Trio For Horn, Violin, And Piano (Berkeley)
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Trio For Horn, Violin, And Piano (Berkeley)
The Trio for horn, violin, and piano, Op. 44, is a chamber music work by the English composer Lennox Berkeley. It was composed in the early 1950s and was premiered in March 1954 in London. A performance takes about 15 minutes. History The Horn Trio was commissioned by the pianist Colin Horsley for hornist Dennis Brain, with whom he had enjoyed playing the Brahms Horn Trio. Together with the violinist Manoug Parikian, they gave the first performance of the trio for the Chamber Music Society at the Victoria and Albert Museum, South Kensington, on Sunday, 28 March 1954. They also made the first recording, issued on HMV CLP 1029. The year of composition is given variously as the late 1940s, 1952, 1953, and 1954. The trio is one of Berkeley's most often performed and recorded chamber music works. Analysis The trio is in three movements: # Allegro # Lento # Tema con variazioni The opening Allegro is dominated by the interval of the perfect fourth, and in general alternates pairs of the ...
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Opus Number
In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800–01), paired in same opus number, with both being subtitled ''Sonata quasi una Fantasia'', the only two of the kind in all of Beethoven's 32 piano sonatas. Furthermore, the ''Piano Sonata, Op. 27 No. 2, in C-sharp minor'' is also catalogued as "Sonata No. 14", ...
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Michael Tippett
Sir Michael Kemp Tippett (2 January 1905 – 8 January 1998) was an English composer who rose to prominence during and immediately after the Second World War. In his lifetime he was sometimes ranked with his contemporary Benjamin Britten as one of the leading British composers of the 20th century. Among his best-known works are the oratorio ''A Child of Our Time'', the orchestral '' Fantasia Concertante on a Theme of Corelli'', and the opera ''The Midsummer Marriage''. Tippett's talent developed slowly. He withdrew or destroyed his earliest compositions, and was 30 before any of his works were published. Until the mid-to-late 1950s his music was broadly lyrical in character, before changing to a more astringent and experimental style. New influences, including those of jazz and blues after his first visit to America in 1965, became increasingly evident in his compositions. While Tippett's stature with the public continued to grow, not all critics approved of these changes ...
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Compositions For Piano Trio
Among the fairly large repertoire for the standard piano trio (violin, cello, and piano) are the following works: Ordering is by surname of composer. A *Els Aarne **Piano Trio (1946) * **Trio per pianoforte, violino e violoncello (1842) *Kati Agócs **Piano Trio No. 1, Queen of Hearts (2017) *Miguel del Águila ** Tango Trio (2002) ** Disagree! (2017) **Japanese Gardens (1996) **Boundaries 2 (2002) **Doppler Effect, version for violin, cello, piano (2005) **Images (rev. 2008) **Lullaby for Piano Trio (v. 2008) **Musescapes (2009) **A Golden Celebration (2014) *Franghiz Ali-Zadeh **Impromptus (2004) *Charles-Valentin Alkan **Piano Trio in G minor, Op. 30 (1841) * Berta Alves de Sousa **Piano Trio (1974) *Alexander Alyabyev **Piano Trio in E-flat major in one movement (1812) **Piano Trio in A minor (1820) * Fikret Amirov ** To the Memory of Ghadsibekov, second version, poem for violin, cello and piano (1953) * Andrew Anderson **Piano Trio in E minor: "The Heart" (2013) *Volkma ...
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Compositions For Horn Trio
Composition or Compositions may refer to: Arts and literature * Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation * Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters * Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker * Digital compositing, the practice of digitally piecing together a video Computer science * Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition In computer science, object composition and object aggregation are closely related ways to combine objects or data types into more comple ...
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John Tyrrell (musicologist)
John Tyrrell (17 August 1942 – 4 October 2018) was a British musicologist. He published several books on Leoš Janáček, including an authoritative and largely definitive two-volume biography. Early life Tyrrell was born in Salisbury, Southern Rhodesia (now Harare, Zimbabwe), he studied at the universities of Cape Town, Oxford and Brno. He pursued his Bachelor of Music at the University of Cape Town following which he moved to Oxford University to pursue a doctoral degree under the supervision of Edmund Rubbra Career Tyrrell started his career working in an editorial capacity at The Musical Times. He was a Lecturer in Music at the University of Nottingham (1976), becoming Reader in Opera Studies (1987) and Professor (1996). From 1996 to 2000 he was Executive Editor of the second edition of ''The New Grove Dictionary of Music and Musicians'' (2001). From 2000-08, he was Research Professor at Cardiff University. He received numerous awards and honours throughout his career. ...
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Stanley Sadie
Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was published as the first edition of ''The New Grove Dictionary of Music and Musicians''. Along with Thurston Dart, Nigel Fortune and Oliver Neighbour he was one of Britain's leading musicologists of the post-World War II generation. Career Born in Wembley, Sadie was educated at St Paul's School, London, and studied music privately for three years with Bernard Stevens. At Gonville and Caius College, Cambridge he read music under Thurston Dart. Sadie earned Bachelor of Arts and Bachelor of Music degrees in 1953, a Master of Arts degree in 1957, and a PhD in 1958. His doctoral dissertation was on mid-eighteenth-century British chamber music. After Cambridge, he taught at Trinity College of Music, London (1957–1965). Sadie then turned to musi ...
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Trio For Violin, Horn And Piano (Ligeti)
The Trio for Violin, Horn and Piano by György Ligeti was completed in 1982. The piece was a turning point in Ligeti’s career. Ligeti had composed little since he completed his opera, ''Le Grand Macabre,'' in 1977, having only finished a few smaller pieces, like ''Hungarian Rock (chaconne)'' and ''Passacaglia ungherese'' for harpsichord. Influenced by sources as diverse as sub-Saharan African drumming, the music of Conlon Nancarrow, and the piano music of Chopin and Schumann, the Trio is considered to be the watershed moment that opened up his "third way," a style that Ligeti claimed to be neither modern nor postmodern. Ligeti wrote the Trio at the suggestion of pianist Eckart Besch as a companion to Johannes Brahms' Horn Trio, one of the few other examples in the genre, which is why the Ligeti Trio is marked ''Hommage à Brahms''. Ligeti recalled his reaction to the suggestion: " soon as he pronounced the word 'horn' somewhere inside my head I heard the sound of a horn as if ...
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Horn Trio (Holbrooke)
Joseph Holbrooke's Horn Trio in D minor, Op. 28, is a chamber composition for a trio consisting of horn, violin and piano.. Conceived as a companion piece to Brahms's Horn Trio Op. 40, the work was composed no earlier than 1904 and revised by the composer between 1906 and 1912.. Structure The composition is structured in three movements: # '' Larghetto sostenuto – Allegro con brio'' # ''Adagio non troppo'' # ''Rondo The rondo is an instrumental musical form introduced in the Classical period. Etymology The English word ''rondo'' comes from the Italian form of the French ''rondeau'', which means "a little round". Despite the common etymological root, rondo ...: Molto vivace'' A typical performance takes around 27 to 30 minutes. References ;Notes ;Sources * * External links * * * - Reviews of the Naxos recording, with additional notes by the author of the liner notes to the Naxos Album. Compositions by Joseph Holbrooke Holbrooke Holbrooke 1904 compositions Holb ...
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Trio For Horn, Violin, And Piano (Banks)
The Trio for horn, violin, and piano is a chamber music work by the Australian composer Don Banks. It was composed in 1962 and premiered the same year at the Edinburgh Festival. A performance takes about 15 minutes. History The Horn Trio was commissioned by the Edinburgh Festival, and was written especially for hornist Barry Tuckwell, violinist Brenton Langbein, and pianist Maureen Jones, in part because they were all Australians, like the composer. Tuckwell's virtuosity was particularly important in stimulating the conception of this trio, as well as the Horn Concerto that Banks composed for Tuckwell three years later. Analysis The trio is in three movements: # Lento–Allegro moderato # Adagio espressivo # Moderato, scherzando There is some disagreement concerning the compositional techniques employed. While Banks most often employed twelve-tone serial techniques in his concert music, one writer contends that the trio is an exception, while another describes it as atonal as well ...
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Ground Bass
In music, an ostinato (; derived from Italian word for ''stubborn'', compare English ''obstinate'') is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces include classical compositions such as Ravel's ''Boléro'' and the ''Carol of the Bells'', and popular songs such as Donna Summer and Giorgio Moroder's "I Feel Love" (1977), Henry Mancini's theme from ''Peter Gunn'' (1959), The Who's "Baba O'Riley" (1971), and The Verve's "Bitter Sweet Symphony" (1997). Both ''ostinatos'' and ''ostinati'' are accepted English plural forms, the latter reflecting the word's Italian etymology. The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Kamien, Roger (1258). ''Music: An Appreciation'', p. 611. . Strictly speaking, ostinati should have exact repetition, but in common usage, the term covers repetition with variation and development, such as the alteration of an osti ...
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Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works of virtually every genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoire. Mozart is widely regarded as among the greatest composers in the history of Western music, with his music admired for its "melodic beauty, its formal elegance and its richness of harmony and texture". Born in Salzburg, in the Holy Roman Empire, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. His father took him on a grand tour of Europe and then three trips to Italy. At 17, he was a musician at the Salzburg court b ...
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Arnold Schoenberg
Arnold Schoenberg or Schönberg (, ; ; 13 September 187413 July 1951) was an Austrian-American composer, music theorist, teacher, writer, and painter. He is widely considered one of the most influential composers of the 20th century. He was associated with the expressionist movement in German poetry and art, and leader of the Second Viennese School. As a Jewish composer, Schoenberg was targeted by the Nazi Party, which labeled his works as degenerate music and forbade them from being published. He immigrated to the United States in 1933, becoming an American citizen in 1941. Schoenberg's approach, bοth in terms of harmony and development, has shaped much of 20th-century musical thought. Many composers from at least three generations have consciously extended his thinking, whereas others have passionately reacted against it. Schoenberg was known early in his career for simultaneously extending the traditionally opposed German Romantic styles of Brahms and Wagner. Later, hi ...
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