Tristana (film)
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Tristana (film)
''Tristana'' is a 1970 drama film directed and produced by Luis Buñuel, and starring Catherine Deneuve, Fernando Rey, and Franco Nero. The screenplay by Buñuel and Julio Alejandro adapts an 1892 realist novel of the same name by Benito Pérez Galdós. It is a Spanish-French-Italian co-production filmed in Toledo, Buñuel's one-time home, and represents his return to his native country after several years living and working abroad. It earned positive acclaim from critics, and was nominated for Best Foreign-Language Film at the 43rd Academy Awards. Plot The story is set in the late 1920s to early 1930s in the city of Toledo. Tristana is a young woman who, following the death of her mother, becomes a ward of notorious nobleman don Lope Garrido. Despite his advancing age, Don Lope refuses to change his playboy lifestyle, while maintaining strong yet increasingly-antiquated attitudes about honor, chivalry, and women. Claiming to defend the weak from corrupt institutions (while e ...
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Luis Buñuel
Luis Buñuel Portolés (; 22 February 1900 – 29 July 1983) was a Spanish-Mexican filmmaker who worked in France, Mexico, and Spain. He has been widely considered by many film critics, historians, and directors to be one of the greatest and most influential filmmakers of all time. When Buñuel died at age 83, his obituary in ''The New York Times'' called him "an iconoclast, moralist, and revolutionary who was a leader of avant-garde surrealism in his youth and a dominant international movie director half a century later". His first picture, ''Un Chien Andalou''—made in the silent era—is still viewed regularly throughout the world and retains its power to shock the viewer, and his last film, ''That Obscure Object of Desire''—made 48 years later—won him Best Director awards from the National Board of Review and the National Society of Film Critics. Writer Octavio Paz called Buñuel's work "the marriage of the film image to the poetic image, creating a new reality...scan ...
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Academy Award For Best Foreign Film
The Academy Award for Best International Feature Film (known as Best Foreign Language Film prior to 2020) is one of the Academy Awards handed out annually by the U.S.-based Academy of Motion Picture Arts and Sciences (AMPAS). It is given to a feature-length motion picture produced outside the United States with a predominantly non-English dialogue track.80th Academy Awards – Special Rules for the Best Foreign Language Film Award
. Academy of Motion Picture Arts and Sciences. Retrieved November 2, 2007.
When the first Academy Awards ceremony was held on May 16, 1929, to honor films released in 1927/28, there was no separate category for foreign language films because most of the films released in 1927 and in 1928 were silent films. Between 20th Academy Awards ...
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Jeanne Moreau
Jeanne Moreau (; 23 January 1928 – 31 July 2017) was a French actress, singer, screenwriter, director, and socialite. She made her theatrical debut in 1947, and established herself as one of the leading actresses of the Comédie-Française. Moreau began playing small roles in films in 1949, later achieving prominence with starring roles in Louis Malle's ''Elevator to the Gallows'' (1958), Michelangelo Antonioni's ''La Notte'' (1961), and François Truffaut's ''Jules et Jim'' (1962). Most prolific during the 1960s, Moreau continued to appear in films into her 80s. Orson Welles called her "the greatest actress in the world". She won the Cannes Film Festival Award for Best Actress for '' Seven Days... Seven Nights'' (1960), the BAFTA Award for Best Foreign Actress for ''Viva Maria!'' (1965), and the César Award for Best Actress for '' The Old Lady Who Walked in the Sea'' (1992). She was also the recipient of several lifetime achievement awards, including a BAFTA Fellowship in 1 ...
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Diary Of A Chambermaid (1964 Film)
''Diary of a Chambermaid'' (french: Le journal d'une femme de chambre, it, Il diario di una cameriera) is a 1964 French–Italian drama film directed by Spanish-born filmmaker Luis Buñuel and starring Jeanne Moreau as a Parisian chambermaid who uses her body and wiles to navigate the perversion, corruption, and violence she encounters at the provincial estate where she goes to work. Though highly satirical and reflective of his typical anti-bourgeois sentiments, it is one of Buñuel's more realistic films, and generally avoids the outlandish surrealist imagery and far-fetched plot twists found in many of his other works. The film was the first screenwriting collaboration between Buñuel and Jean-Claude Carrière, who extensively reworked the 1900 novel of the same name by Octave Mirbeau. Buñuel and Carrière would go on to collaborate on '' Belle de Jour'' (1967), '' The Milky Way (1969)'', ''The Discreet Charm of the Bourgeoisie'' (1972), ''The Phantom of Liberty'' (1974) an ...
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Juanjo Menéndez
Juan José Menéndez Gutiérrez de la Torre (15 May 1929 – 7 November 2003) better known as Juanjo Menéndez was a Spanish actor. He appeared in more than 90 films and television shows between 1953 and 1997. He starred in the film '' El Lazarillo de Tormes'', which won the Golden Bear at the 10th Berlin International Film Festival. Selected filmography * '' Gypsy Curse'' (1953) * '' Two Paths'' (1954) * ''It Happened in Seville'' (1955) * ''Historias de la radio'' (1955) * '' El Lazarillo de Tormes'' (1959) * '' A Nearly Decent Girl'' (1963) * ''Sor Citroën ''Sor Citroën'', or ''Sor Citroen'', is a 1967 Spanish comedy film directed by Pedro Lazaga and starring Gracita Morales as Sister Tomasa, a nun who drives a Citroën 2CV. Plot A community of nuns who run an orphanage for girls decides to ge ...'' (1967) * '' Fruit of Temptation'' (1968) References External links * * 1929 births 2003 deaths Spanish male film actors Male actors from Madrid Deaths fro ...
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José María Caffarel
José María Caffarel Fábregas (10 November 1919 – 6 November 1999) was a Spanish film actor. He appeared in more than 170 films between 1957 and 1998. He was born in Barcelona and died in Madrid, Spain. Selected filmography * ''The Last Torch Song'' (1957) - Monsieur Dupois - Empresario de París * ''La cárcel de cristal'' (1957) - Médico * ''Fulano y Mengano'' (1957) - Señor que da limosnas (uncredited) * ''Historias de la feria'' (1958) - Sr. Bosch * ''Distrito quinto'' (1958) - Cómplice - falso policía * ''Giovane canaglia'' (1958) * ''Ana dice sí'' (1958) - M. Holloway * ''La muralla'' (1958) - Banquero * ''El frente infinito'' (1959) - Médico * ''Buen viaje, Pablo'' (1959) - Fuentes * ''Muerte al amanecer'' (1959) - Costa * ''Crimen para recién casados'' (1960) - Comisario * '' The Crossroads'' (1960) - Martínez * '' The Big Show'' (1960) - Valera * ''Llama un tal Esteban'' (1960) - Inspector * ''Tu marido nos engaña'' (1960) * ''Gaudí'' (1960) - Vizcon ...
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Antonio Ferrandis
Antonio Ferrandis Monrabal (28 February 1921 – 16 October 2000) was a Spanish actor, remembered especially for the role of ''Chanquete'' in the Spanish television series ''Verano azul''. Biography Born on 28 February 1921 in Paterna, province of Valencia, after the Spanish Civil War he was a teacher since he began his studies in teaching, although his true passion would be the theatre His first role on stage was in ''Oedipus'', co-starring with Francisco Rabal in 1950. In his younger days highlighted in several films. Years later was one of the great protagonists of Spanish cinema. Known for playing ''Chanquete'' in the television series ''Verano azul'' in 1981. He died on 16 October 2000 in Valencia Chiron hospital at 79 years old. Ten years after his death, on 15 October 2010, his home town, Paterna, paid homage to a documentary of his life in the theater that bears his name. Selected filmography * ''Flight 971'' (1953) * ''The Fair of the Dove'' (1963) * ''Sor Citroën'' ...
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José Calvo
José Calvo (March 3, 1916 – May 16, 1980) was a Spanish film actor best known for his roles in western films and historical dramas. He made around 150 appearances mostly in films between 1952 and his death in 1980. He entered film in 1952 and was prolific as an actor throughout the 1950s and 1960s. He made many appearances in crime dramas, often with a historical theme and appeared in a high number of western films. In 1964 he starred as the innkeeper Silvanito in Sergio Leone's Spaghetti Western production ''A Fistful of Dollars'' as one of Clint Eastwood's few "amigos" in the town of San Miguel. He later appeared in westerns such as '' I Giorni dell'ira'' (1967) opposite Lee Van Cleef, '' Anda muchacho, spara!'' (1971) and ''Dust in the Sun'' (1973) etc. However, after the Spaghetti Western era of the late 1960s, in the 1970s he returned to appearing in primarily Spanish films and in contrast to the roles which dominated much of his career did appear in several Spanish ...
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Heart Attack
A myocardial infarction (MI), commonly known as a heart attack, occurs when blood flow decreases or stops to the coronary artery of the heart, causing damage to the heart muscle. The most common symptom is chest pain or discomfort which may travel into the shoulder, arm, back, neck or jaw. Often it occurs in the center or left side of the chest and lasts for more than a few minutes. The discomfort may occasionally feel like heartburn. Other symptoms may include shortness of breath, nausea, feeling faint, a cold sweat or feeling tired. About 30% of people have atypical symptoms. Women more often present without chest pain and instead have neck pain, arm pain or feel tired. Among those over 75 years old, about 5% have had an MI with little or no history of symptoms. An MI may cause heart failure, an irregular heartbeat, cardiogenic shock or cardiac arrest. Most MIs occur due to coronary artery disease. Risk factors include high blood pressure, smoking, diabetes, lack of e ...
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Deaf Mute
Deaf-mute is a term which was used historically to identify a person who was either deaf and used sign language or both deaf and could not speak. The term continues to be used to refer to deaf people who cannot speak an oral language or have some degree of speaking ability, but choose not to speak because of the negative or unwanted attention atypical voices sometimes attract. Such people communicate using sign language. Some consider it to be a derogatory term if used outside its historical context; the preferred term today is simply ''deaf''. Historical usage of ''deaf-mute'' and other terms United Kingdom In 19th-century British English ''mute'' and ''dumb'' meant 'non-speaking', and were not pejorative terms. For example, in 1889 Queen Victoria instigated the ''Royal Commission on The Blind, the Deaf and Dumb etc. in the United Kingdom''. The intention was to examine contemporary education and employment of blind or deaf people, with a view to improving conditions for them. T ...
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Marriage Of Convenience
A marriage of convenience is a marriage contracted for reasons other than that of love and commitment. Instead, such a marriage is entered into for personal gain, or some other sort of strategic purpose, such as a political marriage. There are some cases in which those married do not intend to live together as a couple, and typically got married only for one of them to gain the right to reside in a country, meaning a marriage of benefit. In many cultures, it is usual for parents to decide their adult children's marriages; this is called an arranged marriage. A marriage of convenience that is neither a sham marriage entered into for fraudulent purposes nor a forced marriage, is not against the law. Legal loophole Marriages of convenience are often contracted to exploit legal loopholes of various sorts. A couple may wed for one of them to gain citizenship or right of abode, for example, as many countries around the world will grant such rights to anyone married to a resident ci ...
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Duel
A duel is an arranged engagement in combat between two people, with matched weapons, in accordance with agreed-upon Code duello, rules. During the 17th and 18th centuries (and earlier), duels were mostly single combats fought with swords (the rapier and later the small sword), but beginning in the late 18th century in England, duels were more commonly fought using pistols. Fencing and shooting continued to co-exist throughout the 19th century. The duel was based on a Code of conduct, code of honor. Duels were fought not so much to kill the opponent as to gain "satisfaction", that is, to restore one's honor by demonstrating a willingness to risk one's life for it, and as such the tradition of dueling was originally reserved for the male members of nobility; however, in the modern era, it extended to those of the upper classes generally. On occasion, duels with swords or pistols were fought between women. Legislation against dueling goes back to the medieval period. The Fourth Co ...
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