|
Trois Morceaux En Forme De Poire
''Trois morceaux en forme de poire'' (''Three Pieces in the Shape of a Pear'') is a 1903 suite for piano four hands by French composer Erik Satie. A lyrical compendium of his early music, it is one of Satie's most famous compositions, second in popular recognition only to the ''Gymnopédies'' (1888). The score was not published until 1911. In performance it lasts around 14 minutes. It is typical of Satie's eccentric humour that the suite consists of seven pieces, not three. Background Satie composed the ''Trois morceaux en forme de poire'' in Paris between August and November 1903, during a period of creative crisis. He was unhappy earning a meager living writing and performing cabaret music, and had abandoned his recent "serious" musical projects - the piano piece '' Le poisson rêveur'' (1901) and the orchestral tone poem '' Le Bœuf Angora'' (c. 1901) - as failures. And the shock of hearing his friend Claude Debussy's landmark opera '' Pelléas et Mélisande'' (1902) led hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satie 1898
Eric Alfred Leslie Satie (, ; ; 17 May 18661 July 1925), who signed his name Erik Satie after 1884, was a French composer and pianist. He was the son of a French father and a British mother. He studied at the Conservatoire de Paris, Paris Conservatoire, but was an undistinguished student and obtained no diploma. In the 1880s he worked as a pianist in café-cabaret in Montmartre, Paris, and began composing works, mostly for solo piano, such as his ''Gymnopédies'' and ''Gnossiennes''. He also wrote music for a Rosicrucian sect to which he was briefly attached. After a spell in which he composed little, Satie entered Paris's second music academy, the Schola Cantorum de Paris, Schola Cantorum, as a mature student. His studies there were more successful than those at the Conservatoire. From about 1910 he became the focus of successive groups of young composers attracted by his unconventionality and originality. Among them were the group known as Les Six. A meeting with Jean Cocteau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Philippe I
Louis Philippe (6 October 1773 – 26 August 1850) was King of the French from 1830 to 1848, and the penultimate monarch of France. As Louis Philippe, Duke of Chartres, he distinguished himself commanding troops during the Revolutionary Wars and was promoted to lieutenant general by the age of nineteen, but he broke with the Republic over its decision to execute King Louis XVI. He fled to Switzerland in 1793 after being connected with a plot to restore France's monarchy. His father Louis Philippe II, Duke of Orléans (Philippe Égalité) fell under suspicion and was executed during the Reign of Terror. Louis Philippe remained in exile for 21 years until the Bourbon Restoration. He was proclaimed king in 1830 after his cousin Charles X was forced to abdicate by the July Revolution (and because of the Spanish renounciation). The reign of Louis Philippe is known as the July Monarchy and was dominated by wealthy industrialists and bankers. He followed conservative policies, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Fils Des étoiles
''Le Fils des étoiles'' (''The Son of the Stars'') is an incidental music score composed in December 1891 by Erik Satie to accompany a three-act poetic drama of the same name by Joséphin Péladan. It is a key work of Satie's "Rosicrucian" period (1891–1895) and played a role in his belated "discovery" by the French musical establishment in the 1910s. Satie provided some 75 minutes' worth of music for Péladan's play, apparently intended for flutes and harps, and this represents his longest through-composed surviving score. However, only his three short act ''Preludes'' were performed at the premiere in Paris on March 22, 1892. Satie subsequently arranged the ''Preludes'' for solo piano and published them in 1896. It is through these keyboard excerpts that the music for ''Le Fils des étoiles'' is primarily known. The ''Preludes'' have been cited as among Satie's most radical compositions, with their forward-looking explorations of quartal harmony and the composer's concept ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joséphin Péladan
Joséphin Péladan (28 March 1858 in Lyon – 27 June 1918 in Neuilly-sur-Seine) was a French novelist and Martinist. His father was a journalist who had written on prophecies, and professed a philosophic-occult Catholicism. He established the Salon de la Rose + Croix for painters, writers, and musicians sharing his artistic ideals, the Symbolists in particular. Biography Péladan was born into a Lyon family that was devoutly Roman Catholic. He studied at Jesuit colleges at Avignon and Nîmes. After he failed his baccalaureat, Péladan moved to Paris and became a literary and art critic. His older brother Adrien studied alchemy and occultism as well. Career In 1882 Lucie-Smith, Edward. (1972) ''Symbolist Art''. London: Thames & Hudson, p. 109. he came to Paris where Arsene Houssaye gave him a job on his artistic review, ''L'Artiste''. In 1884 he published his first novel, ''Le vice suprême'', which recommended the salvation of man through occult magic of the ancient East.R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gnossiennes
The ''Gnossiennes'' () are several piano compositions by the French composer Erik Satie in the late 19th century. The works are for the most part in free time (lacking time signatures or bar divisions) and highly experimental with form, rhythm and chordal structure. The form as well as the term was invented by Satie. Etymology Satie's coining of the word ''gnossienne'' was one of the rare occasions when a composer used a new term to indicate a new "type" of composition. Satie used many novel names for his compositions (''vexations'', '' croquis et agaceries'' and so on). ''Ogive'', for example, is the name of an architectural element which was used by Satie as the name for a composition, the ''Ogives''. ''Gnossienne'', however, was a word that did not exist before Satie used it as a title for a composition. The word appears to derive from ''gnosis''. Satie was involved in gnostic sects and movements at the time that he began to compose the ''Gnossiennes''. However, some published ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rosicrucianism
Rosicrucianism is a spiritual and cultural movement that arose in Europe in the early 17th century after the publication of several texts purported to announce the existence of a hitherto unknown esoteric order to the world and made seeking its knowledge attractive to many. Yates, Frances A. (1972), ''The Rosicrucian Enlightenment'', London The mysterious doctrine of the order is "built on esoteric truths of the ancient past", which "concealed from the average man, provide insight into nature, the physical universe, and the spiritual realm." The manifestos do not elaborate extensively on the matter, but clearly combine references to Kabbalah, Hermeticism, alchemy, and Christian mysticism. The Rosicrucian manifestos heralded a "universal reformation of mankind", through a science allegedly kept secret for decades until the intellectual climate might receive it. Controversies arose on whether they were a hoax, whether the "Order of the Rosy Cross" existed as described in the manif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Chat Noir
Le Chat Noir (; French for "The Black Cat") was a nineteenth-century entertainment establishment, in the bohemian Montmartre district of Paris. It was opened on 18 November 1881 at 84 Boulevard de Rochechouart by the impresario Rodolphe Salis, and closed in 1897 not long after Salis' death. ''Le Chat Noir'' is thought to be the first modern cabaret: a nightclub where the patrons sat at tables and drank alcoholic beverages while being entertained by a variety show on stage. The acts were introduced by a master of ceremonies who interacted with well-known patrons at the tables. Its imitators have included cabarets from St. Petersburg (''Stray Dog Café'') to Barcelona ('' Els Quatre Gats'') to London's '' Cave of the Golden Calf''. In its heyday it was a bustling nightclub that was part artist salon, part rowdy music hall. From 1882 to 1895 the cabaret published a weekly magazine with the same name, featuring literary writings, news from the cabaret and Montmartre, poetry, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schola Cantorum De Paris
The Schola Cantorum de Paris is a private conservatory in Paris. It was founded in 1894 by Charles Bordes, Alexandre Guilmant and Vincent d'Indy as a counterbalance to the Paris Conservatoire's emphasis on opera. History La Schola was founded in 1894 and opened on 15 October 1896 as a rival to the Paris Conservatoire. Alexandre Guilmant, an organist at the Conservatoire, was the director of the Schola before d'Indy took over. D'Indy set the curriculum, which fostered the study of late Baroque and early Classical works, Gregorian chant, and Renaissance polyphony. According to the ''Oxford Companion to Music'', "A solid grounding in technique was encouraged, rather than originality, and the only graduates who could stand comparison with the best Conservatoire students were Albéric Magnard, Magnard, Albert Roussel, Roussel, Déodat de Séverac, and Pierre de Bréville." The school was originally located in Montparnasse; in 1900 it moved to its present site, a former convent in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ornella Volta
Ornella Volta (1 January 1927 – 16 August 2020) was an Italian-born French musicologist, essayist, and translator. Biography A cinematographic journalist and writer, Ornella married her spouse, Pablo Volta in 1957, and the couple moved to Paris. She was a friend of Federico Fellini, with whom she collaborated for the 1970 film ''I clowns''. She carried out research for the film on the circus and produced the French language version of the dialogue. She also served as assistant director of the 1955 film '' The Belle of Rome'', directed by Luigi Comencini. In the 1960s, she published multiple books, such as ''Vampires parmi nous'', ''Le Vampire'', and ''Frankenstein & Company''. She also collaborated with magazines such as ''Vogue'', ''Quindici'', and ''Il Delatore''. Volta devoted nearly 50 years of her life to researching and writing about the life and works of composer Erik Satie. In 1981 she established the Fondation Erik Satie at her home in Paris, and in 1983 she became the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Orledge
Robert Orledge (born 5 January 1948) is a British musicologist, and a professor emeritus of the University of Liverpool , mottoeng = These days of peace foster learning , established = 1881 – University College Liverpool1884 – affiliated to the federal Victoria Universityhttp://www.legislation.gov.uk/ukla/2004/4 University of Manchester Act 200 .... He specialises in French music of the early twentieth century. References External linksRobert Orledge Website {{DEFAULTSORT:Orledge, Robert 1948 births Living people English musicologists Academics of the University of Liverpool Fauré scholars ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Caby
Robert Caby (Venette, March 25, 1905 - Paris, October 3, 1992) was a French composer and writer. Caby was engaged in writing art critics and political articles, arranging concerts, creating surrealistic drawings and dealing with rare books and paintings. He had a wide circle of friends who were important musicians and artists of the time including Erik Satie, Darius Milhaud, Pablo Picasso, Francis Poulenc, Charles Koechlin and Henri Sauguet. In 1950, Caby joined Anne Terrier Laffaille and Marcel Despard to form Groupe Melos. The group adopted Satie's motto "our music is guaranteed playable." Its manifesto stated "enough intellectual esthetics, enough scholarly edanticism down with modern music, down with music for technique's sake, long live music for the people!" Supported by Poulenc and Sauguet, Groupe Melos presented one concert, then faded away. In the mid-1960s he spent a considerable amount of time at the Bibliothèque nationale, doing research and arrangements of Eri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Belle Excentrique
''La belle excentrique'' (''The Eccentric Beauty'') is a dance suite for small orchestra by French composer Erik Satie. A parody of music hall clichés, it was conceived as a choreographic stage work and by modern standards can be considered a ballet. Satie gave it the whimsical subtitle "fantaisie sérieuse" ("A Serious Fantasy"). It was premiered at the Théâtre du Colisée in Paris on June 14, 1921, conducted by Vladimir Golschmann. The composer later arranged it for piano four hands. Music Satie composed this set of solo dances between July and October 1920. It was a high-spirited throwback to his turn-of-the-century cabaret idiom after a brief "serious" period that had produced the cantata ''Socrate'' (1918) and the piano ''Nocturnes'' (1919). The suite consists of three dances (march, waltz, can-can) and an instrumental ritornello. :''1. Grande ritournelle'' (''Grand Ritornello'') :''2. Marche franco-lunaire'' (''Franco-Lunar March'') :''3. Valse du mysterieux baiser dans ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
