Twenty Variations In G Major (Haydn)
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Twenty Variations In G Major (Haydn)
Twenty Variations in G major, Hob. XVII/2, was written in the 1760s by Joseph Haydn. In 1788/1789, Artaria published the ''Arietta con 12 Variazioni in A major'' (Twelve Variations in A major), which is an abridged version of the Twenty Variations in G major, and in a different key. History There are two versions of these variations: Twenty Variations in G major and a shorter piece, Twelve Variations in A major, and are both referred to as Hob. XVII/2. This is due to the fact that Haydn wrote the Twenty Variations in 1765, but since he was in the employment of the Esterházy family at the time, he was not the owner of the music that he wrote, and consequently was not able to have his pieces published (this situation persisted to 1779, when his contract was revised to let Haydn publish.) In 1788, Artaria published the Twenty Variations in G major as "Twelve Variations in A major". They have the same theme but differ in the number of variations. Both pieces are still performed; fo ...
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Hoboken-Verzeichnis
The Hoboken catalogue is a catalogue of the musical compositions by Joseph Haydn compiled by Anthony van Hoboken. It is intended to cover the composer's entire oeuvre and includes over 750 entries. Its full title in the original German is ''Joseph Haydn, Thematisch-bibliographisches Werkverzeichnis'' ("Joseph Haydn, thematic-bibliographic catalogue of works"). The Haydn catalogue that now bears Hoboken's name was begun in card format in 1934; work continued until the publication of the third and final book volume in 1978. Works by Haydn are often indicated using their Hoboken catalogue number, typically in the format "Violin Concerto No. 1 (Haydn), Violin Concerto No. 1 in C major, Hob. VIIa:1". The catalogue The catalogue is a massive work; a currently available version runs to 1936 pages. Each work is given with an identifying incipit, printed on a single musical line. There is discussion of manuscript sources, early editions, listing in previous catalogues (including the two Hay ...
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Tuplet
In music, a tuplet (also irrational rhythm or groupings, artificial division or groupings, abnormal divisions, irregular rhythm, gruppetto, extra-metric groupings, or, rarely, contrametric rhythm) is "any rhythm that involves dividing the beat into a different number of equal subdivisions from that usually permitted by the time-signature (e.g., triplets, duplets, etc.)" This is indicated by a number, or sometimes two indicating the fraction involved. The notes involved are also often grouped with a bracket or (in older notation) a slur. The most common type of tuplet is the triplet. Terminology The modern term 'tuplet' comes from a rebracketing of compound words like quintu(s)-(u)plet and sextu(s)-(u)plet, and from related mathematical terms such as "tuple", "-uplet" and "-plet", which are used to form terms denoting multiplets (''Oxford English Dictionary'', entries "multiplet", "-plet, ''comb. form''", "-let, ''suffix''", and "-et, ''suffix''1"). An alternative modern term, ...
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Compositions For Solo Piano
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters * Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker * Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungaria ...
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Variations
Variation or Variations may refer to: Science and mathematics * Variation (astronomy), any perturbation of the mean motion or orbit of a planet or satellite, particularly of the moon * Genetic variation, the difference in DNA among individuals or the differences between populations ** Human genetic variation, genetic differences in and among populations of humans * Magnetic variation, difference between magnetic north and true north, measured as an angle * ''p''-variation in mathematical analysis, a family of seminorms of functions * Coefficient of variation in probability theory and statistics, a standardized measure of dispersion of a probability distribution or frequency distribution * Total variation in mathematical analysis, a way of quantifying the change in a function over a subset of \mathbb^n or a measure space * Calculus of variations in mathematical analysis, a method of finding maxima and minima of functionals Arts * Variation (ballet) or pas seul, solo dance or ...
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Compositions By Joseph Haydn
Composition or Compositions may refer to: Arts and literature * Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation * Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters * Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker * Digital compositing, the practice of digitally piecing together a video Computer science * Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History * Composition of 1867, Austro-Hung ...
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Short Octave
The short octave was a method of assigning notes to keys in early keyboard instruments (harpsichord, clavichord, organ), for the purpose of giving the instrument an extended range in the bass range. The rationale behind this system was that the low notes F and G are seldom needed in early music. Deep bass notes typically form the root of the chord, and F and G chords were seldom used at this time. In contrast, low C and D, both roots of very common chords, are sorely missed if a harpsichord with lowest key E is tuned to match the keyboard layout. A closely related system, the broken octave, added more notes by using split keys: the front part and the back part of the (visible) key controlled separate levers and hence separate notes. Short octave First type In one variant of the short octave system, the lowest note on the keyboard was nominally E, but the pitch to which it was tuned was actually C. Nominal F was tuned to D, and nominal G was tuned to E. Thus, in playing the keys: ...
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Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert of ...
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French Overture
The French overture is a musical form widely used in the Baroque period. Its basic formal division is into two parts, which are usually enclosed by double bars and repeat signs. They are complementary in style (slow in dotted rhythms and fast in fugal style), and the first ends with a half-cadence (i.e., on a dominant harmony) that requires an answering structure with a tonic ending. The second section often but not always ends with a brief recollection of the first, sometimes even repeating some of its melodic content. The form is first encountered in Jean-Baptiste Lully's ballet overtures from the 1650s. Later examples can be found as the opening movement of each of Johann Sebastian Bach's orchestral suites, Partita in D major, BWV 828, C minor Cello Suite, BWV 1011, and as an opening to many operas and oratorios by George Frideric Handel (including ''Messiah'' and ''Giulio Cesare''). The 16th of Bach's ''Goldberg Variations'' is a miniature French overture. The French overtur ...
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Allegretto
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often indi ...
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Joseph Haydn
Franz Joseph Haydn ( , ; 31 March 173231 May 1809) was an Austrian composer of the Classical period (music), Classical period. He was instrumental in the development of chamber music such as the string quartet and piano trio. His contributions to musical form have led him to be called "Father of the Symphony" and "Father of the String quartet, String Quartet". Haydn spent much of his career as a court musician for the wealthy Esterházy family at their Eszterháza Castle. Until the later part of his life, this isolated him from other composers and trends in music so that he was, as he put it, "forced to become original". Yet his music circulated widely, and for much of his career he was the most celebrated composer in Europe. He was Haydn and Mozart, a friend and mentor of Mozart, Beethoven and his contemporaries#Joseph Haydn, a tutor of Beethoven, and the elder brother of composer Michael Haydn. Biography Early life Joseph Haydn was born in Rohrau, Austria, Rohrau, Habsburg ...
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Harpsichord
A harpsichord ( it, clavicembalo; french: clavecin; german: Cembalo; es, clavecín; pt, cravo; nl, klavecimbel; pl, klawesyn) is a musical instrument played by means of a keyboard. This activates a row of levers that turn a trigger mechanism that plucks one or more strings with a small plectrum made from quill or plastic. The strings are under tension on a soundboard, which is mounted in a wooden case; the soundboard amplifies the vibrations from the strings so that the listeners can hear it. Like a pipe organ, a harpsichord may have more than one keyboard manual, and even a pedal board. Harpsichords may also have stop buttons which add or remove additional octaves. Some harpsichords may have a buff stop, which brings a strip of buff leather or other material in contact with the strings, muting their sound to simulate the sound of a plucked lute. The term denotes the whole family of similar plucked-keyboard instruments, including the smaller virginals, muselar, and spinet. ...
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