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Tuskulėnai Manor
Tuskulėnai Manor ( lt, Tuskulėnų dvaras) is a neoclassical manor in Žirmūnai elderate of Vilnius, Lithuania. It is best known as burial grounds of people executed by the KGB in 1944–1947. After Lithuania regained independence in 1990, the manor was reconstructed and the park was transformed into a memorial to the victims of Soviet repressions. It is administered by the Lithuanian Genocide and Resistance Research Center. Structures The Tuskulėnai Manor is the oldest architectural monument in Žirmūnai. The present manor was built in 1825, following a design by Karol Podczaszyński in the neoclassical style, by the order of the Governor General of Lithuania, Alexander Rimsky-Korsakov. It consists of the principal building - the palace, a storage house, and several adjacent buildings, including a small eclectic chapel of St. Theresa, located approximately 100 metres south of the principal building. The palace is the main architectural accent of the ensemble, showing cle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venus (mythology)
Venus (), , is a Roman goddess, whose functions encompass love, beauty, desire, sex, fertility, prosperity, and victory. In Roman mythology, she was the ancestor of the Roman people through her son, Aeneas, who survived the fall of Troy and fled to Italy. Julius Caesar claimed her as his ancestor. Venus was central to many religious festivals, and was revered in Roman religion under numerous cult titles. The Romans adapted the myths and iconography of her Greek counterpart Aphrodite for Roman art and Latin literature. In the later classical tradition of the West, Venus became one of the most widely referenced deities of Greco-Roman mythology as the embodiment of love and sexuality. She is usually depicted nude in paintings. Etymology The Latin theonym ''Venus'' and the common noun ''venus'' ('love, charm') stem from a Proto-Italic form reconstructed as ''*wenos-'' ('desire'), itself from Proto-Indo-European (PIE) ' ('desire'; cf. Messapic ''Venas'', Old Indic ''vánas'' 'de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vilnius Castles
The Vilnius Castle Complex ( lt, Vilniaus pilių kompleksas or ) is a group of cultural, and historic structures on the left bank of the Neris River, near its confluence with the Vilnia River, in Vilnius, Lithuania. The buildings, which evolved between the 10th and 18th centuries, were one of Lithuania's major defensive structures. The complex consisted of three castles: the Upper, the Lower, and the Crooked ( lt, Kreivoji pilis). The Crooked Castle was burned down by the Teutonic Knights in 1390 and was never rebuilt. The Vilnius Castles were attacked several times by the Teutonic Order after 1390, but they did not succeed in taking the entire complex. Its complete capture occurred for the first time during the Battle of Vilnius (1655), 1655 Battle of Vilnius. Soon afterwards, the severely damaged castles lost their importance, and many buildings were abandoned. During the partitions of poland, Tsarist annexation, several historic buildings were demolished; many more were damaged ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sigismund Augustus
Sigismund II Augustus ( pl, Zygmunt II August, lt, Žygimantas Augustas; 1 August 1520 – 7 July 1572) was King of Poland and Grand Duke of Lithuania, the son of Sigismund I the Old, whom Sigismund II succeeded in 1548. He was the first ruler of the Polish–Lithuanian Commonwealth and the last male monarch from the Jagiellonian dynasty. Sigismund was the only son of Italian-born Bona Sforza and Sigismund the Old. From the beginning he was groomed and extensively educated as a successor. In 1529 he was crowned '' vivente rege'' while his father was still alive. Sigismund Augustus continued a tolerance policy towards minorities and maintained peaceful relations with neighbouring countries, with the exception of the Northern Seven Years' War which aimed to secure Baltic trade. Under his patronage, culture flourished in Poland; he was a collector of tapestries from the Low Countries and collected military memorabilia as well as swords, armours and jewellery. Sigismund Augustus' r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antakalnis
Antakalnis (''literally'' lt, 'the place on hills', adapted in pl, Antokol) is an eldership in the Vilnius city municipality, Lithuania. Antakalnis is one of the oldest, and largest historical suburbs of Vilnius City. It is in the eastern section of Vilnius, along the left bank of the Neris River, with the river running along the whole western side of the district. The Antakalnis eldership is the second-largest in Vilnius, with an area of . One of the greatest Lithuanian Baroque masterpieces, the Roman Catholic Church of St. Peter and St. Paul, is in Antakalnis, as is Sapieha Palace (''Sapiegų rūmai''). Sapieha Palace is surrounded by the only surviving Baroque-style park in Lithuania, which contains the oldest linden tree in Vilnius. Antakalnis is home to the historically important Antakalnis Cemetery, where victims of the January Events in 1991, killed by the Soviet Army, are buried; their graves are often visited, as they are considered national heroes of Lithu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museum Of Occupations And Freedom Fights
The Museum of Occupations and Freedom Fights ( lt, Okupacijų ir laisvės kovų muziejus) in Vilnius, Lithuania, was established in 1992 by order of the Minister of Culture and Education and the president of the Lithuanian Union of Political Prisoners and Deportees. In 1997, it was transferred to the Genocide and Resistance Research Centre of Lithuania. The museum is located in the former KGB headquarters across from the Lukiškės Square and is informally referred to as the KGB Museum. The museum is dedicated mostly to collecting and exhibiting documents relating to the 50-year occupation of Lithuania by the Soviet Union, the anti-Soviet Lithuanian partisans, and the victims of the arrests, deportations, and executions that took place during this period. Before 2018, the museum was known as the Museum of Genocide Victims, reflecting a broadened definition of the ''genocide'' used by the Genocide and Resistance Research Centre. Although these events are considered a genocide ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martyrology
A martyrology is a catalogue or list of martyrs and other saints and beati arranged in the calendar order of their anniversaries or feasts. Local martyrologies record exclusively the custom of a particular Church. Local lists were enriched by names borrowed from neighbouring churches. Consolidation occurred, by the combination of several local martyrologies, with or without borrowings from literary sources. This is the now accepted meaning in the Latin Church. In the Eastern Orthodox Church, the nearest equivalent to the martyrology is the Synaxarion and the longer Menologion. As regards form, one should distinguish between simple martyrologies that simply enumerate names, and historical martyrologies, which also include stories or biographical details; for the latter, the term ''passionary'' is also used. Oldest examples The martyrology, or ''ferial'', of the Roman Church in the middle of the fourth century still exists. It comprises two distinct lists, the ''Depositio marty ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Building Restoration
Conservation and restoration of immovable cultural property describes the process through which the material, historical, and design integrity of any Cultural property, immovable cultural property are prolonged through carefully planned interventions. The individual engaged in this pursuit is known as an architectural conservator-restorer. Decisions of when and how to engage in an intervention are critical to the ultimate conservation-restoration of cultural heritage. Ultimately, the decision is value based: a combination of artistic, contextual, and informational values is normally considered. In some cases, a decision to not intervene may be the most appropriate choice. Definitions Narrow definition The Conservation Architect must consider factors that deal with issues of prolonging the life and preserving the integrity of architectural character, such as form and style, and/or its constituent materials, such as stone, brick, glass, metal, and wood. In this sense, the term re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerard Dou
Gerrit Dou (7 April 1613 – 9 February 1675), also known as Gerard Douw or Dow, was a Dutch Golden Age painter, whose small, highly polished paintings are typical of the Leiden fijnschilders. He specialised in genre scenes and is noted for his ''trompe-l'œil'' "niche" paintings and candlelit night-scenes with strong chiaroscuro. He was a student of Rembrandt. Life Dou was born in Leiden, where his father was a manufacturer of stained-glass.Baer, p.28 He studied drawing under Bartholomeus Dolendo, and then trained in the stained-glass workshop of Pieter Couwenhorn. In February 1628, at the age of fourteen, his father sent him to study painting in the studio of Rembrandt (then aged about 21) who lived nearby. From Rembrandt, with whom he remained for about three years, he acquired his skill in colouring and in the more subtle effects of chiaroscuro, and his master's style is reflected in several of his earlier pictures, notably a self-portrait at the age of 22 in the Bridgewater ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adriaen Van Ostade
Adriaen van Ostade (baptized as Adriaen Jansz Hendricx 10 December 1610 – buried 2 May 1685) was a Dutch Golden Age painter of genre works, showing everyday life of ordinary men and women. Life According to Arnold Houbraken, he and his brother were pupils of Frans Hals and like him, spent most of their lives in Haarlem. He thought they were " Lubekkers" by birth, though this has since found to be false.Adriaan & Izaak van Ostade biography in ''De groote schouburgh der Nederlantsche konstschilders en schilderessen'' (1718) by , courtesy of the |
Isaac Van Ostade
Isaac van Ostade (bapt. June 2, 1621 – buried October 16, 1649) was a Dutch genre and landscape painter. Biography Van Ostade was born in Haarlem. He began his studies under his brother, Adriaen, with whom he remained until 1641, when he started his own practice. At an early period he felt the influence of Rembrandt, and this is apparent in a ''Slaughtered Pig'' of 1639, in the gallery of Augsburg. He soon found a style more suited to his own inclinations. He produced pictures in 1641–1642 on the lines of his brother – amongst these, the Five Senses, which Adrian afterwards represented by a ''Man reading a Paper'', a ''Peasant tasting Beer'', a ''Rustic smearing his Sores with Ointment'' and a ''Countryman sniffing at a Snuff-box''. A specimen of Isaac's work at this period may be seen in the ''Laughing Boor with a Pot of Beer'', in the museum of Amsterdam; the cottage interior, with two peasants and three children near a fire, in the Berlin museum; a ''Concert'', with p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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