Truckin'
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Truckin'
"Truckin" is a song by the Grateful Dead, which first appeared on their 1970 album ''American Beauty (album), American Beauty''. It was recognized by the United States Library of Congress in 1997 as a national treasure.''Grateful Dead: The Illustrated Trip'' . Jake Woodward, et al. Dorling Kindersley Limited, 2003, pg. 112. Lyrics Written by band members Jerry Garcia, Bob Weir, Phil Lesh, and lyricist Robert Hunter (lyricist), Robert Hunter, "Truckin molds classic Grateful Dead rhythms and instrumentation. The lyrics refer to a drug raid of the band's hotel lodgings in New Orleans during a concert tour earlier in 1970: The song's climactic refrain, "What a long, strange trip it's been", has achieved widespread cultural use in the years since the song's release. Composition "Truckin is associated with the blues and other early 20th-century forms of folk music. "Truckin was considered a "catchy shuffle" by the band members. Garcia commented that "the early stuff we wrote tha ...
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Europe '72
''Europe '72'' is a live triple album by the Grateful Dead, released in November 1972. It covers the band's tour of Western Europe in April and May that year, and showcases live favourites, extended improvisations and several new songs including "Jack Straw" and "Brown Eyed Women". The album was the first to include pianist Keith Godchaux and his wife, vocalist Donna Jean Godchaux, and the last to feature founding member Ron "Pigpen" McKernan, who died shortly after its release. The European tour was expensive and logistically complicated, and the band's record company hoped that a live album would recoup its costs. Consequently, the entire tour was recorded, with highlights making it onto the final release. ''Europe '72'' is one of the most commercially successful and critically acclaimed albums by the Dead. It was one of the first triple-record rock albums to be certified gold by RIAA; the album has since been certified double platinum. A second volume was released in 2011, in ...
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American Beauty (album)
''American Beauty'' is the fifth studio album by rock band the Grateful Dead. Released November 1, 1970, by Warner Bros. Records, the album continued the folk rock and country music style of their previous album ''Workingman's Dead'', issued earlier in the year. Upon release, ''American Beauty'' entered the ''Billboard'' 200 chart, ultimately peaking at number 30 during a nineteen-week stay in January 1971. On July 11, 1974, the album was certified Gold by the Recording Industry Association of America, and it later reached Platinum and Double Platinum certification in 1986 and 2001, respectively. In 2003, the album was ranked number 258 on ''Rolling Stone'' magazine's list of the 500 greatest albums of all time, 261 in a 2012 revised list, and 215 in a 2020 revised list. Recording ''American Beauty'' was the result of a prolific period of the songwriting partnership of Jerry Garcia and Robert Hunter – one that yielded two studio albums in one year for the Grateful ...
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Grateful Dead
The Grateful Dead was an American rock music, rock band formed in 1965 in Palo Alto, California. The band is known for its eclectic style, which fused elements of rock, Folk music, folk, country music, country, jazz, bluegrass music, bluegrass, blues, rock and roll, gospel music, gospel, reggae, world music, and psychedelic music, psychedelia; for Concert, live performances of lengthy jam session, instrumental jams that typically incorporated mode (music), modal and tonality, tonal musical improvisation, improvisation; and for its devoted fan base, known as "Deadheads". "Their music", writes Lenny Kaye, "touches on ground that most other groups don't even know exists." These various influences were distilled into a diverse and psychedelic whole that made the Grateful Dead "the pioneering Godfathers of the jam band world". The band was ranked 57th by ''Rolling Stone'' magazine in its "Rolling Stone's 100 Greatest Artists of All Time, The Greatest Artists of All Time" issue. The ...
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Ripple (song)
"Ripple" is the sixth song on the Grateful Dead album '' American Beauty''. It was released as the B-side to the single "Truckin'". Background Robert Hunter wrote this song in 1970 in London on the same afternoon he wrote "Brokedown Palace" and "To Lay Me Down" (reputedly drinking half a bottle of retsina in the process ). The song debuted August 18, 1970 at Fillmore West in San Francisco. Jerry Garcia wrote the music to this song. "Ripple" has a similar melody to the gospel hymn "Because He Lives," which was published a year later. Both songs are similar to " Any Dream Will Do" from the Andrew Lloyd Webber-Tim Rice musical ''Joseph and the Amazing Technicolor Dreamcoat''. However, in his book ''The Grateful Dead FAQ'', writer Tony Sclafani points out that even though "Any Dream Will Do" was written in 1968, Garcia is unlikely to have heard it, because no recording was released until 1970. In popular culture A number of essays have been written analyzing and annotating this so ...
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Robert Hunter (lyricist)
Robert C. Christie Hunter (born Robert Burns; June 23, 1941 – September 23, 2019) was an American lyricist, singer-songwriter, translator, and poet, best known for his work with the Grateful Dead. Born near San Luis Obispo, California, Hunter spent some time in his childhood in foster homes, as a result of his father's abandoning his family, and took refuge in reading and writing. He attended the University of Connecticut for a year before returning to Palo Alto, where he became friends with Jerry Garcia. Garcia and Hunter began a collaboration that lasted through the remainder of Garcia's life. Garcia and others formed the Grateful Dead in 1965, and some time later began working with lyrics that Hunter had written. Garcia invited him to join the band as a lyricist, and Hunter contributed substantially to many of their albums, beginning with ''Aoxomoxoa'' in 1969. Over the years Hunter wrote lyrics to a number of the band's signature pieces, including " Dark Star", "Ripple" ...
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Phil Lesh
Philip Chapman Lesh (born March 15, 1940) is an American musician and a founding member of the Grateful Dead, with whom he played bass guitar throughout their 30-year career. After the band's disbanding in 1995, Lesh continued the tradition of Grateful Dead family music with side project Phil Lesh and Friends, which paid homage to the Dead's music by playing their originals, common covers, and the songs of the members of his band. Lesh operated a music venue called Terrapin Crossroads. He scaled back his touring regimen in 2014 but continues to perform with Phil Lesh & Friends at select venues. From 2009 to 2014, he performed in Furthur alongside former Grateful Dead bandmate Bob Weir. Background Lesh was born in Berkeley, California, United States, and started out as a violin player. While enrolled at Berkeley High School he switched to trumpet and participated in all of the school's music-related extracurricular activities. Studying the instrument under Bob Hansen, conducto ...
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National Treasure
The idea of national treasure, like national epics and national anthems, is part of the language of romantic nationalism, which arose in the late 18th century and 19th centuries. Nationalism is an ideology that supports the nation as the fundamental unit of human social life, which includes shared language, values, and culture. Thus national treasure, part of the ideology of nationalism, is shared culture. A national treasure can be a shared cultural asset, which may or may not have monetary value; for example, a skilled banjo player would be a Living National Treasure. Or it may refer to a rare cultural object, such as the medieval manuscript Plan of St. Gall in Switzerland. The government of Japan designates the most famous of the nation's cultural properties as National Treasures of Japan. The National Treasures of Korea are a set of artifacts, sites, and buildings that are recognised by South Korea as having exceptional cultural value. Notable examples There are thousands o ...
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Bob Weir
Robert Hall Weir ( ; né Parber, born October 16, 1947) is an American musician and songwriter best known as a founding member of the Grateful Dead. After the group disbanded in 1995, Weir performed with The Other Ones, later known as The Dead, together with other former members of the Grateful Dead. Weir also founded and played in several other bands during and after his career with the Grateful Dead, including Kingfish, the Bob Weir Band, Bobby and the Midnites, Scaring the Children, RatDog, and Furthur, which he co-led with former Grateful Dead bassist Phil Lesh. In 2015, Weir, along with former Grateful Dead members Mickey Hart and Bill Kreutzmann, joined with Grammy-winning singer/guitarist John Mayer, bassist Oteil Burbridge, and keyboardist Jeff Chimenti to form the band Dead & Company. The band remains active. During his career with the Grateful Dead, Weir played mostly rhythm guitar and sang many of the band's rock & roll and country & western songs. In 1994, ...
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Jerry Garcia
Jerome John Garcia (August 1, 1942 – August 9, 1995) was an American musician best known for being the principal songwriter, lead guitarist, and a vocalist with the rock band Grateful Dead, which he co-founded and which came to prominence during the counterculture of the 1960s. Although he disavowed the role, Garcia was viewed by many as the leader of the band. He was inducted into the Rock and Roll Hall of Fame in 1994 as a member of the Grateful Dead. As one of its founders, Garcia performed with the Grateful Dead for the band's entire 30-year career (1965–1995). Garcia also founded and participated in a variety of side projects, including the Saunders–Garcia Band (with longtime friend Merl Saunders), the Jerry Garcia Band, Old & In the Way, the Garcia/ Grisman and Garcia/Kahn acoustic duos, Legion of Mary, and New Riders of the Purple Sage (which he co-founded with John Dawson and David Nelson). He also released several solo albums, and contributed to a number of ...
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Jon Hendricks
John Carl Hendricks (September 16, 1921 – November 22, 2017), known professionally as Jon Hendricks, was an American jazz lyricist and singer. He is one of the originators of vocalese, which adds lyrics to existing instrumental songs and replaces many instruments with vocalists, such as the big-band arrangements of Duke Ellington and Count Basie. He is considered one of the best practitioners of scat singing, which involves vocal jazz soloing. Jazz critic and historian Leonard Feather called him the "Poet Laureate of Jazz", while ''Time'' dubbed him the "James Joyce of Jive". Al Jarreau called him "pound-for-pound the best jazz singer on the planet—maybe that's ever been". Early years Born in 1921 in Newark, Ohio, Hendricks and his 14 siblings moved many times, following their father's assignments as an AME pastor, before settling permanently in Toledo. The house was often full of visiting jazz musicians, for whom Jon's mother provided meals. Hendricks began his singin ...
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Progressive Rock (radio Format)
Progressive rock (sometimes known as underground rock) is a radio station programming format that emerged in the late 1960s,Thomas Staudter"On the Radio With a Mix Very Distinctly His Own" ''The New York Times'', March 24, 2002. Accessed March 23, 2008. in which disc jockeys are given wide latitude in what they may play, similar to the freeform format but with the proviso that some kind of rock music is almost always played.Fritz E. Froehlich, Allen S. Kent, Carolyn M. Hall (eds.), "FM Commercialization in the United States", ''The Froehlich/Kent Encyclopedia of Telecommunications'', CRC Press, 1991. . p. 179. It enjoyed the height of its popularity in the late 1960s and 1970s. The name for the format began being used circa 1968, when serious disc jockeys were playing "progressive 'music for the head and discussing social issues in between records.Mike Olszewski, ''Radio Daze: Stories from the Front in Cleveland's FM Air Wars'', Kent State University Press, 2003. . p. xi. Dur ...
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Album Oriented Rock
Album-oriented rock (AOR, originally called album-oriented radio) is an FM radio format created in the United States in the 1970s that focuses on the full repertoire of rock albums and is currently associated with classic rock. Album-oriented radio was originally established by U.S. radio stations dedicated to playing album tracks by rock artists from the hard rock to progressive rock genres. In the mid-1970s, AOR was characterized by a layered, mellifluous sound and sophisticated production with considerable dependence on melodic hooks. Using research and formal programming to create an album rock format with greater commercial appeal, the AOR format achieved tremendous popularity in the late 1970s and early 1980s. From the early 1980s onward, the "album-oriented radio" term became normally used as the abbreviation of "album-oriented rock," meaning radio stations specialized in classic rock recorded during the late 1960s and 1970s. The term is also commonly conflated with ...
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