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Trochee
In English poetic metre and modern linguistics, a trochee () is a metrical foot consisting of a stressed syllable followed by an unstressed one. But in Latin and Ancient Greek poetic metre, a trochee is a heavy syllable followed by a light one (also described as a long syllable followed by a short one). In this respect, a trochee is the reverse of an iamb. Thus the Latin word "there", because of its short-long rhythm, in Latin metrical studies is considered to be an iamb, but since it is stressed on the first syllable, in modern linguistics it is considered to be a trochee. The adjective form is ''trochaic''. The English word ''trochee'' is itself trochaic since it is composed of the stressed syllable followed by the unstressed syllable . Another name formerly used for a trochee was a choree (), or choreus. Etymology ''Trochee'' comes from French , adapted from Latin , originally from the Greek (), 'wheel', from the phrase (), literally 'running foot'; it is connected with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trochaic Septenarius
In ancient Greek literature, ancient Greek and Latin literature, the trochaic septenarius or trochaic tetrameter catalectic is one of two major forms of poetic metre based on the trochee as its dominant rhythmic unit, the other being much rarer trochaic octonarius. It is used in drama and less often in poetry. Together with the Iambic trimeter#Latin iambic senarius, iambic senarius, it is one of the two most commonly used metres of Latin comedy. It has a long history dating back to the 7th century BC. The term septenarius is mostly used for the form of the metre which is used in Roman drama, especially the comedies of Plautus and Terence. This consists of a line of fifteen elements, usually divided into two hemistichs of 8 and 7 elements. Any element except the last two could be resolution (meter), resolved, i.e. divided into two short syllables. The basic pattern of the line was as follows: , – x – x , – x – x , , – x – x , – u – , Here – stands for a long ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trochaic Tetrameter
Trochaic tetrameter is a meter in poetry. It refers to a line of four trochaic feet. The etymology of the word Trochaic is the Greek word ''trokhaios'', from the verb ''trecho'', which means "I run". In classical metre, a trochee is a foot consisting of a long syllable followed by a short one; in modern English poetry, a trochee is a foot consisting of a stressed syllable followed by an unstressed one. The word "tetrameter" in classical metre means a line with four ''metra'', each metron containing two trochees, thus eight trochees in all. In modern metre it means a line with four trochees. Example of trochaic tetrameter A line of trochaic tetrameter has the following rhythm: Using the classical symbols longum and breve (or brevis) a line of trochaic tetrameter can be represented as follows: Often a tetrameter is catalectic, in which case the last syllable of the line is missing. Literary examples Two of the best-known examples are Henry Wadsworth Longfellow's ''The Son ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metre (poetry)
In poetry, metre ( Commonwealth spelling) or meter ( American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, " prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular types. The familiar type of metre in English-language poetry is called qualitative metre, with stressed syllables comin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iamb (poetry)
An iamb () or iambus is a metrical foot used in various types of poetry. Originally the term referred to one of the feet of the quantitative meter of classical Greek prosody: a short syllable followed by a long syllable (as in () "beautiful (f.)"). This terminology was adopted in the description of accentual-syllabic verse in English, where it refers to a foot comprising an unstressed syllable followed by a stressed syllable (as in ''abóve''). Thus a Latin word like , because of its short-long rhythm, is considered by Latin scholars to be an iamb, but because it has a stress on the first syllable, in modern linguistics it is considered to be a trochee. Etymology R. S. P. Beekes has suggested that the grc, ἴαμβος ''iambos'' has a Pre-Greek origin. An old hypothesis is that the word is borrowed from Phrygian or Pelasgian, and literally means "Einschritt", i. e., "one-step", compare ''dithyramb'' and ''thriambus'', but H. S. Versnel rejects this etymology and sugg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prosody (Greek)
Prosody (from Middle French , from Latin , from Ancient Greek (), "song sung to music; pronunciation of syllable") is the theory and practice of versification. Prosody Greek poetry is based on syllable length, not on syllable stress, as in English. The two syllable lengths in Greek poetry are long and short. It is probable that in the natural spoken language there were also syllables of intermediate length, as in the first syllable of words such as τέκνα /''tékna''/ 'children', where a short vowel is followed by a plosive + liquid combination; but for poetic purposes such syllables were treated as either long or short. Thus in the opening speech of the play ''Oedipus Tyrannus'', Sophocles treats the first syllable of τέκνα /''tékna''/ as long in line 1, but as short in line 6. Different kinds of poetry use different patterns of long and short syllables, known as meters (UK: metres). For example, the epic poems of Homer were composed using the pattern , – u u , ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metrical Foot
The foot is the basic repeating metre (poetry), rhythmic unit that forms part of a line of poetry, verse in most Indo-European languages, Indo-European traditions of poetry, including English accentual-syllabic verse and the quantitative meter of classics, classical ancient Greek poetry, ancient Greek and Latin poetry. The unit is composed of syllables, and is usually two, three, or four syllables in length. The most common feet in English are the Iamb (foot), iamb, trochee, dactyl (poetry), dactyl, and anapest. The foot might be compared to a Bar (music), bar, or a beat (music), beat divided into pulse groups, in musical notation. The English word "foot" is a translation of the Latin term ''pes'', plural ''pedes'', which in turn is a translation of the Ancient Greek ποῦς, pl. πόδες. The Ancient Greek prosodists, who invented this terminology, specified that a foot must have both an arsis and thesis, arsis and a thesis, that is, a place where the foot was raised ("arsis") ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prosody (Latin)
Latin prosody (from Middle French ''prosodie'', from Latin ''prosōdia'', from Ancient Greek προσῳδία ''prosōidía'', "song sung to music, pronunciation of syllable") is the study of Latin poetry and its laws of meter. The following article provides an overview of those laws as practised by Latin poets in the late Roman Republic and early Roman Empire, with verses by Catullus, Horace, Virgil and Ovid as models. Except for the early Saturnian poetry, which may have been accentual, Latin poets borrowed all their verse forms from the Greeks, despite significant differences between the two languages. Latin verse: a Greek gift A brief history The start of Latin literature is usually dated to the first performance of a play by Livius Andronicus in Rome in 240 BC. Livius, a Greek slave, translated Greek New Comedy for Roman audiences. He not only established the genre fabula palliata, but also adapted meters from Greek drama to meet the needs of Latin. He set a precedent f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Substitution (poetry)
In English poetry substitution, also known as inversion, is the use of an alien metric foot in a line of otherwise regular metrical pattern. For instance in an iambic line of "da DUM", a trochaic substitution would introduce a foot of "DUM da". Trochaic substitution In a line of verse that normally employs iambic meter, trochaic substitution describes the replacement of an iamb by a trochee. The following line from John Keats's ''To Autumn'' is straightforward iambic pentameter: :To swell the gourd, and plump the hazel shells Using '°' for a weak syllable, '/' for a strong syllable, and ', ' for divisions between feet it can be represented as: The opening of a sonnet by John Donne demonstrates trochaic substitution of the first foot ("Batter"): Donne uses an inversion (DUM da instead of da DUM) in the first foot of the first line to stress the key verb, "batter", and then sets up a clear iambic pattern with the rest of the line Shakespeare's Hamlet includes a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Syllable Weight
In linguistics, syllable weight is the concept that syllables pattern together according to the number and/or duration of segments in the rime. In classical Indo-European verse, as developed in Greek, Sanskrit, and Latin, distinctions of syllable weight were fundamental to the meter of the line. Linguistics A heavy syllable is a syllable with a branching nucleus or a branching rime, although not all such syllables are heavy in every language. A branching nucleus generally means the syllable has a long vowel or a diphthong; this type of syllable is abbreviated as CVV. A syllable with a branching rime is a ''closed syllable'', that is, one with a coda (one or more consonants at the end of the syllable); this type of syllable is abbreviated CVC. In some languages, both CVV and CVC syllables are heavy, while a syllable with a short vowel as the nucleus and no coda (a CV syllable) is a light syllable. In other languages, only CVV syllables are heavy, while CVC and CV syllables are l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Unstressed Syllable
In linguistics, and particularly phonology, stress or accent is the relative emphasis or prominence given to a certain syllable in a word or to a certain word in a phrase or sentence. That emphasis is typically caused by such properties as increased loudness and vowel length, full articulation of the vowel, and changes in tone. The terms ''stress'' and ''accent'' are often used synonymously in that context but are sometimes distinguished. For example, when emphasis is produced through pitch alone, it is called ''pitch accent'', and when produced through length alone, it is called ''quantitative accent''. When caused by a combination of various intensified properties, it is called ''stress accent'' or ''dynamic accent''; English uses what is called ''variable stress accent''. Since stress can be realised through a wide range of phonetic properties, such as loudness, vowel length, and pitch (which are also used for other linguistic functions), it is difficult to define stress ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taylor Swift
Taylor Alison Swift (born December 13, 1989) is an American singer-songwriter. Her discography spans multiple genres, and her vivid songwriting—often inspired by her personal life—has received critical praise and wide media coverage. Born in West Reading, Pennsylvania, Swift moved to Nashville at age 14 to become a country artist. She signed a songwriting deal with Sony/ATV Music Publishing in 2004 and a recording contract with Big Machine Records in 2005. Her 2006 self-titled debut album made her the first female country singer to write or co-write a U.S. platinum-certified album entirely. Swift's next albums, '' Fearless'' (2008) and '' Speak Now'' (2010), explored country pop. The former's " Love Story" and "You Belong with Me" were the first country songs to top the U.S. pop and all-genre airplay charts, respectively. She experimented with rock and electronic styles on ''Red'' (2012), which featured her first ''Billboard'' Hot 100 number-one song, "We Are Neve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monometer
In poetry, a monometer is a line of verse with just one metrical foot. Example Monometer can be exemplified by this portion of Robert Herrick's poem "Upon His Departure Hence": Thus I Passe by, And die: As one, Unknown, And gone. See also *Trochaic *Foot (prosody) References External linksUpon his departure Types of verses {{Manufacturing In Manufacturing Manufacturing is the creation or production of goods with the help of equipment, labor, machines, tools, and chemical or biological processing or formulation. It is the essence of secondary sector of the economy. The term may refer to a r ..., a monometer is a furnace Manufacturer Example A Monometer Rotary furnace incorporates the latest technology and has introduced hydraulic tilting and sophisticated electronic and micro-processing devices which sequences the speed of furnace rotation during melting, and varies the Oxyfuel firing rates according to process requirement. It is the modern tool for melting econo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
