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Trivelino
Trivelino (or Trivelin) is a zanni character of the ''commedia dell'arte''. Trivelino is similar to Arlecchino, like him, he represents a stupid servant or valet. Trivelino is also similar to Scapin, Brighella, or Mezzetin. This character was introduced in France by Domenico Locatelli in the third quarter of the 17th century. Pierre de Marivaux later used him in several of his comedies including '' Arlequin poli par l'amour'', '' L'Île des esclaves'' and ''La Double Inconstance ''La Double Inconstance'' is a three-act romantic comedy by French playwright Marivaux. Its title is usually translated into English as ''The Double Inconstancy''. ''La Double Inconstance'' was first performed 6 April 1723 by the Comédie Ital ...''. References Fictional characters introduced in the 17th century Stupid Zanni class characters {{fict-char-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trivelin
Trivelino (or Trivelin) is a zanni character of the ''commedia dell'arte''. Trivelino is similar to Arlecchino, like him, he represents a stupid servant or valet. Trivelino is also similar to Scapin, Brighella, or Mezzetin. This character was introduced in France by Domenico Locatelli in the third quarter of the 17th century. Pierre de Marivaux later used him in several of his comedies including '' Arlequin poli par l'amour'', '' L'Île des esclaves'' and ''La Double Inconstance ''La Double Inconstance'' is a three-act romantic comedy by French playwright Marivaux. Its title is usually translated into English as ''The Double Inconstancy''. ''La Double Inconstance'' was first performed 6 April 1723 by the Comédie Ital ...''. References Fictional characters introduced in the 17th century Stupid Zanni class characters {{fict-char-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arlecchino
Harlequin (; it, Arlecchino ; lmo, Arlechin, Bergamasque pronunciation ) is the best-known of the ''zanni'' or comic servant characters from the Italian ''commedia dell'arte'', associated with the city of Bergamo. The role is traditionally believed to have been introduced by Zan Ganassa in the late 16th century, was definitively popularized by the Italian actor Tristano Martinelli in Paris in 1584–1585, and became a stock character after Martinelli's death in 1630. The Harlequin is characterized by his checkered costume. His role is that of a light-hearted, nimble, and astute servant, often acting to thwart the plans of his master, and pursuing his own love interest, Columbina, with wit and resourcefulness, often competing with the sterner and melancholic Pierrot. He later develops into a prototype of the romantic hero. Harlequin inherits his physical agility and his trickster qualities, as well as his name, from a mischievous "devil" character in medieval passion plays. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zanni
Zanni (), Zani or Zane is a character type of commedia dell'arte best known as an astute servant and a trickster. The Zanni comes from the countryside and is known to be a "dispossessed immigrant worker".Rudlin, John. ''Commedia dell'arte: An Actors Handbook''. London: Routledge, 1994. 67. Print."Immigrant" in Italy at the time of the city-states did not mean someone from outside of Italy but rather someone from outside the city, an itinerant worker. Through time, the Zanni grew to be a popular figure who was first seen in ''commedia'' as early as the 14th century. The English word ''zany'' derives from this person. The longer the nose on the characters mask the more foolish the character. Origin of the name The name ''Zanni'' (as well as ''Zuan'') is a variant of the name ''Gianni'' and was common in the Lombard-Venetian countryside which provided most of the servants to the wealthy nobles and merchants of Venice. In Italian it is specifically a name of someone whose identity i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Commedia Dell'arte
(; ; ) was an early form of professional theatre, originating from Italian theatre, that was popular throughout Europe between the 16th and 18th centuries. It was formerly called Italian comedy in English and is also known as , , and . Characterized by masked "types", was responsible for the rise of actresses such as Isabella Andreini and improvised performances based on sketches or scenarios. A , such as ''The Tooth Puller'', is both scripted and improvised. Characters' entrances and exits are scripted. A special characteristic of is the , a joke or "something foolish or witty", usually well known to the performers and to some extent a scripted routine. Another characteristic of is pantomime, which is mostly used by the character Arlecchino, now better known as Harlequin. The characters of the usually represent fixed social types and stock characters, such as foolish old men, devious servants, or military officers full of false bravado. The characters are exaggerated " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scapino
Scapino, or Scapin, is a zanni character from the commedia dell'arte. His name is related to the Italian word "scappare" (to escape) and his name translates to “little escape artist” in reference to his tendency to flee from fights, even those he himself begins. He has been dated to the last years of the 16th century, and his creation is sometimes credited to Niccolò Barbieri.Niccolò Barbieri' He is a Bergamo native, and was popularized by the actor Francesco Gabrielli. Costume Later versions show his costume with green (or sometimes turquoise) and white stripes, similar to Mezzetino's red and white, but Callot shows Scapino in an outfit similar to the early Brighella's, white with a tabaro and a sword on his belt, and topped with a torn hat adorned with feathers. He is in fact a variant on Brighella, more cowardly and less clever. Some people call him Brighella's brother, some his son. Character Scapino tends to make a confusion of anything he undertakes and metaphorica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brighella
Brighella (in Bergamasque dialect: ''Brighèla'') is a comic, masked character from the Italian theatre style Commedia dell'arte. His early costume consisted of loosely fitting, white smock and pants with green trim and was often equipped with a ' (also ' or ', depending on region) or slap stick, or else with a wooden sword. Later he took to wearing a sort of livery with a matching cape. He wore a greenish half-mask (traditionally olive-green) displaying a look of preternatural lust and greed. It is distinguished by a hook nose and thick lips, along with a thick twirled mustache to give him an offensive characteristic. He evolved out of the general Zanni, as evidenced by his costume, and came into his own around the start of the 16th century. He is loosely categorized as one of the ''zanni'' or servant characters though he often was portrayed as a member of the middle class such as a tavern owner: his character could be adapted to whatever the needs to the scenario might be, j ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzetin
Mezzetino, also Mezzettino, (Pron. ''met-zeh-TEE-no'') is a character from the ''commedia dell'arte'' and is considered by Duchartre to be a variant on the stock character Brighella. His name means "Half-Measure (of liquor)" in Medieval Italian, and he is sometimes called in French and English plays "Mezzetin". He first appeared in the 16th century. Mezzetino is an adept schemer and trouble-maker, willing to commit acts of violence if necessary, but on the whole a little calmer than his brother Brighella, and much more gentle and cultivated, especially in his later life. He is often very musically inclined, and can sing and dance with skill. His character can vary greatly: he can be a loyal servant or simply scheming for his master's downfall; he can be a deceitful husband or be deceived by his wife. He also seems to be rather more interested in the ladies than is Brighella, often coming over as rather creepy in his efforts to flirt. His costume has gone through similar variati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Locatelli
Domenico is an Italian given name for males and may refer to: People * Domenico Alfani, Italian painter * Domenico Allegri, Italian composer * Domenico Alvaro, Italian mobster * Domenico Ambrogi, Italian painter * Domenico Auria, Italian architect * Domenico del Barbieri, Florentine artist * Domenico di Bartolo, Italian painter * Domenico Bartolucci, Italian Roman Catholic cardinal * Domenico di Pace Beccafumi, Italian painter * Domenico Pignatelli di Belmonte, Italian Roman Catholic cardinal * Domenico Berardi, Italian footballer * Domenico Bernini, son of Gian Lorenzo Bernini * Domenico Bidognetti, Italian criminal * Domenico Bollani, Venetian diplomat and politician * Domenico Canale, Italian-American distributor * Domenico Caprioli, Italian painter * Domenico Caruso, Italian poet and writer * Domenico Cefalù, Italian-American mobster * Domenico Cimarosa, Italian composer * Domenico Cirillo, Italian physician and patriot * Domenico Colombo, father of Christopher Columbus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre De Marivaux
Pierre Carlet de Chamblain de Marivaux (4 February 1688 – 12 February 1763), commonly referred to as Marivaux, was a French playwright and novelist. He is considered one of the most important French playwrights of the 18th century, writing numerous comedies for the Comédie-Française and the Comédie-Italienne of Paris. His most important works are '' Le Triomphe de l'amour'', ''Le Jeu de l'amour et du hasard'' and ''Les Fausses Confidences''. He also published a number of essays and two important but unfinished novels, '' La Vie de Marianne'' and ''Le Paysan parvenu''. Life His father was a Norman financier whose name from birth was Carlet, but who assumed the surname of Chamblain, and then that of Marivaux. He brought up his family in Limoges and Riom, in the province of Auvergne, where he directed the mint. Marivaux is said to have written his first play, the ''Père prudent et équitable'', when he was only eighteen, but it was not published until 1712, when he was twenty ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arlequin Poli Par L'amour
''Arlequin poli par l'amour'' is a one-act romantic comedy by French playwright Pierre de Marivaux. Its title could be translated into English as ''Harlequin, refined by love''. ''Arlequin poli par l'amour'' was first performed October 17, 1720 by the Comédie Italienne. In this play, a fairy tries to force Arlequin to fall in love with her. Instead, Arlequin falls in love with Silvia, a shepherdess. With the help of the fairy's servant Trivelin, the two manage to trick the fairy and live happily ever after. Its plot and comedic features were strongly influenced by the traditional Italian theatre of the Commedia dell'arte. Arlequin and Trivelin are stock characters of the Commedia dell'arte, and Silvia is a name associated with the female romantic lead. Marivaux makes use of several traditional lazzi as well. For example, near the beginning of the play, Arlequin tries to catch invisible flies while the fairy is trying to have a serious conversation with him. At the en ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'Île Des Esclaves
''L’Île des esclaves'' ( en, Slave Island) is a one-act comedy by Pierre de Marivaux; it was the first of three plays in the series. It was presented for the first time on March 5, 1725 at the Hôtel de Bourgogne by the Comédie Italienne; an actress named Silvia played Cléanthis and Thomassin played the role of Arlequin. The play is characterized by a mixing of genres: Greek characters, a shipwreck leaning towards tragedy, and social commentary. However, the play is essentially a comedy with its confusion of sentiments, exchange of power between masters and valets, and finally the appearance of Arlequin. Plot summary Iphicrate and his slave Arlequin find themselves shipwrecked on Slave Island, a place where masters become slaves and slaves become masters. Trivelin, the governor of the island, makes Arlequin and Iphicrate, as well as Euphrosine and her slave Cléanthis, change roles, clothes, and names. Both Arlequin and Cléanthis take advantage of the situation to e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Double Inconstance
''La Double Inconstance'' is a three-act romantic comedy by French playwright Marivaux. Its title is usually translated into English as ''The Double Inconstancy''. ''La Double Inconstance'' was first performed 6 April 1723 by the Comédie Italienne. In this play, a young woman is kidnapped from her lover by the prince of the country, who loves her and intends to marry her. Through ruse and disguises, the prince and a trusty female servant manage to break up the relationship, resulting in two marriages. Like many of Marivaux's other comedies, ''La Double Inconstance'' makes use of stock characters from the Commedia dell'arte. In this play, Arlequin and Trivelin are featured. Plot summary Silvia is a young peasant girl who loves and is loved by Arlequin. Prior to the opening of the play, the prince meets her and instantly falls in love with her. He pretends to be a simple officer of the prince and befriends her. He is required by law to marry a commoner, so he sends his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
