Tritonian Nash-Vegas Polyester Complex
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Tritonian Nash-Vegas Polyester Complex
''Tritonian Nash-Vegas Polyester Complex'' is the third studio album by American no wave band No Trend, released in 1986 through Touch and Go Records. The album continues the experimental path the band created with their previous record, ''A Dozen Dead Roses''. The album was ill-received among the American underground, to the point that owners of the record would return it for refunds. Up until the reissue of ''Too Many Humans'' in 2020, ''Tritonian Nash-Vegas Polyester Complex'' and its follow-up album ''More'' were the only No Trend albums to be available through digital outlets such as iTunes iTunes () is a software program that acts as a media player, media library, mobile device management utility, and the client app for the iTunes Store. Developed by Apple Inc., it is used to purchase, play, download, and organize digital mul ... due to the belief that the master tapes for all of the band's previous material were lost. Track listing Personnel Performers *Jeff Men ...
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No Trend
''No Trend'' was an American noise rock and hardcore punk group from Ashton, Maryland, formed in 1982. They were considered anti-hardcore, with the members, especially guitarist and lyricist Frank Price, vehement about their abhorrence towards the punk youth subculture. The band was known for their confrontational stage performances, which normally involved aggressively baiting their punk audience. They were influenced by Public Image Ltd. and Flipper. They released three full-length albums, two released independently and one issued through Touch and Go Records. A fourth album that was recorded in 1987 but never released was finally issued as ''More'' in 2001. History No Trend formed in 1982 in Ashton, Maryland and consisted of Jeff Mentges (vocals), Bob Strasser (bass), Frank Price (guitar), and Michael Salkind (drums). Prior to No Trend, Mentges, Salkind, Strasser and Brad Pumphrey (guitar) were a band called the Aborted; they nearly played out with Government Issue. No Tre ...
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Experimental Rock
Experimental rock, also called avant-rock, is a subgenre of rock music that pushes the boundaries of common composition and performance technique or which experiments with the basic elements of the genre. Artists aim to liberate and innovate, with some of the genre's distinguishing characteristics being improvisation (music), improvisational performances, avant-garde influences, odd instrumentation, opaque lyrics (or instrumentals), unorthodox structures and rhythms, and an underlying rejection of commercial aspirations. From its inception, rock music was experimental, but it was not until the late 1960s that rock artists began creating extended and complex compositions through advancements in multitrack recording. In 1967, the genre was as commercially viable as Popular music, pop music, but by 1970, most of its leading players had incapacitated themselves in some form. In Germany, the krautrock subgenre merged elements of improvisation and psychedelic rock with electronic music, ...
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Jazz Rock
Jazz fusion (also known as fusion and progressive jazz) is a music genre that developed in the late 1960s when musicians combined jazz harmony and jazz improvisation, improvisation with rock music, funk, and rhythm and blues. Electric guitars, amplifiers, and keyboards that were popular in rock and roll started to be used by jazz musicians, particularly those who had grown up listening to rock and roll. Jazz fusion arrangements vary in complexity. Some employ groove-based vamps fixed to a single key or a single chord with a simple, repeated melody. Others use elaborate chord progressions, unconventional time signatures, or melodies with counter-melodies. These arrangements, whether simple or complex, typically include improvised sections that can vary in length, much like in other forms of jazz. As with jazz, jazz fusion can employ brass and woodwind instruments such as trumpet and saxophone, but other instruments often substitute for these. A jazz fusion band is less likely to ...
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Touch And Go Records
Touch and Go Records is an American independent record label based in Chicago, Illinois. After its genesis as a handmade fanzine in 1979, it grew into one of the key record labels in the American 1980s underground and alternative rock scenes. Touch & Go carved out a reputation for releasing adventurous noise rock by the likes of Big Black, the Butthole Surfers, and The Jesus Lizard. Touch & Go helped to spearhead the nationwide network of underground bands that formed the pre-Nirvana indie rock scene, and helped preside over the shift from the hardcore punk that then dominated the American underground scene to the more diverse styles of alternative rock emerging at the time. History The zine was formed in 1979 in East Lansing, Michigan as Touch and Go magazine, a self-printed fanzine written and produced by Tesco Vee and Dave Stimson. It wasn't until 1981 that it grew into an independent record label. Vee (later front man of The Meatmen) was bored with the punk sounds of the day ...
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A Dozen Dead Roses
''A Dozen Dead Roses'' is the second album, studio album by American post-punk band No Trend, released in 1985 through their very own No Trend Records. The album features a dramatic musical and stylistic shift from previous releases, being more funk influenced when compared to their previous noise rock, noisy records such as ''Too Many Humans....., Too Many Humans''. The album features Lydia Lunch performing vocals on numerous tracks. The track "For the Fun of It All" originated from their previous release, ''Too Many Humans''. History After the release of ''Too Many Humans'', Frank Price and Michael Salkins left the group, leaving Jeff Mentges and Bob Strasser. Mentges would later recruit other musicians to help with the recording of ''A Dozen Dead Roses''. This album features a dramatic change in sound, featuring influences of jazz and funk music. The sudden change in sound has been described as a prank on the fan base they've attained from the release of ''Too Many Humans''. '' ...
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More (No Trend Album)
''More'' is the fourth and final studio album by American no wave band No Trend. It was originally recorded in 1987 and was intended to be released through Touch & Go Records, however the label refused to release it, and the band broke up soon after. The album remained unreleased until 2001 after Morphius Archives got the rights to release the record. History After the release of ''Tritonian Nash-Vegas Polyester Complex'', No Trend recorded another album in 1987 and gave it to Touch & Go Records to release it. However, after listening to it, the label deemed the record to be "too weird" for a release. Unable to find a record label to release the album, No Trend broke up in 1989. There were many different session musicians who performed on the album, so many, in fact, that the band were unable to list them all in the liner notes for the release. Track listing References

{{Authority control 2001 albums No Trend albums ...
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Allmusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Studio Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Too Many Humans
''Too Many Humans.....'' is the debut studio album by the American noise rock band No Trend, released through their own No Trend Records in 1984 on vinyl format. The album is known for its brash, misanthropic lyrics, as evident on tracks such as "Reality Breakdown" and "Mindless Little Insects". It has been described as "nightmarish" and has been compared to other noisy bands such as Flipper and Public Image Ltd. The title track would serve as inspiration for Godflesh during the recording of their 1988 album ''Streetcleaner''. The album was long thought to never be reissued due to the supposed destruction of the original master tapes. However, on May 29, 2020, Drag City released a box set reissue and remaster of the album, along with both versions of '' Teen Love''. Music and lyrics The album has been described as violent, misanthropic, noisy, and mean-spirited. Most lyrics mock punk subculture and the social normalities of human life; such as marriage, fashion, and so on. A ...
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Music Download
A music download (commonly referred to as a digital download) is the digital transfer of music via the Internet into a device capable of decoding and playing it, such as a personal computer, portable media player, MP3 player or smartphone. This term encompasses both legal downloads and downloads of copyrighted material without permission or legal payment. According to a Nielsen report, downloadable music accounted for 55.9 percent of all music sales in the US in 2012."All music sales" refers to albums plus track equivalent albums. A track equivalent album equates to 10 tracks. By the beginning of 2011, Apple's iTunes Store alone made 1.1 billion of revenue in the first quarter of its fiscal year. Music downloads are typically encoded with modified discrete cosine transform (MDCT) audio data compression, particularly the Advanced Audio Coding (AAC) format used by iTunes as well as the MP3 audio coding format. Online music store Paid downloads are sometimes encoded with d ...
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