contributed to the spread of racial stereotypes such as the "happy-go-lucky darky on the plantation" or the " dandified coon". By the middle of the century, blackface minstrel shows had become a distinctive American artform, translating formal works such as opera into popular terms for a general audience. Early in the 20th century, blackface branched off from the minstrel show and became a form in its own right. In the United States, blackface declined in popularity beginning in the 1940s and into the civil rights movement of the 1950s and 1960s,Clark, Alexis.How the History of Blackface Is Rooted in Racism. ''History''. A&E Television Networks, LLC. 2019. and was generally considered highly offensive, disrespectful, and racist by the turn of the 21st century, though the practice ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
