Trinity Triptych
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Trinity Triptych
The Trinity Triptych is a 1513 oil on panel painting by Domenico Beccafumi, now in the Pinacoteca Nazionale in Siena. Beccafumi's earliest surviving painting, it was produced as the altarpiece for the Cappella del Manto in the Santa Maria della Scala hospital complex, where it remained until 1818. This influenced the choice of Cosmas and Damian as two of the accompanying saints, flanking John the Baptist and John the Evangelist. The artist also produced a fresco cycle for that chapel, of which only ''Joachim and Anna Meeting at the Golden Gate'' survives. A prestigious work in light of the commissioning institution's importance and wealth, it showed Beccafumi's welcome back to Siena (he had just returned from Rome at the time). A cartouche on the frame records the work was commissioned by Battista d'Antonio da Ceva "for his devotion . As shown in documents rediscovered by Samminiatelli, the work was delivered between February and March 1513 at a fee no greater than 35 florins. ...
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Domenico Beccafumi - Trinity - WGA01533
Domenico is an Italian given name for males and may refer to: People * Domenico Alfani, Italian painter * Domenico Allegri, Italian composer * Domenico Alvaro, Italian mobster * Domenico Ambrogi, Italian painter * Domenico Auria, Italian architect * Domenico del Barbieri, Florentine artist * Domenico di Bartolo, Italian painter * Domenico Bartolucci, Italian Roman Catholic cardinal * Domenico di Pace Beccafumi, Italian painter * Domenico Pignatelli di Belmonte, Italian Roman Catholic cardinal * Domenico Berardi, Italian footballer * Domenico Bernini, son of Gian Lorenzo Bernini * Domenico Bidognetti, Italian criminal * Domenico Bollani, Venetian diplomat and politician * Domenico Canale, Italian-American distributor * Domenico Caprioli, Italian painter * Domenico Caruso, Italian poet and writer * Domenico Cefalù, Italian-American mobster * Domenico Cimarosa, Italian composer * Domenico Cirillo, Italian physician and patriot * Domenico Colombo, father of Christopher Colum ...
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Sodoma
Il Sodoma (1477 – 14 February 1549) was the name given to the Italian Renaissance painter Giovanni Antonio Bazzi. Il Sodoma painted in a manner that superimposed the High Renaissance style of early 16th-century Rome onto the traditions of the provincial Sienese school; he spent the bulk of his professional life in Siena, with two periods in Rome. Biography Giovanni Bazzi was born in Vercelli, Piedmont, in 1477. His first master was the "archaic" Martino Spanzotti; he also appears to have been a student of the painter Giovenone. After acquiring the strong colouring and other distinctive stylistic features of the Lombard school and – though he is not known to have travelled to Milan – somehow absorbing the superficial mannerisms of Leonardo (Freedberg 1993:117), he travelled to Siena before 1503, perhaps at the behest of agents of the Spannocchi family, and began with fresco cycles for Olivetan monks and a series of small Ovidian ceiling panels and a frieze depicting t ...
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Paintings In The Pinacoteca Nazionale (Siena)
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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Paintings By Domenico Beccafumi
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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Paintings Of Saints Cosmas And Damian
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ...
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Paintings Depicting John The Apostle
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ...
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Paintings Depicting John The Baptist
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, s ...
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1513 Paintings
Year 1513 ( MDXIII) was a common year starting on Saturday (link will display the full calendar) of the Julian calendar. Events January–June * March 9 – Pope Leo X (layman Giovanni di Lorenzo de' Medici) succeeds Pope Julius II, as the 217th pope, despite a strong challenge by Hungarian cardinal Tamás Bakócz. * March 27 – Juan Ponce de León becomes the first European definitely known to sight Florida, mistaking it for another island. * April 2 – Juan Ponce de León and his expedition become the first Europeans known to visit Florida, landing somewhere on the east coast. * April 2 – Juan Garrido (as part of Juan Ponce de León's expedition) becomes the first African known to visit North America, landing somewhere on the east coast of Florida. * May – Portuguese explorer Jorge Álvares lands on Lintin Island, in the Pearl River estuary. * June 6 – Italian Wars – Battle of Novara: Swiss mercenaries defeat the French under L ...
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Mannerism
Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century. Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, Vasari, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant.Gombrich 1995, . Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music is not ...
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Foligno Madonna
The ''Madonna of Foligno'' is a painting by the Italian High Renaissance painter Raphael, executed . First painted on wood panel, it was later transferred to canvas. History The painting was executed for Sigismondo de' Conti, chamberlain to Pope Julius II. It was placed on the high altar of Santa Maria in Aracoeli on the Capitoline Hill in Rome, the church in which Sigismondo was buried in 1512. It was moved by Anna Conti, a descendant of Sigismondi de' Conti, to the monastery of St. Anne in Foligno in 1565, and remained there for more than two centuries, hence the name. In 1799 it was one of many paintings which Napoleon ordered moved to Paris. There, in 1802, the painting was transferred from panel to canvas by François-Toussaint Hacquin and restored by Mathias Barthélémy Röser of Heidelberg. A note was made by the restorer: "''Rapporto dei cittadini Guijon Vincent Tannay e Berthollet sul ristauro dei quadri di Raffaello conosciuto sotto il nome di Madonna di Foligno ...
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Raphael
Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. List of works by Raphael, His work is admired for its clarity of form, ease of composition, and visual achievement of the Renaissance Neoplatonism, Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period. His father was court painter to the ruler of the small but highly cultured city of Urbino. He died when Raphael was eleven, and Raphael seems to have played a role in managing the family workshop from this point. He trained in the workshop of Perugino, and was described as a fully trained "master" by 1500. He worked in or for several cities in north Italy until in 1508 he moved to Rome at the invitation of the pope, to work on the Vatican Palace. He was given a series of important commissions there and elsewhere in the ...
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Filippino Lippi
Filippino Lippi (April 1457 – 18 April 1504) was an Italian painter working in Florence, Italy during the later years of the Early Renaissance and first few years of the High Renaissance. Biography Filippino Lippi was born in Prato, Tuscany, the illegitimate son of the painter Fra Filippo Lippi and Lucrezia Buti. Filippino first trained under his father. They moved to Spoleto, where Filippino served as workshop adjuvant in the construction of the Cathedral. When his father died in 1469, he completed the frescoes with ''Storie della Vergine'' (''Histories of the Virgin'') in the cathedral. Filippino Lippi completed his apprenticeship in the workshop of Botticelli, who had been a pupil of Filippino's father. In 1472 the records of the painters' guild record that Botticelli had only Filippino Lippi as an assistant. His first works greatly resemble those of Botticelli, but with less sensitivity and subtlety. The very first ones (dating from 1475 onwards) were initially attr ...
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