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Trio And Quintet
''Trio and Quintet'' is an album by jazz pianist Elmo Hope which compiles sessions recorded in 1953, originally released as a 10" LP titled ''Elmo Hope Trio'', and 1954, originally released as a 10" LP titled ''Elmo Hope Quintet, Volume 2'', for the Blue Note label along with a session from 1957 originally released on Pacific Jazz as part of a 1962 LP release shared with a Jazz Messengers reissue. Reception The Allmusic review by Stephen Cook stated "Of the collections of Elmo Hope's '50s recordings, ''Trio and Quintet'' is the one to get. It includes his prime Blue Note sessions and features a stellar cast of hard bop musicians... This Blue Note release is great not only for its cross-section of Hope compositions, but also for the many fertile ideas they've inspired in top-drawer soloists".Cook, SAllmusic Reviewaccessed August 20, 2012 Track listing ''All compositions by Elmo Hope except as indicated'' # "It's a Lovely Day Today" (Irving Berlin) - 2:47 # "Mo Is On" - 2:50 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elmo Hope
St. Elmo Sylvester Hope (June 27, 1923 – May 19, 1967) was an American jazz pianist, composer, and arranger, chiefly in the bebop and hard bop genres. He grew up playing and listening to jazz and classical music with Bud Powell, and both were close friends of another influential pianist, Thelonious Monk. Hope survived being shot by police as a youth to become a New York-based musician who recorded with several emerging stars in the early to mid-1950s, including trumpeter Clifford Brown, and saxophonists John Coltrane, Lou Donaldson, Jackie McLean, and Sonny Rollins. A long-term heroin user, Hope had his license to perform in New York's clubs withdrawn after a drug conviction, so he moved to Los Angeles in 1957. He was not happy during his four years on the West Coast, but had some successful collaborations there, including with saxophonist Harold Land. More recordings as leader ensued following Hope's return to New York, but they did little to gain him more public or critical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles N
Charles is a masculine given name predominantly found in English and French speaking countries. It is from the French form ''Charles'' of the Proto-Germanic name (in runic alphabet) or ''*karilaz'' (in Latin alphabet), whose meaning was "free man". The Old English descendant of this word was '' Ċearl'' or ''Ċeorl'', as the name of King Cearl of Mercia, that disappeared after the Norman conquest of England. The name was notably borne by Charlemagne (Charles the Great), and was at the time Latinized as ''Karolus'' (as in ''Vita Karoli Magni''), later also as '' Carolus''. Some Germanic languages, for example Dutch and German, have retained the word in two separate senses. In the particular case of Dutch, ''Karel'' refers to the given name, whereas the noun ''kerel'' means "a bloke, fellow, man". Etymology The name's etymology is a Common Germanic noun ''*karilaz'' meaning "free man", which survives in English as churl (< Old English ''ċeorl''), which developed its depr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harold Land
Harold de Vance Land (December 18, 1928 – July 27, 2001) was an American hard bop and post-bop tenor saxophonist. Land developed his hard bop playing with the Max Roach/ Clifford Brown band into a personal, modern style, often rivalling Clifford Brown's instrumental ability with his own inventive and whimsical solos. His tone was strong and emotional, yet hinted at a certain introspective fragility. Biography Land was born in Houston, Texas, United States and grew up in San Diego, California. He started playing at the age of 16. He made his first recording as the leader of the Harold Land All-Stars, for Savoy Records in 1949. In 1954, he joined the Clifford Brown/Max Roach Quintet, with whom he was at the forefront of the hard-bop/bebop movement. The Land family moved from San Diego to Los Angeles, in 1955. There he played with Curtis Counce, led his own groups, and co-led groups with Bobby Hutcherson, Blue Mitchell, and Red Mitchell. From the 1970s onwards, his style showed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Foster (jazz Musician)
Frank Benjamin Foster III (September 23, 1928 – July 26, 2011) was an American tenor and soprano saxophonist, flautist, arranger, and composer. Foster collaborated frequently with Count Basie and worked as a bandleader from the early 1950s.Profile AllMusic; accessed June 21, 2017. In 1998, Howard University awarded Frank Foster with the Benny Golson Jazz Master Award. Early life and education Foster was born in Cincinnati, Ohio, United States, and educated at Wilberforce University. In 1949, he moved to Detroit, Michigan, where he joined the local jazz scene, playing with musicians such as Wardell Gray. Career Drafted into the U.S. Army in 1951, Foster served in Korea with the 7th Infantry Division where he fought alongside (although unknowingly) future collaborator Shawn ‘Thunder’ Wallace. Upon finishing his military service in 1953 he joined Count Basie's big band. Foster contributed both arrangements and original compositions to Count Basie's band including the stan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stu Williamson
Stu Williamson (May 14, 1933 – October 1, 1991) was an American jazz trumpeter and valve trombonist. Born in Brattleboro, Vermont, Williamson was the younger brother of jazz pianist Claude Williamson. In 1949, he moved to Los Angeles, where he worked with Stan Kenton, Woody Herman, Billy May, Charlie Barnet, and Shelly Manne. He worked often as a session musician until his retirement in 1968. He battled drug addiction for much of his life and died in Studio City, California in 1991. Discography As leader * ''Sapphire'' (Bethlehem, 1955) * ''Stu Williamson Plays'' (Bethlehem, 1955) * ''A Jazz Band Ball'' with Jack Sheldon (Bethlehem, 1957) * ''Stu Williamson'' (Bethlehem, 1958) As sideman or guest With Pepper Adams *''Pepper Adams Quintet'' (Mode, 1956) With Clifford Brown's All Stars *''Jazz Messages'' *'' Jazz Immortal'' (Pacific Jazz, 1956) With Benny Carter *'' Aspects'' (United Artists, 1959) With Terry Gibbs * ''Dream Band'' recorded 1959 (Contemporary, 1986) * ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Freeman Lee
Charles Freeman Lee, known as Freeman Lee (August 13, 1927 – June 15, 1997) was an American jazz trumpeter, recording with the Elmo Hope Quintet, Bennie Green, Babs Gonzales and Howard McGhee. Early life and education Charles Freeman Lee was born in New York, NY, to Louella Simpson Lee and Charles Henry Lee. He studied at Wilberforce University, and played with Wilberforce Collegians. He graduated from Central State University with a B.S. in Biology. Early career In 1950 Lee played piano with Snooky Young. In 1951, Lee played trumpet with Candy Johnson. In 1952, Lee played trumpet with Sonny Stitt and Eddie "Lockjaw" Davis. In 1953 Lee performed with Joe Holiday. In 1954 and 1955 Lee freelanced in New York City. In 1956 he played with James Moody. Lee visited Ohio for a year, later returning to NYC and gigging around, including performances at the jazz club Birdland, playing both piano and trumpet. He also played with Babs Gonzales. Professional career Lee was the tru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mark Fisher (songwriter)
Mark Fisher (March 24, 1895January 2, 1948) was an American songwriter. Born in Philadelphia, Pennsylvania, he died in Long Lake, Illinois. Career Many of his compositions were joint ventures with Joe Goodwin and Larry Shay (see Shay, Fisher, and Goodwin). Another collaborator was Joe Burke. Fisher's songs include "Remembering", "When You're Smiling", and "Oh, How I Miss You Tonight "Oh, How I Miss You Tonight" is a popular song, published in 1925, written by Benny Davis, Joe Burke, and Mark Fisher. Popular recordings of the song in 1925 were by Ben Selvin, Benson Orchestra of Chicago, Lewis James and Irving Kaufman. Oth ...". As a performer he was bandleader for a number of Chicago area hotels, most notably the Marine Room at the Edgewater Beach Hotel. Personal life Married at age 19 to Lenora, he was father to five children: Mildred, William, Ann Ella, Mark Jr, and Lenora. References External links Biography of Mark Fisher on IMDb 1895 births 1948 deaths Song ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Mercer
John Herndon Mercer (November 18, 1909 – June 25, 1976) was an American lyricist, songwriter, and singer, as well as a record label executive who co-founded Capitol Records with music industry businessmen Buddy DeSylva and Glenn E. Wallichs. He is best known as a Tin Pan Alley lyricist, but he also composed music, and was a popular singer who recorded his own songs as well as songs written by others from the mid-1930s through the mid-1950s. Mercer's songs were among the most successful hits of the time, including " Moon River", " Days of Wine and Roses", " Autumn Leaves", and "Hooray for Hollywood". He wrote the lyrics to more than 1,500 songs, including compositions for movies and Broadway shows. He received nineteen Oscar nominations, and won four Best Original Song Oscars. Early life Mercer was born in Savannah, Georgia, where one of his first jobs, aged 10, was sweeping floors at the original 1919 location of Leopold's Ice Cream. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victor Schertzinger
Victor L. Schertzinger (April 8, 1888 – October 26, 1941) was an American composer, film director, film producer, and screenwriter. His films include ''Paramount on Parade'' (co-director, 1930 in film, 1930), ''Something to Sing About (1937 film), Something to Sing About'' (1937 in film, 1937) with James Cagney, and the first two "Road" pictures ''Road to Singapore'' (1940 in film, 1940) and ''Road to Zanzibar'' (1941 in film, 1941). His two best-known songs are "I Remember You (1941 song), I Remember You" and "Tangerine (1941 song), Tangerine", both with lyrics by Johnny Mercer and both featured in Schertzinger's final film, ''The Fleet's In'' (1942 in film, 1942). Life and career Schertzinger was born in Mahanoy City, Pennsylvania, the child of musical parents of Pennsylvania Dutch descent, and attracted attention as a violin Child prodigy, prodigy at the age of four. As a child of eight, he appeared as a violinist with several orchestras, including the Victor Herbert Orchest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
