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Turn The Beat Around
"Turn the Beat Around" is a disco song written by Gerald Jackson and Peter Jackson, and performed by American actress and singer Vicki Sue Robinson in 1976 (see 1976 in music), originally appearing on her debut album, '' Never Gonna Let You Go'' (1976). Released as a single, the song went to #10 on the ''Billboard'' pop charts, and #73 on the ''Billboard'' soul chart. The song earned Robinson a Grammy nomination for Best Female Pop Vocal Performance. The track also went to number one on the ''Billboard'' disco chart for four weeks. "Turn the Beat Around" is considered a disco classic and is featured on many compilation albums. Background "Turn the Beat Around" was written by brothers Gerald and Peter Jackson of the R&B outfit Touch of Class. Peter Jackson knew Al Garrison, an engineer at Associated Studios in New York, through Jackson's work as a session drummer, and it was at Associated Studios that Touch of Class cut its own demos. Peter Jackson recalls that one Sunday at noon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vicki Sue Robinson
Vicki Sue Robinson (May 31, 1954 – April 27, 2000) was an American theatre and film actress, and singer, closely associated with the disco era of late 1970s pop music; she is most famous for her 1976 hit, "Turn the Beat Around". Early life Born in Harlem, New York, to African American Shakespearean actor Bill Robinson and his European American wife Marianne, a folk singer, Vicki Sue Robinson was reared in Philadelphia, Pennsylvania, for most of her early years, returning with her family to New York City when she was ten. Career She gave her first public performance in 1960 at the age of six, when she accompanied her mother on stage at the Philadelphia Folk Festival. Ten years later, at the age of 16, while a student at the New Lincoln School, Robinson made her professional performing debut when she joined the Broadway cast of the musical ''Hair''. Robinson remained with ''Hair'' for six weeks before moving to a new Broadway production, ''Soon'', whose cast included Peter Allen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hi-NRG
Hi-NRG (pronounced "high energy") is a genre of uptempo disco or electronic dance music (EDM) that originated in the United States during the late 1970s and early 1980s. As a music genre, typified by fast tempo, staccato hi-hat rhythms (and the four-on-the-floor pattern), reverberated "intense" vocals and "pulsating" octave basslines, it was particularly influential on the disco scene. Its earliest association was with Italo disco. Characteristics Whether hi-NRG is more rock-oriented than standard disco music is a matter of opinion. Hi-NRG can be heavily synthesized but it is not a prerequisite, and whether it is devoid of "funkiness" is, again, in the ear of the beholder. Certainly, many artists perform their vocals in R&B and soul styles on hi-NRG tracks. The genre's tempo ranges between 120 and 140 beats per minute although typically it is around 127. The tempos cited here do not represent the full range of beats (BPM) of hi-NRG tracks; rather the tempos are retrieved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance-pop
Dance-pop is a popular music subgenre that originated in the late 1970s to early 1980s. It is generally uptempo music intended for nightclubs with the intention of being danceable but also suitable for contemporary hit radio. Developing from a combination of dance and pop with influences of disco, post-discoSmay, David & Cooper, Kim (2001). ''Bubblegum Music Is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears'': "... think about Stock-Aitken-Waterman and Kylie Minogue. Dance pop, that's what they call it now — Post-Disco, post-new wave and incorporating elements of both." Feral House: Publisher, p. 327. . and synth-pop, it is generally characterised by strong beats with easy, uncomplicated song structures which are generally more similar to pop music than the more free-form dance genre, with an emphasis on melody as well as catchy tunes. The genre, on the whole, tends to be producer-driven, despite some notable exceptions. Da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laura Branigan (album)
''Laura Branigan'' is the sixth studio album by American singer Laura Branigan, released on March 21, 1990, by Atlantic Records. The album's lead single, "Moonlight on Water", reached number 59 on the Billboard Hot 100, ''Billboard'' Hot 100, while the second single, "Never in a Million Years (Laura Branigan song), Never in a Million Years", peaked at number 22 on ''Billboard (magazine), Billboard'' Adult Contemporary (chart), Adult Contemporary chart. The third and final single, a cover version of Vicki Sue Robinson's 1976 song "Turn the Beat Around", failed to chart. The song "Unison (song), Unison" was recorded by Celine Dion the same year. Track listing Notes * signifies a co-producer Personnel Credits adapted from the liner notes of ''Laura Branigan''. Musicians * Laura Branigan – lead vocals ; background vocals ; arrangements * Howie Rice – drum programming, keyboards ; guitar ; synth guitar, percussion * Andy Goldmark – drum programming, keyboards, backgroun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laura Branigan
Laura Ann Branigan (July 3, 1952 – August 26, 2004) was an American singer, songwriter, and actress. Her signature song, the platinum-certified 1982 single " Gloria", stayed on the U.S. ''Billboard'' Hot 100 for 36 weeks, then a record for a female artist, peaking at No. 2. It also reached number one in Australia and Canada. Branigan's "Gloria" was a cover of a song written by Italian singer-songwriters Giancarlo Bigazzi and Umberto Tozzi. In 1984, she reached number one in Canada and Germany with the U.S. No. 4 hit "Self Control", which was released by Italian singer and songwriter Raf the same year. Both "Gloria" and "Self Control" were successful in the United Kingdom, making the Top 10 in the UK Singles Chart. Seeing her greatest level of success in the 1980s, Branigan's other singles included the Top 10 hit " Solitaire" (1983), the U.S. AC chart number one "How Am I Supposed to Live Without You" (1983), the Australian No. 2 hit "Ti amo" (1984), her return to the top ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cash Box Top 100 Pop Singles
The Cash Box Top 100 Pop Singles (also known as the Cash Box Top 100) was a record chart in the United States for songs, published weekly by ''Cash Box'' magazine, which began publication in 1942. As a close competitor to ''Billboard A billboard (also called a hoarding in the UK and many other parts of the world) is a large outdoor advertising structure (a billing board), typically found in high-traffic areas such as alongside busy roads. Billboards present large advertise ...'' magazine, it was first issued for the September 13, 1958 issue when they expanded their top 75 chart to one hundred positions. The original version of the magazine lasted through November 16, 1996. While ''Billboard'' ranked singles weekly mixing the total airplay on radio stations and singles sales from all across North America, ''Cash Box'' presented their rankings via all sales and airplay of songs without splitting up genres in order to formulate the generalized popularity of a single’s overall p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot R&B/Hip-Hop Songs
The Hot R&B/Hip-Hop Songs chart ranks the most popular R&B and hip hop songs in the United States and is published weekly by '' Billboard''. Rankings are based on a measure of radio airplay, sales data, and streaming activity. The chart had 100 positions but was shortened to 50 positions in October 2012. The chart is used to track the success of popular music songs in urban, or primarily African American, venues. Dominated over the years at various times by jazz, rhythm and blues, doo-wop, rock and roll, soul, and funk, it is today dominated by contemporary R&B and hip hop. Since its inception, the chart has changed its name many times in order to accurately reflect the industry at the time. History Beginning in 1942, ''Billboard'' published a chart of bestselling black music, first as the Harlem Hit Parade, then as Race Records. Then in 1949, ''Billboard'' began publishing a Rhythm and Blues chart, which entered "R&B" into mainstream lexicon. These three charts were consolid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot Dance/Disco
Dance Club Songs is a chart published weekly by '' Billboard'' magazine in the United States. It is a national look over of club disc jockeys to determine the most popular songs being played in nightclubs across the country. It was launched as the Disco Action Top 30 chart on August 28, 1976, and became the first chart by ''Billboard'' to document the popularity of dance music. The first number-one song on the chart for the issue dated August 28, 1976, was "You Should Be Dancing" by the Bee Gees, spending five weeks atop the chart and the group's only number-one song on the chart. In January 2017, ''Billboard'' proclaimed Madonna as the most successful artist in the history of the chart, ranking her first in their list of the 100 top all-time dance artists. Madonna holds the record for the most number-one songs with 50. Katy Perry holds the record for having eighteen consecutive number-one songs. Perry's third studio album, '' Teenage Dream'' (2010), became the first album in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adult Contemporary (chart)
The Adult Contemporary chart is published weekly by '' Billboard'' magazine and lists the most popular songs on adult contemporary radio stations in the United States. The chart is compiled based on airplay data submitted to ''Billboard'' by stations that are members of the Adult Contemporary radio panel. The chart debuted in ''Billboard'' magazine on July 17, 1961.Hyatt, Wesley (1999). ''The Billboard Book of Number One Adult Contemporary Hits''. New York City: Billboard Books. . Over the years, the chart has gone under a series of name changes, being called Easy Listening (1961–1962; 1965–1979), Middle-Road Singles (1962–1964), Pop-Standard Singles (1964–1965), Hot Adult Contemporary Tracks (1979–1982) and Adult Contemporary (1983–present). Chart history The ''Billboard'' Easy listening chart, as it was first known, was born of a desire by some radio stations in the late 1950s and early 1960s to continue playing current hit songs but distinguish themselves from b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Official Charts Company
The Official Charts (legal name: The Official UK Charts Company Limited) is a British inter-professional organization that compiles various "official" record charts in the United Kingdom, Ireland and France. In the United Kingdom, its charts include ones for singles, albums and films, with the data compiled from a mixture of downloads, purchases (of physical media) and streaming. The OCC produces its charts by gathering and combining sales data from retailers through market researchers Kantar, and claims to cover 99% of the singles market and 95% of the album market, and aims to collect data from any retailer who sells more than 100 chart items per week. The OCC is operated jointly by the British Phonographic Industry and the Entertainment Retailers Association (ERA) (formerly the British Association of Record Dealers (BARD)) and is incorporated as a private company limited by shares jointly owned by BPI and ERA. The Chart Information Network (CIN) took over as compilers of the o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UK Singles Chart
The UK Singles Chart (currently titled Official Singles Chart, with the upper section more commonly known as the Official UK Top 40) is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-selling Single (music), singles in the United Kingdom, based upon physical sales, paid-for downloads and music streaming, streaming. The Official Chart, broadcast on BBC Radio 1 and MTV (Official UK Top 40), is the UK music industry's recognised official measure of singles and albums popularity because it is the most comprehensive research panel of its kind, today surveying over 15,000 retailers and digital services daily, capturing 99.9% of all singles consumed in Britain across the week, and over 98% of albums. To be eligible for the chart, a Single (music), single is currently defined by the Official Charts Company (OCC) as either a 'single bundle' having no more than four tracks and not lasting longer than 25 minutes or one digital audio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
