|
Tutinama
Tutinama (), literal meaning "Tales of a Parrot", is a 14th-century series of 52 stories in Persian. The work remains well-known largely because of a number of lavishly illustrated manuscripts, especially a version containing 250 miniature paintings was commissioned by the Mughal Emperor, Akbar in the 1550s. The Persian text used was edited in 14th century AD from an earlier anthology ‘Seventy Tales of the Parrot’ in Sanskrit compiled under the title Śukasaptati (a part of ''katha'' literature) dated to the 12th century AD. In India, parrots (in light of their purported conversational abilities) are popular as storytellers in works of fiction. The adventure stories narrated by a parrot, night after night, for 52 successive nights, are moralistic stories to persuade his female owner Khojasta not to commit any adulterous act with any lover, in the absence of her husband. She is always on the point of leaving the house to meet her lover, until the loyal parrot detains her by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mughal Painting
Mughal painting is a style of painting on paper confined to miniature (illuminated manuscript), miniatures either as book illustrations or as single works to be kept in albums (muraqqa), from the territory of the Mughal Empire in South Asia. It emerged from Persian miniature painting (itself partly of Chinese painting, Chinese origin) and developed in the court of the Mughal Empire of the 16th to 18th centuries. Battles, legendary stories, hunting scenes, wildlife, royal life, mythology, as well as other subjects have all been frequently depicted in paintings. The Mughal emperors were Muslims and they are credited with consolidating Islam in South Asia, and spreading Muslim (and particularly Persian) arts and culture as well as the faith. Mughal painting immediately took a much greater interest in realistic portraiture than was typical of Persian miniatures. Animals and plants were the main subject of many miniatures for albums, and were more realistically depicted. Although man ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Śukasaptati
Śukasaptati, or ''Seventy tales of the parrot'', is a collection of stories originally written in Sanskrit. The stories are supposed to be narrated to a woman by her pet parrot, at the rate of one story every night, in order to dissuade her from going out to meet her paramour when her husband is away. The stories frequently deal with illicit liaisons, the problems that flow from them and the way to escape those crises by using one's wits. Though the actual purpose of the parrot is to prevent its mistress from leaving, it does so without moralising. At the end of the seventy days, the woman's husband returns from his trip abroad and all is forgiven. Most of the stories are ribald and uninhibited, with some verging on the pornographic. The situations depicted in the stories not only test the bounds of marriage, some stray into taboo areas of incest and, in one case, zoophilia. The collection is part of the Katha tradition of Sanskrit literature. Some of the tales are actually repea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nakhshabi
Ziya' al-Din Nakhshabi was a 14th-century Persian physician and Sufi living in India. He died in 1350. According to a statement in a manuscript now at The National Library of Medicine, Nakhshabi himself transcribed and illustrated a Persian translation made of a Hindi version of a Sanskrit treatise on sexual hygiene. There are 5 full-page miniatures painted in a variety of opaque watercolors with gilt and two half or three-quarter miniatures, all of a provincial Mughal style typical of north-west India, especially Kashmir, in the 18th century. No other particulars are known of Nakhshabi. There are, however, a number of other Persian manuscripts which associate the name Ziya' Nakhshabi or Dhiya' al-Din Nakhshabi with versions of this ultimately Sanskrit treatise on sexual hygiene. And he is also known to have edited and added his own verses to a Persian translation called '' Tutinama'' of a Sanskrit collection of 52 tales narrated by a parrot (''tuti'' in Persian) and a nightin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abd Al-Samad
'Abd al-Ṣamad or Khwaja 'Abd-us-Ṣamad was a 16th century painter of Persian miniatures who moved to India and became one of the founding masters of the Mughal miniature tradition, and later the holder of a number of senior administrative roles. 'Abd's career under the Mughals, from about 1550 to 1595, is relatively well documented, and a number of paintings are authorised to him from this period. From about 1572 he headed the imperial workshop of the Emperor Akbar and "it was under his guidance that Mughal style came to maturity".Grove It has recently been contended by a leading specialist, Barbara Brend, that Samad is the same person as Mirza Ali, a Persian artist whose documented career seems to end at the same time as Abd al-Samad appears working for the Mughals. Mirza Ali Mirza Ali's name first appears in a famous manuscript of the ''Khamsa of Nizami'', now British Library Oriental 2265, which is dated March 1543. According to Stuart Cary Welch, there are only three oth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khwaja Abdus Samad
'Abd al-Ṣamad or Khwaja 'Abd-us-Ṣamad was a 16th century painter of Persian miniatures who moved to India and became one of the founding masters of the Mughal miniature tradition, and later the holder of a number of senior administrative roles. 'Abd's career under the Mughals, from about 1550 to 1595, is relatively well documented, and a number of paintings are authorised to him from this period. From about 1572 he headed the imperial workshop of the Emperor Akbar and "it was under his guidance that Mughal style came to maturity".Grove It has recently been contended by a leading specialist, Barbara Brend, that Samad is the same person as Mirza Ali, a Persian artist whose documented career seems to end at the same time as Abd al-Samad appears working for the Mughals. Mirza Ali Mirza Ali's name first appears in a famous manuscript of the ''Khamsa of Nizami'', now British Library Oriental 2265, which is dated March 1543. According to Stuart Cary Welch, there are only three o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamzanama
The ''Hamzanama'' (Persian/Urdu: ''Hamzenâme'', Epic of Hamza) or ''Dastan-e-Amir Hamza'' (Persian/Urdu: ''Dâstâne Amir Hamze'', "Adventures of Amir Hamza") narrates the legendary exploits of Amir Hamza, or Hamza ibn Abdul-Muttalib, an uncle of Muhammad. Most of the stories are extremely fanciful, "a continuous series of romantic interludes, threatening events, narrow escapes, and violent acts". The ''Hamzanama'' chronicles the fantastic adventures of Hamza as he and his band of heroes fight against the enemies of Islam. The stories, from a long-established oral tradition, were written down in Persian, the language of the courts of Persianate societies, in multiple volumes presumably in the era of Mahmud of Ghazni. In the West, the work is best known for the enormous illustrated manuscript commissioned by the Mughal emperor Akbar about 1562. The text augmented the story, as traditionally told in dastan performances. The dastan (storytelling tradition) about Amir Hamza p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamza Ibn ‘Abd Al-Muttalib
Ḥamza ibn ʿAbd al-Muṭṭalib ( ar, حمزة بن عبد المطلب; 568 – 625)Muhammad ibn Saad. ''Kitab al-Tabaqat al-Kabir'' vol. 3. Translated by Bewley, A. (2013). ''The Companions of Badr''. London: Ta-Ha Publishers. was a foster brother, companion and paternal uncle of the Islamic prophet Muhammad. He was martyred in the Battle of Uhud on 22 March 625 (3 Shawwal 3 hijri). His '' kunyas'' were "Abū ʿUmāra" () and "Abū Yaʿlā" (). He had the by-names '' Asad Allāh'' (, "Lion of God") and ''Asad al-Janna'' (, "Lion of Heaven"), and Muhammad gave him the posthumous title ''Sayyid al- Shuhadāʾ'' (). Early life Ibn Sa'd basing his claim on al-Waqidi states that Hamza was reportedly four years older than Muhammad. This is disputed by Ibn Sayyid, who argues: "Zubayr narrated that Hamza was four years older than the Prophet. But this does not seem correct, because reliable hadith state that Thuwayba nursed both Hamza and the Prophet." Ibn Sayyid concludes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Library
The British Library is the national library of the United Kingdom and is one of the largest libraries in the world. It is estimated to contain between 170 and 200 million items from many countries. As a legal deposit library, the British Library receives copies of all books produced in the United Kingdom and Ireland, including a significant proportion of overseas titles distributed in the UK. The Library is a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport. The British Library is a major research library, with items in many languages and in many formats, both print and digital: books, manuscripts, journals, newspapers, magazines, sound and music recordings, videos, play-scripts, patents, databases, maps, stamps, prints, drawings. The Library's collections include around 14 million books, along with substantial holdings of manuscripts and items dating as far back as 2000 BC. The library maintains a programme for content acquis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Akbarnama
The ''Akbarnama'', which translates to ''Book of Akbar'', the official chronicle of the reign of Akbar, the third Mughal Emperor (), commissioned by Akbar himself and written by his court historian and biographer, Abu'l-Fazl ibn Mubarak. It was written in Persian, which was the literary language of the Mughals, and includes vivid and detailed descriptions of his life and times. It followed the '' Baburnama'', the more personal memoir by his grandfather, Babur, founder of the dynasty. It was produced in the form of lavishly illustrated manuscripts. The work was commissioned by Akbar, and written by Abul Fazl, who was one of the ''Nine Jewels'' (Hindustani: Navaratnas) of Akbar's royal court. It is stated that the book took seven years to be completed. The original manuscripts contained many miniature paintings supporting the texts, thought to have been illustrated between and 1594 by at least forty-nine different artists from Akbar's imperial workshop, representing the best of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Persian Miniature
A Persian miniature (Persian: نگارگری ایرانی ''negârgari Irâni'') is a small Persian painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a ''muraqqa''. The techniques are broadly comparable to the Western Medieval and Byzantine traditions of miniatures in illuminated manuscripts. Although there is an equally well-established Persian tradition of wall-painting, the survival rate and state of preservation of miniatures is better, and miniatures are much the best-known form of Persian painting in the West, and many of the most important examples are in Western, or Turkish, museums. Miniature painting became a significant genre in Persian art in the 13th century, receiving Chinese influence after the Mongol conquests, and the highest point in the tradition was reached in the 15th and 16th centuries. The tradition continued, under some Western influence, after this, and has many modern exponent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jahangirnama
Jahangirnameh ( fa, جهانگیرنامه "Story of Jahangir") is an epic poem in the Persian language which relates the story of Jahangir son of Rostam. It is composed in the same meter as the Shahnameh. The author mentions his name as Qāsem-e Mādeḥ in one of the last couplets of the poem. Composed in Herat, it contains nearly 3,600 couplets. It was published in Bombay (Mumbai) in 1309/1886. It should not be confused with another work often called the "Jahangirnameh" but also the ''Tuzk-e-Jahangiri''. This is the autobiography or memoirs of the Mughal Emperor Jahangir (1569-1627) in Persian prose. Unlike other poems in Persian, Jahangirnameh contains relatively high number of Arabic loanwords, and the stories also were under Islamic influence. According to Zabihullah Safa, this indicates that the poem is composed in late 6th century AH or early 7th century AH. The poem seems to be largely an imitation of the Borzu Nama. In both stories, Rostam's son is brought up in Tura ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fatehpur Sikri
Fatehpur Sikri () is a town in the Agra District of Uttar Pradesh, India. Situated 35.7 kilometres from the district headquarters of Agra, Fatehpur Sikri itself was founded as the capital of Mughal Empire in 1571 by Emperor Akbar, serving this role from 1571 to 1585, when Akbar abandoned it due to a campaign in Punjab and was later completely abandoned in 1610. The name of the city is derived from the village called ''Sikri'' which occupied the spot before. An Archaeological Survey of India (ASI) excavation from 1999 to 2000 indicated that there was a habitation, temples and commercial centres here before Akbar built his capital. The region was settled by Sungas following their expansion. It was controlled by Sikarwar Rajputs from the 7th to 16th century CE until the Battle of Khanwa (1527). The '' khanqah'' of Sheikh Salim Chishti existed earlier at this place. Akbar's son Jahangir was born in the village of Sikri to his favourite wife Mariam-uz-Zamani in 1569 and in tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
