Truth (Jeff Beck Album)
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Truth (Jeff Beck Album)
''Truth'' is the debut studio album by English guitarist Jeff Beck, released on 29 July 1968 in the United States on Epic Records and on 4 October 1968 in the United Kingdom on Columbia Records. It introduced the talents of his backing band the Jeff Beck Group, specifically Rod Stewart and Ronnie Wood, to a larger audience, and peaked at number 15 on the ''Billboard'' 200. Content and background After leaving the Yardbirds in late 1966, Jeff Beck had released three commercial singles, two in 1967 featuring himself on lead vocals, and one without vocals in 1968. All had been hits on the British singles chart, and all were characterized by songs aimed at the pop chart on the A-side at the behest of producer Mickie Most. Harder rock and blues-based numbers were featured on the B-sides, and for music on the album, Beck opted to pursue the latter course. Recording sessions for the album took place over four days, 14–15 May and 25–26 May 1968.Murray, ''Truth'' reissue liner notes ...
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Jeff Beck
Geoffrey Arnold Beck (born 24 June 1944) is an English rock guitarist. He rose to prominence with the Yardbirds and after fronted the Jeff Beck Group and Beck, Bogert & Appice. In 1975, he switched to a mainly instrumental style, with a focus on innovative sound, and his releases have spanned genres ranging from blues rock, hard rock, jazz fusion and a blend of guitar-rock and electronica. Beck ranked in the top five of ''Rolling Stone'' and other magazine's list of 100 greatest guitarists. He is often called a "guitarist's guitarist". ''Rolling Stone'' describes him as "one of the most influential lead guitarists in rock". Although he recorded two hit albums (in 1975 and 1976) as a solo act, Beck has not established or maintained the sustained commercial success of many of his contemporaries and bandmates. He has recorded with many artists. Beck has earned wide critical praise and received the Grammy Award for Best Rock Instrumental Performance six times and Best Pop Ins ...
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Charles Shaar Murray
Charles Shaar Murray (born Charles Maximillian Murray; 27 June 1951) is an English music journalist and broadcaster. He has worked on the '' New Musical Express'' and many other magazines and newspapers, and has been interviewed for a number of television documentaries and reports on music. Biography Murray grew up in Reading, Berkshire, England, where he attended Reading Grammar School and learnt to play the harmonica and guitar. His first experience in journalism came in 1970, when he was one of a number of schoolchildren who responded to an invitation to edit the April issue of the satirical magazine '' Oz''. He thus contributed to the notorious Schoolkids OZ issue and was involved in the consequent obscenity trial. He then wrote for '' IT (International Times)'', before moving to the ''New Musical Express'' in 1972 for which he wrote until around 1986. He subsequently worked for a number of publications including ''Q magazine'', ''Mojo'', ''MacUser'', ''New Statesman'', ' ...
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Willie Dixon
William James Dixon (July 1, 1915January 29, 1992) was an American blues musician, vocalist, songwriter, arranger and record producer. He was proficient in playing both the upright bass and the guitar, and sang with a distinctive voice, but he is perhaps best known as one of the most prolific songwriters of his time. Next to Muddy Waters, Dixon is recognized as the most influential person in shaping the post–World War II sound of the Chicago blues.Trager, Oliver (2004). ''Keys to the Rain: The Definitive Bob Dylan Encyclopedia''. Billboard Books. pp. 298–299. . Dixon's songs have been recorded by countless musicians in many genres as well as by various ensembles in which he participated. A short list of his most famous compositions includes "Hoochie Coochie Man", " I Just Want to Make Love to You", "Little Red Rooster", "My Babe", "Spoonful", and "You Can't Judge a Book by the Cover". These songs were written during the peak years of Chess Records, from 1950 to 1965, and wer ...
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Chicago Blues
Chicago blues is a form of blues music developed in Chicago, Illinois. It is based on earlier blues idioms, such as Delta blues, but performed in an urban style. It developed alongside the Great Migration of the first half of the twentieth century. Key features that distinguish Chicago blues from the earlier traditions, such as the Delta blues, is the prominent use of electrified instruments, especially the electric guitar, and especially the use of electronic effects such as distortion and overdrive. Muddy Waters, a colleague of Delta blues musicians Son House and Robert Johnson, migrated to Chicago in 1943, joining the established Big Bill Broonzy, where they developed a distinctive style of blues music. Joined by artists such as Willie Dixon, Howlin' Wolf, and John Lee Hooker, Chicago Blues reached an international audience by the late 1950s and early 1960s, directly influencing not only the development of early rock and roll musicians such as Chuck Berry and Bo Diddley, bu ...
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Tim Rose
Timothy Alan Patrick Rose (September 23, 1940 – September 24, 2002) (unofficial website by long-term correspondent of Rose's) was an American singer and songwriter who spent much of his life in London, England, and had more success in Europe than in his native country. Biography Early years Rose was born in Washington, D.C., and raised by his mother Mary, who worked for the Army Corps of Engineers, his aunt, and his grandmother in an area known as South Fairlington Historic District, in Arlington, Virginia, where he was to meet Scott McKenzie, who lived nearby. Rose learned to play the banjo and guitar, and won the top music award in high school. Rose graduated from Gonzaga College Prep School, a noted Jesuit institution in DC, class of 1958. From there he joined the United States Air Force (in the Strategic Air Command), in the pre-Vietnam era, and was stationed in Kansas. He later worked as a merchant seaman on the S.S. Atlantic and in a bank, before becoming involve ...
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Morning Dew
"Morning Dew," also known as "(Walk Me Out in the) Morning Dew," is a contemporary folk song by Canadian singer-songwriter Bonnie Dobson. The lyrics relate a fictional conversation in a post-nuclear holocaust world. Originally recorded live as a solo performance, Dobson's vocal is accompanied by her finger-picked acoustic guitar playing. In 1962, "Morning Dew" was included on the live ''Bonnie Dobson at Folk City'' album. Subsequently, the song was recorded by other contemporary folk and rock musicians, including the Grateful Dead, who adapted it using an electric rock-ensemble arrangement for their debut album. Background and lyrics The song is a dialogue between the last man and woman left alive following an apocalyptic catastrophe. Dobson stated that the inspiration for "Morning Dew" was the film '' On the Beach'', which is about the survivors of virtual global annihilation by nuclear holocaust. Dobson wrote the song while staying with a friend in Los Angeles; she recalled ...
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Bonnie Dobson
Bonnie Dobson (born November 13, 1940, Toronto, Ontario, Canada)"Bonnie Dobson"
AllMusic Biography by Richie Unterberger
is a Canadian songwriter, singer, and guitarist, most known in the 1960s for composing the songs "I'm Your Woman" and "". The latter, augmented (with a controversial co-writing credit) by , became a melancholy



Greensleeves
"Greensleeves" is a traditional English folk song. A broadside ballad by the name "A Newe Northen Dittye of ye Ladye Greene Sleves" was registered by Richard Jones at the London Stationer's Company in September 1580,Frank Kidson, ''English Folk-Song and Dance''. READ BOOKS, 2008, p.26. John M. Ward, "'And Who But Ladie Greensleeues?'", in ''The Well Enchanting Skill: Music, Poetry, and Drama in the Culture of the Renaissance: Essays in Honour of F. W. Sternfeld'', edited by John Caldwell, Edward Olleson, and Susan Wollenberg, 181–211 (Oxford:Clarendon Press; New York: Oxford University Press, 1990): 181. . and the tune is found in several late-16th-century and early-17th-century sources, such as ''Ballet's MS Lute Book'' and ''Het Luitboek van Thysius'', as well as various manuscripts preserved in the Seeley Historical Library in the University of Cambridge. Form "Greensleeves" can have a ground either of the form called a ''romanesca''; or its slight variant, the ''passame ...
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Tudor Period
The Tudor period occurred between 1485 and 1603 in History of England, England and Wales and includes the Elizabethan period during the reign of Elizabeth I until 1603. The Tudor period coincides with the dynasty of the House of Tudor in England that began with the reign of Henry VII of England, Henry VII (b. 1457, r. 14851509). Historian John Guy (historian), John Guy (1988) argued that "England was economically healthier, more expansive, and more optimistic under the Tudors" than at any time since the Roman occupation. Population and economy Following the Black Death and the agricultural depression of the late 15th century, the population began to increase. In 1520, it was around 2.3 million. By 1600 it had doubled to 4 million. The growing population stimulated economic growth, accelerated the commercialisation of agriculture, increased the production and export of wool, encouraged trade, and promoted the growth of London. The high wages and abundance of available land seen ...
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Jerome Kern
Jerome David Kern (January 27, 1885 – November 11, 1945) was an American composer of musical theatre and popular music. One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in over 100 stage works, including such classics as " Ol' Man River", "Can't Help Lovin' Dat Man", " A Fine Romance", "Smoke Gets in Your Eyes", "The Song Is You", "All the Things You Are", "The Way You Look Tonight" and "Long Ago (and Far Away)". He collaborated with many of the leading librettists and lyricists of his era, including George Grossmith Jr., Guy Bolton, P. G. Wodehouse, Otto Harbach, Oscar Hammerstein II, Dorothy Fields, Johnny Mercer, Ira Gershwin and Yip Harburg. A native New Yorker, Kern created dozens of Broadway musicals and Hollywood films in a career that lasted for more than four decades. His musical innovations, such as 4/4 dance rhythms and the employment of syncopation and jazz progressions, built on, rather than rejec ...
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Ol' Man River
"Ol' Man River" is a show tune from the 1927 musical ''Show Boat'' with music by Jerome Kern and lyrics by Oscar Hammerstein II. The song contrasts the struggles and hardships of African Americans with the endless, uncaring flow of the Mississippi River. It is sung from the point of view of a black stevedore on a showboat,"Lesson: Ol’ Man River" (school lesson for Mississippi River), Michael E. Marrapodi, New Covenant Christian School, Ashland, Massachusetts, 2006, webpageMassGeo-River: shows phrase "feared of dyin' " (rather than "skeered" of dying) as sung in earlier recordings. and is the most famous song from the show. The song is meant to be performed in a slow tempo; it is sung complete once in the musical's lengthy first scene by the stevedore "Joe" who travels with the boat, and, in the stage version, is heard four more times in brief reprises. Joe serves as a sort of musical one-man Greek chorus, and the song, when reprised, comments on the action, as if saying, "This ha ...
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Blues
Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the call-and-response pattern (the blues scale and specific chord progressions) of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in pitch, are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove. Blues as a genre is also characterized by its lyrics, bass lines, and instrumentation. Early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current str ...
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